Canonical Classics ← 第三十二回
第三十二回
píngdǐngshāngōngcáochuánxìn
liánhuādòngféngzāi

On Level-Top Mountain the Merit-Officer Brings Word · In the Lotus-Flower Cave the Wood-Mother Meets Disaster

樵子
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

樵子 Down from the Wood

qiáoziqiáozi

zhèngzàiqiánxiǔcháiféngzhǎnglǎodōngláizhèngzàiqiánxiǔcháiféngzhǎnglǎodōnglái
tíngzhùchūlínwàijiāngshēnshàngshítíngzhùchūlínwàijiāngshēnshàngshí

逐句解 Line by line

qiáozi qiáozi

That woodcutter —

樵子 (qiáo zi), "woodcutter." read ; suffix zi.

zhèngzàiqiánxiǔcháiféngzhǎnglǎodōnglái zhèngzàiqiánxiǔcháiféngzhǎnglǎodōnglái

Just as before the slope he hewed at rotten wood, / of a sudden he met the Elder, come from the east.

伐朽柴 (fá xiǔ chái), "to hew rotten wood." 長老 read zhǎng.

tíngzhùchūlínwàijiāngshēnshàngshí tíngzhùchūlínwàijiāngshēnshàngshí

Staying his hand and stilling his axe, he came out of the wood, / and with hurried steps brought himself up onto the stone crag.

停柯住斧 (tíng kē zhù fǔ), "to stay the branch and still the axe." 將身 (jiāng shēn), "to bring one’s person" — read jiāng.


總評 Commentary

A second, shorter verse — a pair of regulated lines — shifts from the woodcutter’s appearance to his action: hewing at rotten wood, he sees the Elder approaching, and comes down from the trees onto the crag to hail him. The two poems together (dress, then deed) follow the standard two-beat introduction of a minor figure.

The staging is deliberate: the officer positions himself above the pilgrims (上石崖), on the height, from which he can call his warning down — a small piece of blocking that lends his message the authority of a voice from above, fitting his true identity as a celestial functionary.