冥府會妻 The Reunion Before the Kings of Death
唐王道:「你在陰司見些甚麼來?」劉全道:「臣不曾遠行,沒見甚的,只聞得閻王問臣鄉貫、姓名。臣將棄家捨子,因妻縊死,願來進瓜之事,說了一遍。他急差鬼使,引過我妻,就在森羅殿下相會。一壁廂又檢看死生文簿,說我夫妻都有登仙之壽,便差鬼使送回。臣在前走,我妻後行,幸得還魂。但不知妻投何所。」唐王驚問道:「那閻王可曾說你妻甚麼?」劉全道:「閻王不曾說甚麼,只聽得鬼使說:『李翠蓮歸陰日久,屍首無存。』閻王道:『唐御妹李玉英今該促死,教翠蓮即借玉英屍還魂去罷。』臣不知『唐御妹』是甚地方,家居何處,我還未曾得去找尋哩。」唐王道:「你在阴司见些甚么来?」刘全道:「臣不曾远行,没见甚的,只闻得阎王问臣乡贯、姓名。臣将弃家舍子,因妻缢死,愿来进瓜之事,说了一遍。他急差鬼使,引过我妻,就在森罗殿下相会。一壁厢又检看死生文簿,说我夫妻都有登仙之寿,便差鬼使送回。臣在前走,我妻后行,幸得还魂。但不知妻投何所。」唐王惊问道:「那阎王可曾说你妻甚么?」刘全道:「阎王不曾说甚么,只听得鬼使说:『李翠莲归阴日久,尸首无存。』阎王道:『唐御妹李玉英今该促死,教翠莲即借玉英尸还魂去罢。』臣不知『唐御妹』是甚地方,家居何处,我还未曾得去找寻哩。」
逐句解 Line by line
The Tang king said: 'What did you see in the shades below?'
甚麼 is the interrogative shén me, 'what.'
Liu Quan said: 'Your servant did not travel far and saw little, but I heard the King of the Dead ask my native place and my name.'
鄉貫 (xiāng guàn) is one's 'native place and registry.' Two crux readings: 甚 in 甚的 is shén ('anything, aught'), and 得 in 聞得 is the neutral-tone resultative de ('heard that'), as with 聽得 below.
'I told, from beginning to end, how I had forsaken my home and abandoned my children, come because my wife had hanged herself, and wished to present the melons.'
將 here is the disposal jiāng, introducing what is told. 捨子 is 'to abandon [my] children,' where 子 is the noun zǐ ('child'), not the neutral-tone suffix zi. 一遍 takes sandhi yí before 遍 (biàn, fourth tone).
'He at once dispatched a ghost-warden to bring my wife across, and we met below the Hall of Judgment.'
差 in 急差 is chāi ('to dispatch'). 相 in 相會 is xiāng ('to meet one another').
'On the other side, too, they examined the ledgers of life and death, and finding that we husband and wife both had years yet of ascent to immortality, they sent us back by a ghost-warden.'
一壁廂 (yì bì xiāng) is a vernacular idiom, 'on one side, meanwhile'; the 一 takes yì before 壁 (bì, fourth tone). 死生文簿 is the underworld's register of lifespans; 差 in 便差 is again chāi, and 都 in 都有 is dōu.
'Your servant walked ahead and my wife came behind, and by good fortune I was restored to life.'
The two readings of the passage's key graphs meet here: 得 in 幸得 is dé ('managed to, was fortunate to'), while 還 in 還魂 is huán ('return the soul').
'But I do not know where my wife has been lodged.'
Liu Quan's open question is precisely the one the court can now answer, though neither party yet knows it.
The Tang king asked in alarm: 'Did the King of the Dead say anything of your wife?'
那 in 那閻王 is the demonstrative nà; 甚麼 is the interrogative shén me.
Liu Quan said: 'The King of the Dead said nothing, but I heard a warden say, “Li Cuilian has long returned to the shades, and her corpse is no more.”'
聽得 takes the neutral-tone de. The warden's words supply the missing premise: with Cuilian's own body gone, a substitute must be found — the logic that will resolve the whole episode.
'The King said, “The Tang imperial sister Li Yuying is fated to die untimely today; let Cuilian borrow Yuying’s body and return to life.”'
The decisive ruling, quoted at two removes (Liu Quan reporting the King). 教 is jiào ('let, cause to'); 還 in 還魂 is huán. This is the underworld's own account of the transmigration the reader witnessed in the chapter's first passage.
'Your servant does not know what place this “Tang imperial sister” is, nor where her household lies, and I have not yet been able to go and seek her out.'
Three readings close the passage: 甚 in 甚地方 is shén ('what place'); 還 in 我還 is hái ('still, yet'), not the huán of 還魂; and 得 in 得去 is dé ('be able to').
Liu Quan's account clicks into place against Cuilian's monologue like the second half of a tally. Where she narrated the quarrel and death, he narrates the underworld's remedy: the ledger consulted, the shared span of years discovered, the ruling that Cuilian should 'borrow Yuying's body and return to life.' The dramatic irony reaches its height in his closing lines — he does not know where this 'Tang imperial sister' is to be found, while the reader, the court, and the transmigrated soul in the next room all do. The chapter has now fully justified its opening stratagem from within the story's own bureaucratic machinery, and stands ready to spend the accumulated goodwill on Taizong's grand rite of deliverance.