Forty-five characters, the shortest passage so far, and it does two things. First it gives the only asymmetry the narration has offered since the fight began: one sneers coldly, the other laughs with delight. It is tempting to read that as a clue, and the temptation is worth resisting — a cold laugh at a failed tribunal suits the wronged party quite as well as it suits the impostor.

Second, the repeated line. 我和你見師父去，我和你見師父去 is printed twice, and the obvious reading is emphasis. But the chapter has trained us otherwise by now: the sentence appears twice because two beings say it, once each, at the same moment. The typography has become a way of showing the doubling without the narrator having to point at it again.