Canonical Classics ← 第十二回
第十二回
tángwángbǐngchéngxiūhuì
guānyīnxiǎnshènghuàjīnchán

The Tang King, Sincere in Faith, Convenes the Grand Assembly · Guanyin, Manifesting Her Holy Form, Transforms the Golden Cicada

冥府會妻
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

冥府會妻 The Reunion Before the Kings of Death

tángwángdào:「zàiyīnjiànxiēshénmelái?」liúquándào:「chéncéngyuǎnxíngméijiànshéndezhǐwényánwángwènchénxiāngguànxìngmíngchénjiāngjiāshěyīnyuànláijìnguāzhīshìshuōlebiànchāiguǐ使shǐyǐnguòjiùzàisēnluó殿diànxiàxiānghuìxiāngyòujiǎnkànshēngwén簿shuōdōuyǒudēngxiānzhīshòu便biànchāiguǐ使shǐsònghuíchénzàiqiánzǒuhòuxíngxìnghuánhúndànzhītóusuǒ。」tángwángjīngwèndào:「yánwángcéngshuōshénme?」liúquándào:「yánwángcéngshuōshénmezhǐtīngguǐ使shǐshuō:『cuìliánguīyīnjiǔshīshǒucún。』yánwángdào:『tángmèiyīngjīngāijiàocuìliánjièyīngshīhuánhún。』chénzhītángmèishìshénfāngjiāchùháiwèicéngzhǎoxúnli。」tángwángdào:「zàiyīnjiànxiēshénmelái?」liúquándào:「chéncéngyuǎnxíngméijiànshéndezhǐwényánwángwènchénxiāngguànxìngmíngchénjiāngjiāshěyīnyuànláijìnguāzhīshìshuōlebiànchāiguǐ使shǐyǐnguòjiùzàisēnluó殿diànxiàxiānghuìxiāngyòujiǎnkànshēngwén簿shuōdōuyǒudēngxiānzhī寿shòu便biànchāiguǐ使shǐsònghuíchénzàiqiánzǒuhòuxíngxìnghuánhúndànzhītóusuǒ。」tángwángjīngwèndào:「yánwángcéngshuōshénme?」liúquándào:「yánwángcéngshuōshénmezhǐtīngguǐ使shǐshuō:『cuìliánguīyīnjiǔshīshǒucún。』yánwángdào:『tángmèiyīngjīngāijiàocuìliánjièyīngshīhuánhún。』chénzhītángmèishìshénfāngjiāchùháiwèicéngzhǎoxúnli。」


逐句解 Line by line

tángwángdào:「zàiyīnjiànxiēshénmelái?」 tángwángdào:「zàiyīnjiànxiēshénmelái?」

The Tang king said: 'What did you see in the shades below?'

甚麼 is the question-word shén me, 'what.'

liúquándào:「chéncéngyuǎnxíngméijiànshéndezhǐwényánwángwènchénxiāngguànxìngmíng liúquándào:「chéncéngyuǎnxíngméijiànshéndezhǐwényánwángwènchénxiāngguànxìngmíng

Liu Quan said: 'Your servant did not travel far and saw little, but I heard the King of the Dead ask my native place and my name.'

鄉貫 (xiāng guàn) is a man's native place and registration — the two facts any clerk asks for first, in this world or the other. Two readings to catch: in 甚的 is shén, 'anything, aught,' and in 聞得 is the toneless de that ties a verb to its outcome, 'heard that' — as again in 聽得 a few lines on.

chénjiāngjiāshěyīnyuànláijìnguāzhīshìshuōlebiàn chénjiāngjiāshěyīnyuànláijìnguāzhīshìshuōlebiàn

'I told, from beginning to end, how I had forsaken my home and abandoned my children, come because my wife had hanged herself, and wished to present the melons.'

is the disposal jiāng, here taking hold of the whole tale and laying it out. In 捨子, 'abandoned my children,' is the full noun , not the toneless suffix zi it becomes elsewhere. 一遍 takes before the fourth tone of (biàn).

chāiguǐ使shǐyǐnguòjiùzàisēnluó殿diànxiàxiānghuì chāiguǐ使shǐyǐnguòjiùzàisēnluó殿diànxiàxiānghuì

