Canonical Classics ← 第十二回
第十二回
tángwángbǐngchéngxiūhuì
guānyīnxiǎnshènghuàjīnchán

The Tang King, Sincere in Faith, Convenes the Grand Assembly · Guanyin, Manifesting Her Holy Form, Transforms the Golden Cicada

玄奘披錦
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

玄奘披錦 Xuanzang Robed in the Cassock

quèshuōtàizōngshècháozhuówèizhēngzhǐxuānxuánzàngcháoshīzhèngzhòngdēngtánfěngjīngsòngwényǒuzhǐsuíxiàtánzhěngwèizhēngtóngwǎngjiànjiàtàizōngdào:「qiúzhèngshànshìyǒuláoshīchóuxièzǎojiānxiāoyíngzheèrsēngyuànsòngjǐnlánbǎojiāshājiànjiǔhuánzhàngtiáojīnzhàoshīlǐngshòuyòng。」xuánzàngkòutóuxièēntàizōngdào:「shī穿chuānshàngzhènkànkàn。」zhǎnglǎosuìjiāngjiāshādǒukāizàishēnshàngshǒuchízhàngshìjiēqiánjūnchénxīnránchéngwéiláikànquèshuōtàizōngshècháozhuówèizhēngzhǐxuānxuánzàngcháoshīzhèngzhòngdēngtánfěngjīngsòngwényǒuzhǐsuíxiàtánzhěngwèizhēngtóngwǎngjiànjiàtàizōngdào:「qiúzhèngshànshìyǒuláoshīchóuxièzǎojiānxiāoyíngzheèrsēngyuànsòngjǐnlánbǎojiāshājiànjiǔhuánzhàngtiáojīnzhàoshīlǐngshòuyòng。」xuánzàngkòutóuxièēntàizōngdào:「shī穿chuānshàngzhènkànkàn。」zhǎnglǎosuìjiāngjiāshādǒukāizàishēnshàngshǒuchízhàngshìjiēqiánjūnchénxīnránchéngwéiláikàn

lǐnlǐnwēiyánduōxiùcáijiùlǐnlǐnwēiyánduōxiùcáijiù
huīguāngyànyàn滿mǎnqiánkūnjiécǎifēnfēnníngzhòuhuīguāngyànyànmǎnqiánkūnjiécǎifēnfēnníngzhòu
lǎnglǎngmíngzhūshàngxiàpáicéngcéngjīnxiàn穿chuānqiánhòulǎnglǎngmíngzhūshàngxiàpáicéngcéngjīn线xiàn穿chuānqiánhòu
dōuluómiànjǐn沿yánbiānwànyàngxiùdōuluómiànjǐn沿yánbiānwànyàngxiù
bǎozhuānghuāniǔjīnhuánshùlǐngpānróngkòubǎozhuānghuāniǔjīnhuánshùlǐngpānróngkòu
tiānxiǎoliègāoxīngxiàngzūnbēifēnzuǒyòutiānxiǎoliègāoxīngxiàngzūnbēifēnzuǒyòu
xuánzàngshīyǒuyuánxiànqiánkānchéngshòuxuánzàngshīyǒuyuánxiànqiánkānchéngshòu
húnhuóāluósàiguò西fāngzhēnjuéxiùhúnhuóāluósàiguò西fāngzhēnjuéxiù
zhàngdīngdāngdòujiǔhuánmàoyìngduōfēnghòuzhàngdīngdāngdòujiǔhuánmàoyìngduōfēnghòu
chéngwéichuánshèngzhàmiùchéngwéichuánshèngzhàmiù

逐句解 Line by line

quèshuōtàizōngshècháozhuówèizhēngzhǐxuānxuánzàngcháo quèshuōtàizōngshècháozhuówèizhēngzhǐxuānxuánzàngcháo

We tell now how Taizong held the noon court and had Wei Zheng bear the edict summoning Xuanzang to court.

in 著魏徵, had Wei Zheng do it, is the causative zhuó; in 午朝 and 入朝 is cháo.

shīzhèngzhòngdēngtánfěngjīngsòngwényǒuzhǐsuíxiàtánzhěngwèizhēngtóngwǎngjiànjià shīzhèngzhòngdēngtánfěngjīngsòngwényǒuzhǐsuíxiàtánzhěngwèizhēngtóngwǎngjiànjià

That Dharma Master was just then gathering the host upon the altar, chanting scriptures and reciting gathas; and hearing the edict, he came down at once from the altar, straightened his robes, and went with Wei Zheng to the audience.

in 那法師 is the pointing ; a (, from the Sanskrit gāthā) is a Buddhist verse; 一聞 takes .

tàizōngdào:「qiúzhèngshànshìyǒuláoshīchóuxiè tàizōngdào:「qiúzhèngshànshìyǒuláoshīchóuxiè

Taizong said: 'To seek confirmation of the good work, I have troubled you, Master, and have nothing with which to repay you.'

The emperor opens courteously, framing what follows as repayment for the monk's labour at the assembly.

zǎojiānxiāoyíngzheèrsēngyuànsòngjǐnlánbǎojiāshājiànjiǔhuánzhàngtiáo zǎojiānxiāoyíngzheèrsēngyuànsòngjǐnlánbǎojiāshājiànjiǔhuánzhàngtiáo

'Earlier this morning Xiao Yu met two monks who wished to present a brocade cassock, a rare treasure, and a nine-ringed staff.'

in 迎著二僧, met the two monks, is the ongoing-action zhe. Watch what the emperor leaves out: nothing about a refusal of payment, nothing about the strange pair who would not bow. Guanyin's free gift is passed off as a routine acquisition.

jīnzhàoshīlǐngshòuyòng。」xuánzàngkòutóuxièēn jīnzhàoshīlǐngshòuyòng。」xuánzàngkòutóuxièēn

'Now I have specially summoned you, Master, to take them for your use.' Xuanzang knocked his head in thanks for the grace.

