繡花針兒 A Needle In His Ear
行者將鐵棒捏做個繡花針兒,藏在耳內。卻去腰間解下三個真寶貝來,對妖王說:「這不是我的紫金鈴兒?」妖王見了,心驚道:「蹺蹊,蹺蹊!行者将铁棒捏做个绣花针儿,藏在耳内。却去腰间解下三个真宝贝来,对妖王说:「这不是我的紫金铃儿?」妖王见了,心惊道:「跷蹊,跷蹊!
逐句解 Line by line
Pilgrim pinched the iron cudgel down into an embroidery needle and hid it in his ear.
藏 is cáng, to store away. The cudgel goes into his ear so that both hands are free for the bells — a housekeeping detail the novel never fails to include.
Then he untied the three genuine treasures from his waist,
真寶貝 — the genuine treasures. The narrator says it plainly, because the whole scene depends on the reader knowing which set is which when neither character does. 解 is jiě, to untie.
and said to the fiend king, "Are these not my own purple-gold bells?"
紫金鈴 is the bells' proper name, and Wukong uses it as though it had always been his. 不 drops to bú before the falling tone of 是.
The fiend king saw them and said in alarm, "Strange, strange!
蹺蹊 is odd, fishy, not right — a vernacular word, both characters written with the foot radical. Doubling it is the sound of a man refusing to believe his eyes.
The needle in the ear is a small piece of practical staging. Wukong needs both hands for the bells, so the cudgel goes back to being an embroidery needle and into his ear, where the novel has kept it since the first chapters.
真寶貝 is the narrator taking sides with the reader. He does not have to say genuine — nobody in the scene is confused yet — but saying it sets up the whole comedy that follows, in which two characters compare two sets of bells and only one of them is holding real ones, and neither of them knows.
蹺蹊,蹺蹊 is a good vernacular word for a man whose worldview has just failed. Both characters carry the foot radical, and the sense is of something that will not walk straight. He says it twice.