Canonical Classics ← 第七十一回
第七十一回
行xíng者zhě假jiǎ名míng降xiáng怪guài犼hǒu
觀guān音yīn現xiàn像xiàng伏fú妖yāo王wáng

Pilgrim Under a False Name Subdues the Monster Hou · Guanyin Shows Her Image and Puts Down the Fiend King

解鈴人
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition

解鈴人 Who Ties The Bell Unties It

這zhè正zhèng是shì:犼hǒu項xiàng金jīn鈴líng何hé人rén解jiě?解jiě鈴líng人rén還hái問wèn繫xì鈴líng人rén。菩pú薩sà將jiāng鈴líng兒ér套tào在zài犼hǒu項xiàng下xià,飛fēi身shēn高gāo坐zuò。你nǐ看kàn他tā四sì足zú蓮lián花huā生shēng焰yàn焰yàn,滿mǎn身shēn金jīn縷lǚ迸bèng森sēn森sēn。大dà慈cí悲bēi回huí南nán海hǎi不bù題tí。这zhè正zhèng是shì:犼hǒu项xiàng金jīn铃líng何hé人rén解jiě?解jiě铃líng人rén还hái问wèn系xì铃líng人rén。菩pú萨sà将jiāng铃líng儿ér套tào在zài犼hǒu项xiàng下xià,飞fēi身shēn高gāo坐zuò。你nǐ看kàn他tā四sì足zú莲lián花huā生shēng焰yàn焰yàn,满mǎn身shēn金jīn缕lǚ迸bèng森sēn森sēn。大dà慈cí悲bēi回huí南nán海hǎi不bù题tí。


逐句解 Line by line

這zhè正zhèng是shì:犼hǒu項xiàng金jīn鈴líng何hé人rén解jiě? 这zhè正zhèng是shì:犼hǒu项xiàng金jīn铃líng何hé人rén解jiě?

This is a case of: the golden bells at the hou's neck — who is to loose them?

The tag 這正是: announces a couplet, and a couplet follows — but the source keeps the whole passage as a single prose line with no verse indent, so this edition keeps it as prose too. 解 is jiě, to untie.

解jiě鈴líng人rén還hái問wèn繫xì鈴líng人rén。 解jiě铃líng人rén还hái问wèn系xì铃líng人rén。

The one who unties the bell must still ask the one who tied it.

This is a well-known saying, usually given as 解鈴還須繫鈴人 — the person who tied the bell on the tiger is the person who must take it off. 還 is hái here, still — the adverb, not the verb of returning that the same character took twice a few lines back.

菩pú薩sà將jiāng鈴líng兒ér套tào在zài犼hǒu項xiàng下xià,飛fēi身shēn高gāo坐zuò。 菩pú萨sà将jiāng铃líng儿ér套tào在zài犼hǒu项xiàng下xià,飞fēi身shēn高gāo坐zuò。

The Bodhisattva slipped the bells over the hou's neck and sprang up to sit high on his back.

套 is to slip a loop over something — the bells go back on as a collar, which is what they were. 將 is jiāng, the disposal marker.

你nǐ看kàn他tā四sì足zú蓮lián花huā生shēng焰yàn焰yàn,滿mǎn身shēn金jīn縷lǚ迸bèng森sēn森sēn。 你nǐ看kàn他tā四sì足zú莲lián花huā生shēng焰yàn焰yàn,满mǎn身shēn金jīn缕lǚ迸bèng森sēn森sēn。

Look at him: lotus flowers blazing under all four feet, threads of gold bristling over his whole body.

Another couplet the source does not set as verse — seven characters against seven, with a doubled word closing each. 焰焰 is blazing; 森森 is bristling, thick-set.

大dà慈cí悲bēi回huí南nán海hǎi不bù題tí。 大dà慈cí悲bēi回huí南nán海hǎi不bù题tí。

The Great Compassion returned to the Southern Sea, and of that no more for now.

Eight characters to close the episode. 不題 is the storyteller's scene cut, used three times in this chapter. 大慈悲 is Guanyin by title rather than name.


總評 Commentary

解鈴還須繫鈴人 is one of the best-known sayings in Chinese, and the text has just spent a whole chapter acting it out with real bells. The proverb comes from a Buddhist anecdote about a bell tied to a tiger's neck: the monk who asks who can remove it is told that whoever tied it on must do the untying. The saying puts the bell on a tiger, 虎項; the text writes 犼項, swapping in the beast actually standing there — and here the bells genuinely came off its neck and go back on.

Both of the couplets in this passage look like verse and neither is set as verse. The source keeps the whole block as one prose line, so this edition does too — and neither pair rhymes in any case: 解 against 人, 焰 against 森. They are antithetical couplets, balanced but unrhymed.

The bells go back on as what they always were: a collar. 套在犼項下 — slipped over the hou's neck — and the object that burned a mountain and terrorised a kingdom becomes harness again in five characters.