He takes it with proper humility, and no idea at all where it came from.

tàizōngdào:「shī穿chuānshàngzhènkànkàn。」 tàizōngdào:「shī穿chuānshàngzhènkànkàn。」

Taizong said: 'If you do not disdain them, Master, put them on that I may see.'

不棄, do not disdain them, shifts to before the fourth tone of ().

zhǎnglǎosuìjiāngjiāshādǒukāizàishēnshàngshǒuchízhàngshìjiēqián zhǎnglǎosuìjiāngjiāshādǒukāizàishēnshàngshǒuchízhàngshìjiēqián

The elder then shook out the cassock and draped it over his body, took the staff in hand, and stood in attendance before the steps.

in 長老, the elder, is zhǎng, the character of seniority — not the cháng of length it carries in 長安. in 遂將袈裟 is the disposal jiāng.

jūnchénxīnránchéngwéiláikàn jūnchénxīnránchéngwéiláikàn

Ruler and ministers, one and all, were delighted. Truly he was a Buddha-son of the Tathagata. Look at him:

in 誠為, truly is, is wéi; in 佛子 is the noun . The narrator's 你看他, look at him, ushers in the descriptive verse.

lǐnlǐnwēiyánduōxiùcáijiù lǐnlǐnwēiyánduōxiùcáijiù

Stern and awesome his features, most refined and fair; the Buddha-robe fits his form as if cut to measure.

佛衣, Buddha-robe, takes the global reading for .

huīguāngyànyàn滿mǎnqiánkūnjiécǎifēnfēnníngzhòu huīguāngyànyànmǎnqiánkūnjiécǎifēnfēnníngzhòu

Its glowing radiance, brilliant, fills heaven and earth; its woven colors, profuse, congeal upon the cosmos.

乾坤, heaven and earth, reads as qián, the trigram of Heaven, and not the gān that means dry.

lǎnglǎngmíngzhūshàngxiàpáicéngcéngjīnxiàn穿chuānqiánhòu lǎnglǎngmíngzhūshàngxiàpáicéngcéngjīn线xiàn穿chuānqiánhòu

Bright, bright the pearls arrayed above and below; layer on layer the golden threads run front and back.

朗朗 and 層層 are the doubled words this portrait runs on. Pearls ranged above and below, gold thread run front and back: the description is working outward from the cloth itself.

dōuluómiànjǐn沿yánbiānwànyàngxiù dōuluómiànjǐn沿yánbiānwànyàngxiù

Tula cotton on all four sides, brocade along the hem; ten thousand rare devices spread in patterned embroidery.

兜羅 (dōu luó, from the Sanskrit tūla) is a fine cotton fibre prized in Buddhist textiles.

bǎozhuānghuāniǔjīnhuánshùlǐngpānróngkòu bǎozhuānghuāniǔjīnhuánshùlǐngpānróngkòu

Eight treasures adorn its flowers, bound with knotted silk; a gold ring clasps the collar, laced with velvet buttons.

縛鈕絲 and 攀絨扣 are the fastenings — the last and smallest details of the robe before the poem lifts its eyes to the buddhas ranged across it.

tiānxiǎoliègāoxīngxiàngzūnbēifēnzuǒyòu tiānxiǎoliègāoxīngxiàngzūnbēifēnzuǒyòu

Buddha-heavens great and small ranged high and low; star-images noble and base divided left and right.

佛天 takes the global ; in 分左右, divided left and right, is fēn.

xuánzàngshīyǒuyuánxiànqiánkānchéngshòu xuánzàngshīyǒuyuánxiànqiánkānchéngshòu

The Dharma Master Xuanzang has a great affinity; this thing now before him he is worthy to receive.

大有緣, a great affinity, is the term for the karmic fit between this man and this garment. Not merely worthy of it — meant for it.

húnhuóāluósàiguò西fāngzhēnjuéxiù húnhuóāluósàiguò西fāngzhēnjuéxiù

Wholly like a living arhat of Ultimate Bliss; surpassing the Western Quarter's truly awakened fair.

阿羅 is short for 阿羅漢, arhat; 極樂, Ultimate Bliss, reads as .

zhàngdīngdāngdòujiǔhuánmàoyìngduōfēnghòu zhàngdīngdāngdòujiǔhuánmàoyìngduōfēnghòu

The staff jingles, its nine rings clashing; the Vairocana mitre gleams, ample and rich.

The 毘盧帽, Vairocana mitre, completes the outfit — and it is the one piece that came from the emperor at the investiture rather than from Guanyin.

chéngwéichuánshèngzhàmiù chéngwéichuánshèngzhàmiù

Truly a Buddha-son, no false report; surpassing bodhi itself, without deceit or error.

in 誠為, truly is, is wéi; in 佛子, Buddha-son, is the noun ; in 勝似, surpassing, is .


總評 Commentary

Xuanzang's robing is the visual consummation of his selection, and the verse frames it as a change of kind. Summoned down from the altar and draped in Guanyin's cassock, staff in hand and mitre on head, he is described in a ten-couplet rhapsody that piles cosmic imagery upon the garment — its radiance filling heaven and earth, its ornament figuring the Buddha-heavens and the stars — until the man disappears into the emblem and becomes a living arhat, a Buddha-son of the Tathagata.

The refrain of the passage is fitness: the cassock fits his form as if cut to measure, and Xuanzang alone has the great affinity to receive it. Neither emperor nor monk yet knows who the giver was; the reader, who does, sees the investiture for what it is — the outfitting of the pilgrim for the road to the West.