Canonical Classics ← 第七十一回
第七十一回
行xíng者zhě假jiǎ名míng降xiáng怪guài犼hǒu
觀guān音yīn現xiàn像xiàng伏fú妖yāo王wáng

Pilgrim Under a False Name Subdues the Monster Hou · Guanyin Shows Her Image and Puts Down the Fiend King

想是懼內
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition

想是懼內 The Bells Are Henpecked

那nà妖yāo王wáng真zhēn個gè將jiāng頭tóu一yī個gè鈴líng兒ér幌huǎng了le三sān幌huǎng,不bú見jiàn火huǒ出chū;第dì二èr個gè幌huǎng了le三sān幌huǎng,不bú見jiàn煙yān出chū;第dì三sān個gè幌huǎng了le三sān幌huǎng,也yě不bú見jiàn沙shā出chū。妖yāo王wáng慌huāng了le手shǒu腳jiǎo道dào:「怪guài哉zāi,怪guài哉zāi!世shì情qíng變biàn了le,這zhè鈴líng兒ér想xiǎng是shì懼jù內nèi,雄xióng見jiàn了le雌cí,所suǒ以yǐ不bù出chū來lái了le。」那nà妖yāo王wáng真zhēn个gè将jiāng头tóu一yī个gè铃líng儿ér幌huǎng了le三sān幌huǎng,不bú见jiàn火huǒ出chū;第dì二èr个gè幌huǎng了le三sān幌huǎng,不bú见jiàn烟yān出chū;第dì三sān个gè幌huǎng了le三sān幌huǎng,也yě不bú见jiàn沙shā出chū。妖yāo王wáng慌huāng了le手shǒu脚jiǎo道dào:「怪guài哉zāi,怪guài哉zāi!世shì情qíng变biàn了le,这zhè铃líng儿ér想xiǎng是shì惧jù内nèi,雄xióng见jiàn了le雌cí,所suǒ以yǐ不bù出chū来lái了le。」


逐句解 Line by line

那nà妖yāo王wáng真zhēn個gè將jiāng頭tóu一yī個gè鈴líng兒ér幌huǎng了le三sān幌huǎng,不bú見jiàn火huǒ出chū;第dì二èr個gè幌huǎng了le三sān幌huǎng,不bú見jiàn煙yān出chū;第dì三sān個gè幌huǎng了le三sān幌huǎng,也yě不bú見jiàn沙shā出chū。 那nà妖yāo王wáng真zhēn个gè将jiāng头tóu一yī个gè铃líng儿ér幌huǎng了le三sān幌huǎng,不bú见jiàn火huǒ出chū;第dì二èr个gè幌huǎng了le三sān幌huǎng,不bú见jiàn烟yān出chū;第dì三sān个gè幌huǎng了le三sān幌huǎng,也yě不bú见jiàn沙shā出chū。

The fiend king really did shake the first bell three times — no fire came out; the second, three times — no smoke came out; the third, three times — and no sand came out either.

One sentence in three matching parts, cut in the source at two semicolons and carried whole here. Only the first names him; the other two simply count on. 一 keeps yī — 頭一個 is the first of a set, an ordinal, and ordinals do not take the usual tone change. 幌 is huǎng, to shake or wave.

妖yāo王wáng慌huāng了le手shǒu腳jiǎo道dào:「怪guài哉zāi,怪guài哉zāi! 妖yāo王wáng慌huāng了le手shǒu脚jiǎo道dào:「怪guài哉zāi,怪guài哉zāi!

The fiend king lost his head and his hands and said, "Extraordinary! Extraordinary!

慌了手腳 for the third and last time in the chapter — Wukong when he dropped the bells, the fiend at the first swing of the cudgel, and now the fiend again. 哉 is the classical exclamatory flourish.

世shì情qíng變biàn了le,這zhè鈴líng兒ér想xiǎng是shì懼jù內nèi, 世shì情qíng变biàn了le,这zhè铃líng儿ér想xiǎng是shì惧jù内nèi,

"The way of the world has changed. These bells must be henpecked —

懼內 is the standard term for a man afraid of his wife: literally to fear the inner quarters. It is applied here to three metal bells. 了 is the neutral le.

雄xióng見jiàn了le雌cí,所suǒ以yǐ不bù出chū來lái了le。」 雄xióng见jiàn了le雌cí,所suǒ以yǐ不bù出chū来lái了le。」

"the cocks have seen the hens, and so they will not come out."

Ten characters, and the explanation is that the fire is too shy to emerge in front of a female bell. 不 keeps bù before the level tone of 出.


總評 Commentary

Three shakes, three shakes, three shakes, and nothing at all. The sentence is built as a triple with the same phrasing each time, so the reader gets the failure three times in the same words — the prose equivalent of watching somebody press a dead button.

Then the fiend explains it, and his explanation is the funniest thing he says in the chapter. 懼內 is the ordinary term for a henpecked husband, literally to fear the inner apartments, and he applies it to his own bells. The cocks have seen the hens and are too intimidated to come out.

世情變了 — the way of the world has changed — is what a man says when reality has stopped behaving. He is standing in front of somebody holding an identical set of bells, having just been told a nonsense rhyme about cocks and hens, and he has decided the problem is with the world.