Canonical Classics ← 第十二回
第十二回
tángwángbǐngchéngxiūhuì
guānyīnxiǎnshènghuàjīnchán

The Tang King, Sincere in Faith, Convenes the Grand Assembly · Guanyin, Manifesting Her Holy Form, Transforms the Golden Cicada

道場莊嚴
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional 含詞賦 With rhapsody

道場莊嚴 The Splendor of the Ritual Site

tángwángjiàzǎodàoqiánfēnzhùleyīnyuèxiǎngxiàlechēniǎnyǐnzheduōguānbàiniānxiāngsāntáitóuguānkànguǒránhǎozuòdàochǎngdànjiàntángwángjiàzǎodàoqiánfēnzhùleyīnyuèxiǎngxiàlechēniǎnyǐnzheduōguānbàiniānxiāngsāntáitóuguānkànguǒránhǎozuòdàochǎngdànjiàn

chuángfānpiāobǎogàifēihuīchuángfānpiāobǎogàifēihuī
chuángfānpiāoníngkōngdàodàocǎixiáyáochuángfānpiāoníngkōngdàodàocǎixiáyáo
bǎogàifēihuīyìngpiānpiānhóngdiànchèbǎogàifēihuīyìngpiānpiānhóngdiànchè
shìzūnjīnxiàngmàozhēnzhēnluóhànróngwēilièlièshìzūnjīnxiàngmàozhēnzhēnluóhànróngwēilièliè
píngchāxiānhuāféntánjiàngpíngchāxiānhuāféntánjiàng
píngchāxiānhuājǐnshùhuīhuīmànbǎochàpíngchāxiānhuājǐnshùhuīhuīmànbǎochà
féntánjiàngxiāngyúnǎiǎitòuqīngxiāoféntánjiàngxiāngyúnǎiǎitòuqīngxiāo
shíxīnguǒpǐnzhūpányàngtángduīcǎiànshíxīnguǒpǐnzhūpányàngtángduīcǎiàn
gāosēngluólièsòngzhēnjīngyuànhúnnàngāosēngluólièsòngzhēnjīngyuànhúnnàn

逐句解 Line by line

tángwángjiàzǎodàoqiánfēnzhùleyīnyuèxiǎng tángwángjiàzǎodàoqiánfēnzhùleyīnyuèxiǎng

The Tang king's great carriage had come early to the temple gate, and he gave order to still the music and the sounding instruments.

in 音樂 ('music') is yuè.

xiàlechēniǎnyǐnzheduōguānbàiniānxiāng xiàlechēniǎnyǐnzheduōguānbàiniānxiāng

Descending from the palanquin, he led his many officials in worship of the Buddha and the offering of incense.

in 引著 ('leading') is the durative zhe.

sāntáitóuguānkànguǒránhǎozuòdàochǎngdànjiàn sāntáitóuguānkànguǒránhǎozuòdàochǎngdànjiàn

Three circumambulations completed, he raised his head to look, and it was indeed a fine ritual site. Behold:

三匝 ('three circuits') is the reverent circumambulation of the images. The lead-in 但見 ('behold') ushers in the descriptive fu.

chuángfānpiāobǎogàifēihuī chuángfānpiāobǎogàifēihuī

Pennons and streamers fluttering in the dance; jeweled canopies flashing bright.

chuángfānpiāoníngkōngdàodàocǎixiáyáo chuángfānpiāoníngkōngdàodàocǎixiáyáo

Pennons and streamers fluttering in the dance — they seemed to hold the air, band upon band of colored cloud a-sway;

bǎogàifēihuīyìngpiānpiānhóngdiànchè bǎogàifēihuīyìngpiānpiānhóngdiànchè

jeweled canopies flashing bright — they caught the sun, wave upon wave of crimson lightning shot through.

shìzūnjīnxiàngmàozhēnzhēnluóhànróngwēilièliè shìzūnjīnxiàngmàozhēnzhēnluóhànróngwēilièliè

The World-Honored One's golden image, its features serene and full; the arhats' jade countenances, awesome and fierce.

píngchāxiānhuāféntánjiàng píngchāxiānhuāféntánjiàng

In vases, immortal flowers; in censers, sandalwood and jiangzhen incense burning.

檀降 is sandalwood (檀香) together with jiangzhen incense (降香), a fragrant wood; here is read jiàng.

píngchāxiānhuājǐnshùhuīhuīmànbǎochà píngchāxiānhuājǐnshùhuīhuīmànbǎochà

In vases, immortal flowers — brocade trees glimmering, spread through the precious temple;

寶剎 ('the precious temple') reads as chà, not shā.

féntánjiàngxiāngyúnǎiǎitòuqīngxiāo féntánjiàngxiāngyúnǎiǎitòuqīngxiāo

in censers, sandalwood and jiangzhen incense burning — fragrant clouds curling thick, piercing the clear empyrean.

shíxīnguǒpǐnzhūpányàngtángduīcǎiàn shíxīnguǒpǐnzhūpányàngtángduīcǎiàn

Fresh seasonal fruits heaped on vermilion trays; wondrous sugar-pastries piled on painted tables.

gāosēngluólièsòngzhēnjīngyuànhúnnàn gāosēngluólièsòngzhēnjīngyuànhúnnàn

Eminent monks ranged in rows, chanting the true scriptures, praying to pluck the forsaken souls from their tribulation.

in 苦難 ('suffering, tribulation') is nàn, not nán.


總評 Commentary

The fu describing the ritual site is a set-piece of Buddhist ecphrasis, cataloguing the assembly's splendor in cascading parallel clauses — fluttering pennons and flashing canopies likened to drifting cloud and crimson lightning, the serene gold of the Buddha and the fierce jade of the arhats, flowers and incense, heaped fruit and pastries. The rhetoric is all surface magnificence until the final couplet, which turns abruptly to purpose: the eminent monks chant 'to pluck the forsaken souls from their tribulation.' The descriptive display is thus grounded, at its close, in the rite's true object — the deliverance of the dead — and the passage modulates from spectacle to prayer.