Canonical Classics ← 第十二回
第十二回
tángwángbǐngchéngxiūhuì
guānyīnxiǎnshènghuàjīnchán

The Tang King, Sincere in Faith, Convenes the Grand Assembly · Guanyin, Manifesting Her Holy Form, Transforms the Golden Cicada

冥府會妻
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

冥府會妻 The Reunion Before the Kings of Death

tángwángdào:「zàiyīnjiànxiēshénmelái?」liúquándào:「chéncéngyuǎnxíngméijiànshéndezhǐwéndeyánwángwènchénxiāngguànxìngmíngchénjiāngjiāshěyīnyuànláijìnguāzhīshìshuōlebiànchāiguǐ使shǐyǐnguòjiùzàisēnluó殿diànxiàxiānghuìxiāngyòujiǎnkànshēngwén簿shuōdōuyǒudēngxiānzhīshòu便biànchāiguǐ使shǐsònghuíchénzàiqiánzǒuhòuxíngxìnghuánhúndànzhītóusuǒ。」tángwángjīngwèndào:「yánwángzēngshuōshénme?」liúquándào:「yánwángcéngshuōshénmezhǐtīngdeguǐ使shǐshuō:『cuìliánguīyīnjiǔshīshǒucún。』yánwángdào:『tángmèiyīngjīngāijiàocuìliánjièyīngshīhuánhún。』chénzhītángmèishìshénfāngjiāchùháiwèicéngzhǎoxún。」tángwángdào:「zàiyīnjiànxiēshénmelái?」liúquándào:「chéncéngyuǎnxíngméijiànshéndezhǐwéndeyánwángwènchénxiāngguànxìngmíngchénjiāngjiāshěyīnyuànláijìnguāzhīshìshuōlebiànchāiguǐ使shǐyǐnguòjiùzàisēnluó殿diànxiàxiānghuìxiāngyòujiǎnkànshēngwén簿shuōdōuyǒudēngxiānzhī寿shòu便biànchāiguǐ使shǐsònghuíchénzàiqiánzǒuhòuxíngxìnghuánhúndànzhītóusuǒ。」tángwángjīngwèndào:「yánwángzēngshuōshénme?」liúquándào:「yánwángcéngshuōshénmezhǐtīngdeguǐ使shǐshuō:『cuìliánguīyīnjiǔshīshǒucún。』yánwángdào:『tángmèiyīngjīngāijiàocuìliánjièyīngshīhuánhún。』chénzhītángmèishìshénfāngjiāchùháiwèicéngzhǎoxún。」


逐句解 Line by line

tángwángdào:「zàiyīnjiànxiēshénmelái?」 tángwángdào:「zàiyīnjiànxiēshénmelái?」

The Tang king said: 'What did you see in the shades below?'

甚麼 is the interrogative shén me, 'what.'

liúquándào:「chéncéngyuǎnxíngméijiànshéndezhǐwéndeyánwángwènchénxiāngguànxìngmíng liúquándào:「chéncéngyuǎnxíngméijiànshéndezhǐwéndeyánwángwènchénxiāngguànxìngmíng

Liu Quan said: 'Your servant did not travel far and saw little, but I heard the King of the Dead ask my native place and my name.'

鄉貫 (xiāng guàn) is one's 'native place and registry.' Two crux readings: in 甚的 is shén ('anything, aught'), and in 聞得 is the neutral-tone resultative de ('heard that'), as with 聽得 below.

chénjiāngjiāshěyīnyuànláijìnguāzhīshìshuōlebiàn chénjiāngjiāshěyīnyuànláijìnguāzhīshìshuōlebiàn

'I told, from beginning to end, how I had forsaken my home and abandoned my children, come because my wife had hanged herself, and wished to present the melons.'

here is the disposal jiāng, introducing what is told. 捨子 is 'to abandon [my] children,' where is the noun ('child'), not the neutral-tone suffix zi. 一遍 takes sandhi before (biàn, fourth tone).

chāiguǐ使shǐyǐnguòjiùzàisēnluó殿diànxiàxiānghuì chāiguǐ使shǐyǐnguòjiùzàisēnluó殿diànxiàxiānghuì

