Canonical Classics ← 第十二回
第十二回
tángwángbǐngchéngxiūhuì
guānyīnxiǎnshènghuàjīnchán

The Tang King, Sincere in Faith, Convenes the Grand Assembly · Guanyin, Manifesting Her Holy Form, Transforms the Golden Cicada

御駕臨會
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拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional 含詞賦 With rhapsody

御駕臨會 The Emperor's Progress to the Rite

zhēnguānshísānniánsuìjiǔyuèjiǎchūsānguǐmǎoliángchénchénxuánzàngchǎnshīqiānèrbǎimínggāosēngdōuzàichángānchénghuàshēngkāiyǎnzhūpǐnmiàojīnghuángzǎocháoshuàiwénduōguānchéngfèngniǎnlóngchēchūjīnluánbǎo殿diànjìngshàngláiniānxiāngzěnjiànluánjiàzhēnshìzhēnguānshísānniánsuìjiǔyuèjiǎchūsānguǐmǎoliángchénchénxuánzàngchǎnshīqiānèrbǎimínggāosēngdōuzàichángānchénghuàshēngkāiyǎnzhūpǐnmiàojīnghuángzǎocháoshuàiwénduōguānchéngfèngniǎnlóngchēchūjīnluánbǎo殿diànjìngshàngláiniānxiāngzěnjiànluánjiàzhēnshì

tiānruìwàndàoxiángguāngtiānruìwàndàoxiángguāng
rénfēngqīngdàndànghuàfēichángrénfēngqīngdàndànghuàfēicháng
qiānguānhuánpèifēnqiánhòuwèijīnglièliǎngpángqiānguānhuánpèifēnqiánhòuwèijīnglièliǎngpáng
zhíjīnguāqíngyuèshuāngshuāngduìduìzhíjīnguāqíngyuèshuāngshuāngduìduì
jiàngshāzhúxiāngǎiǎitángtángjiàngshāzhúxiāngǎiǎitángtáng
lóngfēifèngèjiànyīngyánglóngfēifèngèjiànyīngyáng
shèngmíngtiānzhèngzhōngchénliángshèngmíngtiānzhèngzhōngchénliáng
jièqiānniánguòshùnshēngpíngwàndàisàiyáotāngjièqiānniánguòshùnshēngpíngwàndàisàiyáotāng
yòujiànbǐngsǎngǔnlóngpáohuīguāngxiāngshèyòujiànbǐngsǎngǔnlóngpáohuīguāngxiāngshè
liánhuáncǎifèngshànruìǎipiāoyángliánhuáncǎifèngshànruìǎipiāoyáng
zhūguāndàishòujīnzhāngzhūguāndàishòujīnzhāng
jiàjūnqiānduì輿jiàngliǎnghángjiàjūnqiānduìjiàngliǎngháng
zhèhuángqiánchéngzūnjìngguīshànguǒniānxiāngzhèhuángqiánchéngzūnjìngguīshànguǒniānxiāng

逐句解 Line by line

zhēnguānshísānniánsuìjiǔyuèjiǎchūsānguǐmǎoliángchénchénxuánzàngchǎnshīqiānèrbǎimínggāosēngdōuzàichángānchénghuàshēngkāiyǎnzhūpǐnmiàojīng zhēnguānshísānniánsuìjiǔyuèjiǎchūsānguǐmǎoliángchénchénxuánzàngchǎnshīqiānèrbǎimínggāosēngdōuzàichángānchénghuàshēngkāiyǎnzhūpǐnmiàojīng

In the thirteenth year of Zhenguan, the year being jisi, the ninth month jiaxu, the third day, the fine hour of guimao, the Grand Expositor Dharma Master Chen Xuanzang assembled twelve hundred eminent monks, all at the Huasheng Temple in the city of Chang'an, to open the exposition of the various sublime scriptures.

The date is given in full sexagenary notation (己巳甲戌癸卯). in 都在 ('all at') is dōu; in 長安 is cháng.

huángzǎocháoshuàiwénduōguānchéngfèngniǎnlóngchēchūjīnluánbǎo殿diànjìngshàngláiniānxiāng huángzǎocháoshuàiwénduōguānchéngfèngniǎnlóngchēchūjīnluánbǎo殿diànjìngshàngláiniānxiāng

That emperor, the morning court concluded, led his civil and military officers and, riding the phoenix-palanquin and dragon-carriage, left the Hall of the Golden Bells and came straight up to the temple to offer incense.

in 那皇帝 is the demonstrative ; in 早朝 ('the morning court') is cháo; in 乘鳳輦 ('riding the phoenix-palanquin') is chéng.