'He at once dispatched a ghost-warden to bring my wife across, and we met below the Hall of Judgment.'

in 急差 is chāi, to dispatch. in 相會 is xiāng, the word that makes an action run both ways: they met each other.

xiāngyòujiǎnkànshēngwén簿shuōdōuyǒudēngxiānzhīshòu便biànchāiguǐ使shǐsònghuí xiāngyòujiǎnkànshēngwén簿shuōdōuyǒudēngxiānzhī寿shòu便biànchāiguǐ使shǐsònghuí

'On the other side, too, they examined the ledgers of life and death, and finding that we husband and wife both had years yet of ascent to immortality, they sent us back by a ghost-warden.'

一壁廂 (yí bì xiāng) is plain storyteller's language for 'over on the other side, meanwhile.' The takes before the fourth tone of (), being the form it takes before the other three. 死生文簿 is the underworld's register of lifespans — the ledger pulled out and checked while the couple stand waiting. in 便差 is again chāi; in 都有 is dōu.

chénzàiqiánzǒuhòuxíngxìnghuánhún chénzàiqiánzǒuhòuxíngxìnghuánhún

'Your servant walked ahead and my wife came behind, and by good fortune I was restored to life.'

The passage's two working characters meet in one line: in 幸得 is , 'managed to, had the luck to,' while in 還魂 is huán, to give the soul back.

dànzhītóusuǒ。」 dànzhītóusuǒ。」

'But I do not know where my wife has been lodged.'

He asks the one question this room could answer on the spot — and neither he nor the court yet knows it.

tángwángjīngwèndào:「yánwángcéngshuōshénme?」 tángwángjīngwèndào:「yánwángcéngshuōshénme?」

The Tang king asked in alarm: 'Did the King of the Dead say anything of your wife?'

in 那閻王 is the pointing ; 甚麼 is the question-word shén me.

liúquándào:「yánwángcéngshuōshénmezhǐtīngguǐ使shǐshuō:『cuìliánguīyīnjiǔshīshǒucún。』 liúquándào:「yánwángcéngshuōshénmezhǐtīngguǐ使shǐshuō:『cuìliánguīyīnjiǔshīshǒucún。』

Liu Quan said: 'The King of the Dead said nothing, but I heard a warden say, "Li Cuilian has long returned to the shades, and her corpse is no more."'

聽得 takes the toneless de. The warden's aside supplies the missing premise: no body left, therefore a substitute must be found. The whole episode turns on that one administrative fact.

yánwángdào:『tángmèiyīngjīngāijiàocuìliánjièyīngshīhuánhún。』 yánwángdào:『tángmèiyīngjīngāijiàocuìliánjièyīngshīhuánhún。』

'The King said, "The Tang imperial sister Li Yuying is fated to die untimely today; let Cuilian borrow Yuying's body and return to life."'

The ruling itself, and it reaches the reader at two removes — Liu Quan quoting the King. is jiào, 'let, cause to'; in 還魂 is huán. This is the underworld's own minute of the transfer we watched happen in the chapter's opening lines.

chénzhītángmèishìshénfāngjiāchùháiwèicéngzhǎoxúnli。」 chénzhītángmèishìshénfāngjiāchùháiwèicéngzhǎoxúnli。」

'Your servant does not know what place this "Tang imperial sister" is, nor where her household lies, and I have not yet been able to go and seek her out.'

Three readings close the passage. in 甚地方 is shén, 'what place'; in 我還 is hái, 'still, yet,' and not the huán it carried in 還魂 a moment ago; in 得去 is , 'be able to.'


總評 Commentary

Liu Quan's account closes on Cuilian's like the two halves of a split tally-stick. She narrated the quarrel and the death; he narrates the remedy — the ledger consulted, the shared years discovered, the ruling that Cuilian should borrow Yuying's body and return to life.

The irony peaks in his last line, where he says he does not know where this 'Tang imperial sister' is to be found, while the reader, the court, and the transmigrated soul in the next room all do. The chapter has now justified its opening trick from inside its own bureaucratic machinery, and stands ready to spend the goodwill on Taizong's great rite of deliverance.