原文 Original text
繁體 Traditional
Reader's edition
分行李
Dividing the Baggage
好大聖,你看他弄個虛頭,把眼揉了一揉,揉出些淚來。迎著師父,往前徑走。八戒看見,連忙叫:「沙和尚,歇下擔子,拿出行李來,我兩個分了罷。」沙僧道:「二哥,分怎的?」八戒道:「分了罷,你往流沙河還做妖怪,老豬往高老莊上盼盼渾家。把白馬賣了,買口棺木,與師父送老。大家散火,還往西天去哩?」好大圣,你看他弄个虚头,把眼揉了一揉,揉出些泪来。迎著师父,往前径走。八戒看见,连忙叫:「沙和尚,歇下担子,拿出行李来,我两个分了罢。」沙僧道:「二哥,分怎的?」八戒道:「分了罢,你往流沙河还做妖怪,老猪往高老庄上盼盼浑家。把白马卖了,买口棺木,与师父送老。大家散火,还往西天去哩?」
逐句解 Line by line
好大聖,你看他弄個虛頭,把眼揉了一揉,揉出些淚來。
好大圣,你看他弄个虚头,把眼揉了一揉,揉出些泪来。
The great Sage — watch him now work up a sham: rubbing his eyes with a rub, he squeezed out a few tears.
弄個虛頭 (nòng gè xū tóu), "to put on a sham, feign." 揉, "to rub."
迎著師父,往前徑走。
迎著师父,往前径走。
Facing the Master, he walked straight forward.
迎著 (yíng zhe), "facing toward" — 著 durative zhe.
八戒看見,連忙叫:「沙和尚,歇下擔子,拿出行李來,我兩個分了罷。」
八戒看见,连忙叫:「沙和尚,歇下担子,拿出行李来,我两个分了罢。」
Eight Rules, seeing this, hastily called out: “Sha Monk, set down the load and get out the baggage — let the two of us divide it and be done.”
擔子 (dàn zi), "a carrying-load" — 擔 read dàn (noun). 行李, "baggage." 分 fēn.
沙僧道:「二哥,分怎的?」
沙僧道:「二哥,分怎的?」
Said Sha Monk: “Second Brother, divide it — whatever for?”
二哥 (èr gē), "Second Brother," i.e. Eight Rules.
八戒道:「分了罷,你往流沙河還做妖怪,老豬往高老莊上盼盼渾家。把白馬賣了,買口棺木,與師父送老。大家散火,還往西天去哩?」
八戒道:「分了罢,你往流沙河还做妖怪,老猪往高老庄上盼盼浑家。把白马卖了,买口棺木,与师父送老。大家散火,还往西天去哩?」
Said Eight Rules: “Let us divide it. You go back to the Flowing-Sands River and be a monster again; Old Hog will go to the Gao Village to see how his wife fares. We’ll sell the white horse, buy a coffin, and see the Master off in his old age. Let everyone break up the fire — still go on to the Western Heaven, would we?”
渾家 (hún jiā), "wife." 送老 (sòng lǎo), "to see [someone] through to death." 散火, "to disband." 還 hái ("again / still," twice).
總評 Commentary
Pilgrim executes his plan by working up false tears — a “sham” (虛頭) the narrator invites us to watch him perform. The device works instantly on Eight Rules, who, seeing the fearless monkey weep, leaps to the conclusion that all is lost and loudly proposes dividing the baggage and disbanding.
Eight Rules’s division-speech is one of the novel’s recurring comic set-pieces: he parcels out the retreat with cheerful practicality — Sha Monk back to his river, himself back to his wife at the Gao Village, the horse sold for a coffin to bury the master. The readiness with which he abandons the quest is his standing comic flaw, and Pilgrim’s tears have deliberately triggered it.