zěnjiànluánjiàzhēnshì zěnjiànluánjiàzhēnshì

How shall that imperial equipage be described? Truly it was thus:

The rhetorical lead-in 怎見那鑾駕?真個是 ('how shall that equipage be described? truly it was thus') ushers in the procession fu. is the demonstrative .

tiānruìwàndàoxiángguāng tiānruìwàndàoxiángguāng

A whole sky of auspicious vapors, ten thousand shafts of propitious light.

rénfēngqīngdàndànghuàfēicháng rénfēngqīngdàndànghuàfēicháng

A benevolent breeze, light and softly stirring; a transforming sun, radiant beyond the common.

qiānguānhuánpèifēnqiánhòuwèijīnglièliǎngpáng qiānguānhuánpèifēnqiánhòuwèijīnglièliǎngpáng

A thousand officials, their girdle-pendants ranged before and behind; the Five Guards, their banners arrayed on either side.

in 分前後 ('ranged before and behind') is fēn.

zhíjīnguāqíngyuèshuāngshuāngduìduì zhíjīnguāqíngyuèshuāngshuāngduìduì

Bearers of golden maces, holders of axes and battle-axes, pair upon pair, rank upon rank;

jiàngshāzhúxiāngǎiǎitángtáng jiàngshāzhúxiāngǎiǎitángtáng

crimson gauze lanterns, the imperial censer's incense, curling thick and stately.

lóngfēifèngèjiànyīngyáng lóngfēifèngèjiànyīngyáng

Dragons soaring, phoenixes dancing; ospreys presented, hawks on the wing.

shèngmíngtiānzhèngzhōngchénliáng shèngmíngtiānzhèngzhōngchénliáng

A sage and enlightened Son of Heaven, upright; loyal and righteous great ministers, good.

天子 ('Son of Heaven') reads as .

jièqiānniánguòshùnshēngpíngwàndàisàiyáotāng jièqiānniánguòshùnshēngpíngwàndàisàiyáotāng

Blessings assured for a thousand years, surpassing Shun and Yu; peace and prosperity for a myriad ages, rivaling Yao and Tang.

The four sage-kings 舜禹堯湯 (Shun, Yu, Yao, Tang) set the Confucian measure of ideal rule. 昇平 ('peace and prosperity') writes — the 世德堂 orthographic variant of — read shēng.

yòujiànbǐngsǎngǔnlóngpáohuīguāngxiāngshè yòujiànbǐngsǎngǔnlóngpáohuīguāngxiāngshè

See too the crook-handled parasols, the coiling-dragon robes, their brilliance shining each upon each;

in 又見那 is the demonstrative ; in 相射 ('shining on one another') is xiāng.

liánhuáncǎifèngshànruìǎipiāoyáng liánhuáncǎifèngshànruìǎipiāoyáng

jade linked-rings, painted phoenix fans, auspicious mists floating aloft.

zhūguāndàishòujīnzhāng zhūguāndàishòujīnzhāng

Pearl crowns and jade girdles, purple cords and golden seals.

in 珠冠 ('pearl crown,' a noun) is guān. 紫綬金章 ('purple cords and golden seals') are the insignia of high office.

jiàjūnqiānduì輿jiàngliǎngháng jiàjūnqiānduìjiàngliǎngháng

Guard troops in a thousand squads, carriage-attending officers in two rows.

In 扶輿將兩行, is the noun jiàng ('officers,' parallel to in the first clause), and is háng ('a row, a rank') — the reading confirmed by the fu's -ang rhyme.

zhèhuángqiánchéngzūnjìngguīshànguǒniānxiāng zhèhuángqiánchéngzūnjìngguīshànguǒniānxiāng

This emperor, bathed and purified, in reverent sincerity honored the Buddha; taking refuge in the good fruit, he gladly offered incense.

皈依 (guī yī) is 'to take refuge' in the Buddhist sense; the fu resolves from martial pageantry into the emperor's personal act of devotion.


總評 Commentary

The procession fu is a set-piece of imperial pageantry, and the storyteller lavishes on it the full apparatus of the form: a cascade of parallel couplets cataloguing vapors and light, officials and guards, maces and axes, lanterns and incense, robes and fans, crowns and seals, troops and attendants. The rhetoric is deliberately cumulative, building the emperor's approach as a spectacle of cosmic and dynastic order — explicitly measured against the Confucian sage-kings Shun, Yu, Yao, and Tang. Yet the whole magnificent catalogue is made to converge on a single quiet act: for all his thousand-squadron retinue, the emperor comes 'bathed and purified' to honor the Buddha and offer incense with his own hand. The pageant of the state bends, at its climax, into an act of personal faith — the very submission of temporal power to the Dharma that the chapter's debate had secured.