疑是地藏 Mistaken for Kshitigarbha; The Falling Dusk
玄奘直至寺裡,僧人下榻來迎。一見他披此袈裟,執此錫杖,都道是地藏王來了,各各歸依,侍於左右。玄奘上殿,炷香禮佛。又對眾感述聖恩已畢,各歸禪座。又不覺紅輪西墜。正是那:玄奘直至寺里,僧人下榻来迎。一见他披此袈裟,执此锡杖,都道是地藏王来了,各各归依,侍于左右。玄奘上殿,炷香礼佛。又对众感述圣恩已毕,各归禅座。又不觉红轮西坠。正是那:
逐句解 Line by line
Xuanzang came straight to the temple, and the monks came down from their couches to meet him.
下榻, coming down off the couch, is the welcome owed an honoured guest: you do not receive him sitting.
The moment they saw him draped in this cassock and bearing this staff, they all said it was King Kshitigarbha come, and each took refuge and attended to his left and right.
地藏王, King Kṣitigarbha, is the Bodhisattva who swore not to become a Buddha until the hells stood empty. Of all the figures the monks might have taken him for, this is the pointed one — they look at a man in a new robe and name the patron of emptying hell, which is precisely the work he is about to be given. 都 in 都道, all said, is dōu; 藏 in 地藏 is zàng; 一見 takes yí.
Xuanzang went up into the hall and offered incense in worship of the Buddha.
炷香, to set a stick of incense burning, is his own act of devotion on arriving at his new station.
And when he had finished recounting his gratitude for the imperial grace to the assembly, each returned to his meditation-seat. Before they knew it, the red wheel of the sun sank in the west. It was just then that:
紅輪, the red wheel, is the setting sun. 那 in 正是那 is the pointing nà, ushering in the dusk lyric.
The sun sets, mist blurs the grass and trees; in the imperial capital the bells and drums first sound.
都 in 帝都, the imperial capital, is dū.
Ding, ding — three strokes cut off the passers-by; before and behind, the streets fall silent.
行 in 人行, people passing, is xíng. Three strokes of the curfew drum and the streets of Chang'an are legally empty.
In the lofty temple, lamplight blazes bright; in the lonely village, cold and desolate, no sound.
剎 in 上剎, the lofty temple, is chà.
The Chan monks enter their trance and con the remaining sutras — just the time to refine the demons and nurture the nature.
煉魔養性, to refine the demons and nurture the true nature, names the inner work of meditation — and the demons in question are the meditator's own. 正好, just the time for it, reads 正 as zhèng.
The cassock's transforming power is confirmed by the monks' reaction: seeing Xuanzang robed and staff in hand, they take him for Kṣitigarbha himself — the bodhisattva who vowed to empty the hells, and so a peculiarly fitting mistake to make about the monk who is about to be charged with delivering the dead.
The passage then modulates, as the close of the assembly's first day did, into a dusk lyric: the sun sinks, the curfew drum empties the streets, and the city falls silent around the single point of light in the temple, where the monks enter their trance to refine the demons and nurture the nature. The contemplative quiet is the stillness before Guanyin's revelation.