'He at once dispatched a ghost-warden to bring my wife across, and we met below the Hall of Judgment.'

in 急差 is chāi ('to dispatch'). in 相會 is xiāng ('to meet one another').

xiāngyòujiǎnkànshēngwén簿shuōdōuyǒudēngxiānzhīshòu便biànchāiguǐ使shǐsònghuí xiāngyòujiǎnkànshēngwén簿shuōdōuyǒudēngxiānzhī寿shòu便biànchāiguǐ使shǐsònghuí

'On the other side, too, they examined the ledgers of life and death, and finding that we husband and wife both had years yet of ascent to immortality, they sent us back by a ghost-warden.'

一壁廂 (yì bì xiāng) is a vernacular idiom, 'on one side, meanwhile'; the takes before (, fourth tone). 死生文簿 is the underworld's register of lifespans; in 便差 is again chāi, and in 都有 is dōu.

chénzàiqiánzǒuhòuxíngxìnghuánhún chénzàiqiánzǒuhòuxíngxìnghuánhún

'Your servant walked ahead and my wife came behind, and by good fortune I was restored to life.'

The two readings of the passage's key graphs meet here: in 幸得 is ('managed to, was fortunate to'), while in 還魂 is huán ('return the soul').

dànzhītóusuǒ。」 dànzhītóusuǒ。」

'But I do not know where my wife has been lodged.'

Liu Quan's open question is precisely the one the court can now answer, though neither party yet knows it.

tángwángjīngwèndào:「yánwángzēngshuōshénme?」 tángwángjīngwèndào:「yánwángzēngshuōshénme?」

The Tang king asked in alarm: 'Did the King of the Dead say anything of your wife?'

in 那閻王 is the demonstrative ; 甚麼 is the interrogative shén me.

liúquándào:「yánwángcéngshuōshénmezhǐtīngdeguǐ使shǐshuō:『cuìliánguīyīnjiǔshīshǒucún。』 liúquándào:「yánwángcéngshuōshénmezhǐtīngdeguǐ使shǐshuō:『cuìliánguīyīnjiǔshīshǒucún。』

Liu Quan said: 'The King of the Dead said nothing, but I heard a warden say, “Li Cuilian has long returned to the shades, and her corpse is no more.”'

聽得 takes the neutral-tone de. The warden's words supply the missing premise: with Cuilian's own body gone, a substitute must be found — the logic that will resolve the whole episode.

yánwángdào:『tángmèiyīngjīngāijiàocuìliánjièyīngshīhuánhún。』 yánwángdào:『tángmèiyīngjīngāijiàocuìliánjièyīngshīhuánhún。』

'The King said, “The Tang imperial sister Li Yuying is fated to die untimely today; let Cuilian borrow Yuying’s body and return to life.”'

The decisive ruling, quoted at two removes (Liu Quan reporting the King). is jiào ('let, cause to'); in 還魂 is huán. This is the underworld's own account of the transmigration the reader witnessed in the chapter's first passage.

chénzhītángmèishìshénfāngjiāchùháiwèicéngzhǎoxún。」 chénzhītángmèishìshénfāngjiāchùháiwèicéngzhǎoxún。」

'Your servant does not know what place this “Tang imperial sister” is, nor where her household lies, and I have not yet been able to go and seek her out.'

Three readings close the passage: in 甚地方 is shén ('what place'); in 我還 is hái ('still, yet'), not the huán of 還魂; and in 得去 is ('be able to').


總評 Commentary

Liu Quan's account clicks into place against Cuilian's monologue like the second half of a tally. Where she narrated the quarrel and death, he narrates the underworld's remedy: the ledger consulted, the shared span of years discovered, the ruling that Cuilian should 'borrow Yuying's body and return to life.' The dramatic irony reaches its height in his closing lines — he does not know where this 'Tang imperial sister' is to be found, while the reader, the court, and the transmigrated soul in the next room all do. The chapter has now fully justified its opening stratagem from within the story's own bureaucratic machinery, and stands ready to spend the accumulated goodwill on Taizong's grand rite of deliverance.