Canonical Classics ← 第十二回
第十二回
tángwángbǐngchéngxiūhuì
guānyīnxiǎnshènghuàjīnchán

The Tang King, Sincere in Faith, Convenes the Grand Assembly · Guanyin, Manifesting Her Holy Form, Transforms the Golden Cicada

袈裟妙製
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional 含詞賦 With rhapsody

袈裟妙製 The Wonders and Making of the Cassock

dàodào

zhèjiāshālóngmiǎnpéngtūnshìzhīzāizhèjiāshālóngmiǎnpéngtūnshìzhīzāi
guàchāofánshèngzhīmiàoguàchāofánshèngzhīmiào
dànzuòchùyǒuwànshéncháodànzuòchùyǒuwànshéncháo
fándòngyǒusuíshēnfándòngyǒusuíshēn
zhèjiāshāshìbīngcánzàoliànchōuqiǎojiàngfānténgwéixiànxiānézhījiùshénchéngfāngfāngxiùhuāfèngzhèjiāshāshìbīngcánzàoliànchōuqiǎojiàngfānténgwéi线xiànxiānézhījiùshénchéngfāngfāngxiùhuāfèng
piànpiànxiāngbāngduījǐnkòupiànpiànxiāngbāngduījǐnkòu
línglóngsǎnsuìdòuzhuānghuāliàngpiāoguāngpēnbǎoyànlínglóngsǎnsuìdòuzhuānghuāliàngpiāoguāngpēnbǎoyàn
穿chuānshàng滿mǎnshēnhóngràotuōláiduàncǎiyúnfēi穿chuānshàngmǎnshēnhóngràotuōláiduàncǎiyúnfēi
sāntiānménwàitòuyuánguāngyuèshānqiánshēngbǎosāntiānménwàitòuyuánguāngyuèshānqiánshēngbǎo
chóngchóngqiànjiù西fānliánzhuózhuóxuánzhūxīngdǒuxiàngchóngchóngqiànjiù西fānliánzhuózhuóxuánzhūxīngdǒuxiàng
jiǎoshàngyǒumíngzhūzǎndǐngjiānjiǎoshàngyǒumíngzhūzǎndǐngjiān绿
suīquánzhàoyuánběnyǒushēngguāngbǎozǎnsuīquánzhàoyuánběnyǒushēngguāngbǎozǎn

逐句解 Line by line

dào dào

The Bodhisattva said:

The speech-attribution 菩薩道 introduces the descriptive rhapsody of the cassock.

zhèjiāshālóngmiǎnpéngtūnshìzhīzāi zhèjiāshālóngmiǎnpéngtūnshìzhīzāi

This cassock — let a dragon drape but one thread of it, and it is spared the disaster of the roc's devouring;

guàchāofánshèngzhīmiào guàchāofánshèngzhīmiào

let a crane hang but one strand, and it gains the marvel of passing beyond the mortal into the holy.

in 得超凡 ('gains [the marvel of] transcending the mortal') is ('to attain').

dànzuòchùyǒuwànshéncháo dànzuòchùyǒuwànshéncháo

Wherever its wearer but sits, ten thousand spirits pay court-homage;

in 朝禮 ('to pay court-homage') is cháo.

fándòngyǒusuíshēn fándòngyǒusuíshēn

in his every movement, the Seven Buddhas attend him.

七佛 are the Seven Buddhas of the past, of whom Sakyamuni is the last.

zhèjiāshāshìbīngcánzàoliànchōuqiǎojiàngfānténgwéixiànxiānézhījiùshénchéngfāngfāngxiùhuāfèng zhèjiāshāshìbīngcánzàoliànchōuqiǎojiàngfānténgwéi线xiànxiānézhījiùshénchéngfāngfāngxiùhuāfèng

This cassock is spun from the silk of ice-silkworms, drawn into thread by cunning artisans, tossed and worked into yarn, woven by immortal maidens and finished on the loom by goddesses; square upon square, its panels gathered and sewn with embroidered flowers.

冰蠶 (the ice-silkworm) is a legendary silk-producing creature. in 翻騰為線 ('worked into thread') is wéi ('to become, to make into').

piànpiànxiāngbāngduījǐnkòu piànpiànxiāngbāngduījǐnkòu

Piece joined to piece, heaped upon the brocade reed.

in 相幫 ('joined to one another') is xiāng; (kòu) is the reed of a loom.

línglóngsǎnsuìdòuzhuānghuāliàngpiāoguāngpēnbǎoyàn línglóngsǎnsuìdòuzhuānghuāliàngpiāoguāngpēnbǎoyàn

Exquisite scattered fragments vie in their flowered adornment; bright of hue, drifting light, spurting jeweled splendor.

in 散碎 ('scattered, in fragments') is sǎn.

穿chuānshàng滿mǎnshēnhóngràotuōláiduàncǎiyúnfēi 穿chuānshàngmǎnshēnhóngràotuōláiduàncǎiyúnfēi

Put on, a red mist wreathes the whole body; taken off, a swath of colored cloud takes flight.

sāntiānménwàitòuyuánguāngyuèshānqiánshēngbǎo sāntiānménwàitòuyuánguāngyuèshānqiánshēngbǎo

Beyond the Three Heavens' gate it lets through a primal radiance; before the Five Sacred Peaks it breeds a jeweled vapor.

五岳 are the Five Sacred Peaks of China; 三天 the Daoist Three Heavens.

chóngchóngqiànjiù西fānliánzhuózhuóxuánzhūxīngdǒuxiàng chóngchóngqiànjiù西fānliánzhuózhuóxuánzhūxīngdǒuxiàng

Layer upon layer inlaid with Western lotus-blooms; glittering, hung with pearls in the images of the stars.

重重 ('layer upon layer') reads as chóng; in 星斗 ('the stars') is dǒu. 西番蓮 is the passionflower or Western lotus motif.

jiǎoshàngyǒumíngzhūzǎndǐngjiān jiǎoshàngyǒumíngzhūzǎndǐngjiān绿

At its four corners are night-shining pearls; gathered at its crown, a single emerald.

祖母綠 (zǔmǔlǜ) is the emerald.

suīquánzhàoyuánběnyǒushēngguāngbǎozǎn suīquánzhàoyuánběnyǒushēngguāngbǎozǎn

Though it does not wholly reveal its original substance, yet it has the radiance of eight gathered treasures.


總評 Commentary

The rhapsody of the cassock opens the chapter's ornamental climax, and its first movement dwells on two things: the garment's protective power and its miraculous manufacture. A single thread of it wards off the roc and lifts its wearer beyond the mortal; wherever he sits or moves, spirits and Buddhas attend. Then the fu turns to craft, cataloguing in hyperbolic detail a making that is wholly celestial — silk from ice-silkworms, thread drawn by cunning artisans, cloth woven by immortal maidens and goddesses, panels sewn with embroidered flowers and inlaid with lotus and stars. The mode is pure ecphrasis, the pleasure lying in the sheer accumulation of marvels; but every wonder serves to establish the cassock as an object of more-than-earthly worth, the fit vesture of the destined pilgrim.