Canonical Classics ← 第十二回
第十二回
tángwángbǐngchéngxiūhuì
guānyīnxiǎnshènghuàjīnchán

The Tang King, Sincere in Faith, Convenes the Grand Assembly · Guanyin, Manifesting Her Holy Form, Transforms the Golden Cicada

自訴身世
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

自訴身世 Cuilian Tells Her True Life

gōngzhǔdào:「shénmehuángxiōnghuángsǎoniángjiāxìngdemínghuànzuòcuìliánzhàngxìngliúmíngquánliǎngkǒuerdōushìjūnzhōurénshìyīnwèisānyuèqiánjīnchāizàiménshǒuzhāisēngzhàngguàishànchūnèiménzūndàoleshìxiōngtángjiāngbáilíngdàixuánliángpiēxiàshuāngérzhòubēijīnyīnzhàngbèitángwángqīnchāiyīnjìnguāguǒyánwángliánmǐnfànghuíláizàiqiánzǒuyīnláichígǎnshàngbànlediēděngzhīxìngmíngzěngǎnchě?」tàizōngwényánzhònggōngréndào:「xiǎngshìmèidiēhūnleshuō。」chuánzhǐjiàotàiyuànjìntāngyàojiāngyīnggōngzhōnggōngzhǔdào:「shénmehuángxiōnghuángsǎoniángjiāxìngdemínghuànzuòcuìliánzhàngxìngliúmíngquánliǎngkǒuerdōushìjūnzhōurénshìyīnwèisānyuèqiánjīnchāizàiménshǒuzhāisēngzhàngguàishànchūnèiménzūndàoleshìxiōngtángjiāngbáilíngdàixuánliángpiēxiàshuāngérzhòubēijīnyīnzhàngbèitángwángqīnchāiyīnjìnguāguǒyánwángliánmǐnfànghuíláizàiqiánzǒuyīnláichígǎnshàngbànlediēděngzhīxìngmíngzěngǎnchě?」tàizōngwényánzhònggōngréndào:「xiǎngshìmèidiēhūnleshuō。」chuánzhǐjiàotàiyuànjìntāngyàojiāngyīnggōngzhōng


逐句解 Line by line

gōngzhǔdào:「shénmehuángxiōnghuángsǎo gōngzhǔdào:「shénmehuángxiōnghuángsǎo

The Princess said: 'Where would I come by any royal brother or royal sister-in-law?'

The opening of a long self-narration delivered in Yuying's borrowed voice. The crux is in 那裡: here it is the interrogative ('where, how'), rhetorical rather than demonstrative — 'how should I have any such brother?' is ('come by, obtain'); 甚麼 is shén me.

niángjiāxìngdemínghuànzuòcuìliánzhàngxìngliúmíngquánliǎngkǒuerdōushìjūnzhōurénshì niángjiāxìngdemínghuànzuòcuìliánzhàngxìngliúmíngquánliǎngkǒuerdōushìjūnzhōurénshì

'My maiden family is surnamed Li; my milk-name was Li Cuilian. My husband is surnamed Liu, named Quan, and we are both natives of Junzhou.'

乳名 (rǔ míng) is a 'milk-name,' the childhood given name. 均州 (Junzhou) is the couple's home prefecture, established in Chapter 11. in 都是 is dōu, 'both.'

yīnwèisānyuèqiánjīnchāizàiménshǒuzhāisēngzhàngguàishànchūnèiménzūndàoleshìxiōngtángjiāngbáilíngdàixuánliángpiēxiàshuāngérzhòubēi yīnwèisānyuèqiánjīnchāizàiménshǒuzhāisēngzhàngguàishànchūnèiménzūndàoleshìxiōngtángjiāngbáilíngdàixuánliángpiēxiàshuāngérzhòubēi

'Three months ago, because I drew out a golden hairpin to give alms to a monk at our gate, my husband blamed me for leaving the inner doors without leave and failing in a wife's decorum, and rebuked me with several sharp words. My breath choked in my breast; I took a white silk sash, hanged myself from the beam, and left behind a pair of children to wail day and night.'

A verbatim recap of the quarrel that drove Cuilian to suicide in Chapter 11. The key reading is in 氣塞胸堂, 'the breath choked in the breast,' read (the literary 'to block'), not sāi. in 因為 is wèi; 一雙 takes before (shuāng, first tone).

jīnyīnzhàngbèitángwángqīnchāiyīnjìnguāguǒyánwángliánmǐnfànghuílái jīnyīnzhàngbèitángwángqīnchāiyīnjìnguāguǒyánwángliánmǐnfànghuílái

'Now, because my husband was sent by the Tang king to bear melons and fruit down to the shades below, the King of the Dead took pity and released the two of us to return.'

欽差 (qīn chāi) is 'to be dispatched by imperial commission'; here is chāi ('to dispatch'), not chà ('to err'). The errand — carrying melons to the underworld — was the burden laid on Liu Quan at the close of Chapter 11.

zàiqiánzǒuyīnláichígǎnshàngbànlediē zàiqiánzǒuyīnláichígǎnshàngbànlediē

'He walked ahead, and because I came too late I could not catch him up, and so I stumbled and fell.'

This is the 'fall' the court witnessed as Yuying's sudden death. 趕不上 takes sandhi before (shàng, fourth tone); 一跌 takes before (diē, first tone).

děngzhīxìngmíngzěngǎnchě?」 děngzhīxìngmíngzěngǎnchě?」

'You people are without manners! You do not know my name — how dare you lay hold of me?'

Cuilian rounds on the emperor and his court as strangers who have accosted her, sustaining the comedy of misrecognition to its sharpest point.

tàizōngwényánzhònggōngréndào:「xiǎngshìmèidiēhūnleshuō。」 tàizōngwényánzhònggōngréndào:「xiǎngshìmèidiēhūnleshuō。」

When Taizong heard this, he said to the assembled palace folk: 'It seems the imperial sister was stunned by her fall and talks nonsense.'

Taizong's provisional reading — a concussion, not a transmigration — sets up the arrival of Liu Quan, whose matching testimony will supply the true explanation.

chuánzhǐjiàotàiyuànjìntāngyàojiāngyīnggōngzhōng chuánzhǐjiàotàiyuànjìntāngyàojiāngyīnggōngzhōng

He gave orders that the Court of Imperial Physicians send in broths and medicines, and had Yuying carried into the palace.

太醫院 is the Court of Imperial Physicians. in 傳旨教 is jiào ('to direct, to order'); in 將玉英 is the disposal jiāng.


總評 Commentary

Cuilian's monologue is a deft piece of narrative economy: rather than re-stage the Chapter 11 quarrel, the storyteller has the transmigrated soul recite it as autobiography, so that the reader recognizes every detail — the hairpin alms, the husband's rebuke, the silk sash, the orphaned children — while the court hears only a delirious stranger. The speech doubles as proof: nothing in it could be known to the princess Yuying, and its precise agreement with Liu Quan's coming report is what will force the recognition. Taizong's cautious diagnosis of a mere fall keeps the mystery suspended just long enough for the two testimonies to be laid side by side.