Canonical Classics ← 第七十一回
第七十一回
xíngzhějiǎmíngxiángguàihǒu
guānyīnxiànxiàngyāowáng

Pilgrim Under a False Name Subdues the Monster Hou · Guanyin Shows Her Image and Puts Down the Fiend King

沖天鶴唳
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

沖天鶴唳 A Crane Cry From The Sky

zhèngzàicānghuángzhītīngbànkōngzhōngyǒurénjiàodào:「shènglái。」xíngzhětáitóuguānkànzhǐjiànzhèngzàicānghuángzhītīngbànkōngzhōngyǒurénjiàodào:「shènglái。」xíngzhětáitóuguānkànzhǐjiàn

chōngtiānpiāopiāojìngzhìcháoqiánchōngtiānpiāopiāojìngzhìcháoqián
liáoràoxiángguāngdàodàoyīnyūnruìpiānpiānliáoràoxiángguāngdàodàoyīnyūnruìpiānpiān
zōngshānfàngyúnyānmángxiéhǎnjiànzōngshānfàngyúnyānmángxiéhǎnjiàn

逐句解 Line by line

zhèngzàicānghuángzhītīngbànkōngzhōngyǒurénjiàodào:「shènglái。」 zhèngzàicānghuángzhītīngbànkōngzhōngyǒurénjiàodào:「shènglái。」

Just as they were all in confusion, they suddenly heard someone calling from mid-air: "Great Sage, I am here."

is , the ending on a verb of hearing. The words are the same six that announced Guanyin's arrival earlier — 我來也 — and once again the speaker does not give a name.

xíngzhětáitóuguānkànzhǐjiàn xíngzhětáitóuguānkànzhǐjiàn

Pilgrim raised his head to look, and saw:

Nine characters with the tag at its tail, opening the last showcase of the chapter. 只見那: is one of the stock formulas for handing the scene over to verse.

chōngtiānpiāopiāojìngzhìcháoqián chōngtiānpiāopiāojìngzhìcháoqián

A crane's cry, austere, piercing the sky; drifting lightly, straight to the front of the court.

Both halves open on a doubled word — 肅肅 for the severity of the sound, 飄飄 for the lightness of the approach. is jìng, straight there, the same word used of Wukong flying to the fox's head.

liáoràoxiángguāngdàodàoyīnyūnruìpiānpiān liáoràoxiángguāngdàodàoyīnyūnruìpiānpiān

Auspicious light wound about in strand upon strand; lucky vapours hung fluttering and dense.

Two doubled words, 道道 and 翩翩, and two bound pairs that only exist as pairs: 繚繞, winding and coiling, and 氤氳, a thick mingling of vapours. Twelve characters and eight of them are working in twos.

zōngshānfàngyúnyānmángxiéhǎnjiàn zōngshānfàngyúnyānmángxiéhǎnjiàn

A palm-fibre robe thatching his body and giving off cloud and mist; on his feet straw sandals seldom seen.

is to thatch, to cover with matting — the robe is described as roofing rather than clothing. 棕衣 is the garment the whole rest of this episode turns on, and the verse names it before anybody explains it.


總評 Commentary

我來也 — I am here — is the second arrival in the chapter announced with exactly those three characters, and both times the voice comes out of mid-air without a name attached. The first was Guanyin putting out the fire. This time nobody in the hall knows who it is.

The showcase that follows is the last full one in the chapter — only a closing couplet remains after it — and it is flawless: six couplets, every closing half exactly six characters, and every one of the six rhyming — 前, 翩, 見, 纏, 遍, 魘, all on the same -an sound.

The important detail is buried in the third couplet and passes as scene-setting. 棕衣, a palm-fibre robe — the coarse raincape a peasant or a hermit wears. The verse mentions it as part of the immortal's costume. It is the object that has been keeping the king of Purpuria out of his own wife's bed for three years, and nobody has said so yet.