Look at those two Pilgrims: going and fighting as they went, they came straight down to the Southern Sea and made directly for Potalaka Mountain, striking and reviling, their shouting never once breaking off.

你看 — look at them — is the storyteller talking straight to his audience, a leftover from the market-square performances the novel grew out of, and it never quite leaves the prose.

Early on they startled the Dharma-guarding devas, who at once reported into the Tide-Sound Cave: "Bodhisattva, sure enough two Sun Wukongs have come fighting hither."

打將來: the little 將 slipped between verb and direction is Ming street language for coming this way, and takes jiāng. It is not the jiàng of 天將, a general. Both readings turn up within a few passages of each other.

That Bodhisattva, with Mokṣa the Pilgrim, the Boy Sudhana and the Dragon Maiden, came down from the lotus dais and called out at the door: "Where are you going, you cursed beasts?"

The Bodhisattva comes down off her lotus seat and shouts at them like a woman breaking up a brawl in her own front yard. 降蓮臺 takes jiàng, to come down from, as against the xiáng of 降妖寶杖, to subdue. And 那孽畜那裡走 carries both readings of 那 four characters apart: 那孽畜 points at them, nà; 那裡 asks where, nǎ. 畜 is chù, the noun, a beast.