Canonical Classics ← 第七十一回
第七十一回
行xíng者zhě假jiǎ名míng降xiáng怪guài犼hǒu
觀guān音yīn現xiàn像xiàng伏fú妖yāo王wáng

Pilgrim Under a False Name Subdues the Monster Hou · Guanyin Shows Her Image and Puts Down the Fiend King

躊躇未定
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition

躊躇未定 She Cannot Decide

娘niáng娘niang見jiàn說shuō,心xīn中zhōng怛dá突tū:欲yù不bù取qǔ出chū鈴líng兒ér,恐kǒng他tā見jiàn疑yí;欲yù取qǔ出chū鈴líng兒ér,又yòu恐kǒng傷shāng了le孫sūn行xíng者zhě性xìng命mìng。正zhèng自zì躊chóu躇chú未wèi定dìng,那nà妖yāo王wáng又yòu催cuī逼bī道dào:「快kuài拿ná出chū來lái。」這zhè娘niáng娘niang無wú奈nài,只zhǐ得dé將jiāng鎖suǒ鑰yào開kāi了le,把bǎ三sān個gè鈴líng兒ér遞dì與yǔ妖yāo王wáng。娘niáng娘niang见jiàn说shuō,心xīn中zhōng怛dá突tū:欲yù不bù取qǔ出chū铃líng儿ér,恐kǒng他tā见jiàn疑yí;欲yù取qǔ出chū铃líng儿ér,又yòu恐kǒng伤shāng了le孙sūn行xíng者zhě性xìng命mìng。正zhèng自zì踌chóu躇chú未wèi定dìng,那nà妖yāo王wáng又yòu催cuī逼bī道dào:「快kuài拿ná出chū来lái。」这zhè娘niáng娘niang无wú奈nài,只zhǐ得dé将jiāng锁suǒ钥yào开kāi了le,把bǎ三sān个gè铃líng儿ér递dì与yǔ妖yāo王wáng。


逐句解 Line by line

娘niáng娘niang見jiàn說shuō,心xīn中zhōng怛dá突tū:欲yù不bù取qǔ出chū鈴líng兒ér,恐kǒng他tā見jiàn疑yí;欲yù取qǔ出chū鈴líng兒ér,又yòu恐kǒng傷shāng了le孫sūn行xíng者zhě性xìng命mìng。 娘niáng娘niang见jiàn说shuō,心xīn中zhōng怛dá突tū:欲yù不bù取qǔ出chū铃líng儿ér,恐kǒng他tā见jiàn疑yí;欲yù取qǔ出chū铃líng儿ér,又yòu恐kǒng伤shāng了le孙sūn行xíng者zhě性xìng命mìng。

Hearing this the Queen was startled at heart: if she did not fetch the bells out he might grow suspicious; if she did fetch them out she feared for Sun Pilgrim's life.

One sentence, cut in the source at a semicolon and carried whole here because its two halves are built to the same pattern — 欲 plus verb, then 恐 plus what is feared, twice over. Only the first half names her; the second simply carries on. 怛突 is a start of alarm, the physical jolt in the chest.

正zhèng自zì躊chóu躇chú未wèi定dìng,那nà妖yāo王wáng又yòu催cuī逼bī道dào:「快kuài拿ná出chū來lái。」 正zhèng自zì踌chóu躇chú未wèi定dìng,那nà妖yāo王wáng又yòu催cuī逼bī道dào:「快kuài拿ná出chū来lái。」

While she was still hesitating, undecided, the fiend king pressed her again: "Bring them out, quickly."

躊躇 is a doubled-sounding word for wavering — both characters carry the foot radical, so the image is of shifting from one foot to the other. 催逼 pairs urging with forcing.

這zhè娘niáng娘niang無wú奈nài,只zhǐ得dé將jiāng鎖suǒ鑰yào開kāi了le,把bǎ三sān個gè鈴líng兒ér遞dì與yǔ妖yāo王wáng。 这zhè娘niáng娘niang无wú奈nài,只zhǐ得dé将jiāng锁suǒ钥yào开kāi了le,把bǎ三sān个gè铃líng儿ér递dì与yǔ妖yāo王wáng。

The Queen had no choice. She turned the key in the lock and handed the three bells to the fiend king.

得 is dé in 只得, the lexicalised had no choice but to. 鑰 is yào: 康熙 金部十七畫 gives the character one band and glosses it 關下牡也, the bolt-pin of a gate, and 戸鑰, a door key — the physical thing she is turning.


總評 Commentary

This is the only passage in the chapter written from inside the queen's head, and it is a genuine dilemma: refuse and he suspects her, comply and she may be killing the man who came to rescue her. The sentence lays the two horns out in matched clauses — 欲不取出…恐他見疑 against 欲取出…又恐傷了 — and gives her no way between them.

What makes it painful is that she is wrong. The bells in the chest are three hairs. Nothing she does with them can hurt anybody, and Wukong knows it, and the fiend does not, and she does not. She spends the passage agonising over a choice that has already been taken away from her.

怛突 is a good word and a rare one: a jolt of alarm felt physically, in the chest. 躊躇 in the next line is its opposite in tempo — both characters are built on the foot radical, so the picture is of somebody shifting weight from one foot to the other, unable to move.