Canonical Classics ← 第十二回
第十二回
tángwángbǐngchéngxiūhuì
guānyīnxiǎnshènghuàjīnchán

The Tang King, Sincere in Faith, Convenes the Grand Assembly · Guanyin, Manifesting Her Holy Form, Transforms the Golden Cicada

袈裟妙製
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

袈裟妙製 The Wonders and Making of the Cassock

dàodào

zhèjiāshālóngmiǎnpéngtūnshìzhīzāizhèjiāshālóngmiǎnpéngtūnshìzhīzāi
guàchāofánshèngzhīmiàoguàchāofánshèngzhīmiào
dànzuòchùyǒuwànshéncháodànzuòchùyǒuwànshéncháo
fándòngyǒusuíshēnfándòngyǒusuíshēn
zhèjiāshāshìbīngcánzàoliànchōuqiǎojiàngfānténgwéixiànxiānézhījiùshénchéngfāngfāngxiùhuāfèngzhèjiāshāshìbīngcánzàoliànchōuqiǎojiàngfānténgwéi线xiànxiānézhījiùshénchéngfāngfāngxiùhuāfèng
piànpiànxiāngbāngduījǐnkòupiànpiànxiāngbāngduījǐnkòu
línglóngsǎnsuìdòuzhuānghuāliàngpiāoguāngpēnbǎoyànlínglóngsǎnsuìdòuzhuānghuāliàngpiāoguāngpēnbǎoyàn
穿chuānshàng滿mǎnshēnhóngràotuōláiduàncǎiyúnfēi穿chuānshàngmǎnshēnhóngràotuōláiduàncǎiyúnfēi
sāntiānménwàitòuyuánguāngyuèshānqiánshēngbǎosāntiānménwàitòuyuánguāngyuèshānqiánshēngbǎo
chóngchóngqiànjiù西fānliánzhuózhuóxuánzhūxīngdǒuxiàngchóngchóngqiànjiù西fānliánzhuózhuóxuánzhūxīngdǒuxiàng
jiǎoshàngyǒumíngzhūcuándǐngjiānjiǎoshàngyǒumíngzhūcuándǐngjiān绿
suīquánzhàoyuánběnyǒushēngguāngbǎocuánsuīquánzhàoyuánběnyǒushēngguāngbǎocuán

逐句解 Line by line

dào dào

The Bodhisattva said:

菩薩道 — two characters of speech-attribution, and then the longest set-piece in the chapter.

zhèjiāshālóngmiǎnpéngtūnshìzhīzāi zhèjiāshālóngmiǎnpéngtūnshìzhīzāi

This cassock — let a dragon drape but one thread of it, and it is spared the disaster of the roc's devouring;

Note how the cassock is introduced: not by what it is but by what it keeps off. One thread of it laid on a dragon saves the dragon from the 大鵬, the roc, which in Buddhist legend preys on dragons.

guàchāofánshèngzhīmiào guàchāofánshèngzhīmiào

let a crane hang but one strand, and it gains the marvel of passing beyond the mortal into the holy.

in 得超凡, gains the marvel of passing beyond the mortal, is , to attain.

dànzuòchùyǒuwànshéncháo dànzuòchùyǒuwànshéncháo

Wherever its wearer but sits, ten thousand spirits pay court-homage;

in 朝禮, to pay court-homage, is cháo — ten thousand spirits queueing as officials do.

fándòngyǒusuíshēn fándòngyǒusuíshēn

in his every movement, the Seven Buddhas attend him.

The 七佛 are the Seven Buddhas of the past, of whom Sakyamuni is the last.

zhèjiāshāshìbīngcánzàoliànchōuqiǎojiàngfānténgwéixiànxiānézhījiùshénchéngfāngfāngxiùhuāfèng zhèjiāshāshìbīngcánzàoliànchōuqiǎojiàngfānténgwéi线xiànxiānézhījiùshénchéngfāngfāngxiùhuāfèng

This cassock is spun from the silk of ice-silkworms, drawn into thread by cunning artisans, tossed and worked into yarn, woven by immortal maidens and finished on the loom by goddesses; square upon square, its panels gathered and sewn with embroidered flowers.

The 冰蠶, ice-silkworm, is a legendary creature that spins silk in the cold. in 翻騰為線, tossed and worked into thread, is wéi, to become or be made into.

piànpiànxiāngbāngduījǐnkòu piànpiànxiāngbāngduījǐnkòu

Piece joined to piece, heaped upon the brocade reed.

in 相幫, joined to one another, is xiāng; a (kòu) is the reed of a loom, the comb that beats each thread into place.

línglóngsǎnsuìdòuzhuānghuāliàngpiāoguāngpēnbǎoyàn línglóngsǎnsuìdòuzhuānghuāliàngpiāoguāngpēnbǎoyàn

Exquisite scattered fragments vie in their flowered adornment; bright of hue, drifting light, spurting jeweled splendor.

in 散碎, scattered, in fragments, is sǎn.

穿chuānshàng滿mǎnshēnhóngràotuōláiduàncǎiyúnfēi 穿chuānshàngmǎnshēnhóngràotuōláiduàncǎiyúnfēi

Put on, a red mist wreathes the whole body; taken off, a swath of colored cloud takes flight.

The couplet balances putting on against taking off, and gives each its own weather: red mist wound about the body, a stretch of coloured cloud in flight.

sāntiānménwàitòuyuánguāngyuèshānqiánshēngbǎo sāntiānménwàitòuyuánguāngyuèshānqiánshēngbǎo

Beyond the Three Heavens' gate it lets through a primal radiance; before the Five Sacred Peaks it breeds a jeweled vapor.

The 五岳 are the Five Sacred Peaks of China; the 三天 are the Daoist Three Heavens. A Buddhist robe is being measured against Daoist geography, and quite deliberately.

chóngchóngqiànjiù西fānliánzhuózhuóxuánzhūxīngdǒuxiàng chóngchóngqiànjiù西fānliánzhuózhuóxuánzhūxīngdǒuxiàng

Layer upon layer inlaid with Western lotus-blooms; glittering, hung with pearls in the images of the stars.

重重, layer upon layer, reads as chóng; in 星斗, the stars, is dǒu. 西番蓮 is the passionflower, or Western lotus, as a decorative motif.

jiǎoshàngyǒumíngzhūcuándǐngjiān jiǎoshàngyǒumíngzhūcuándǐngjiān绿

At its four corners are night-shining pearls; gathered at its crown, a single emerald.

祖母綠 (zǔ mǔ lǜ) is the emerald — three characters that read literally as 'grandmother green,' the word being a borrowing and the grandmother an accident of sound.

suīquánzhàoyuánběnyǒushēngguāngbǎocuán suīquánzhàoyuánběnyǒushēngguāngbǎocuán

Though it does not wholly reveal its original substance, yet it has the radiance of eight gathered treasures.

is cuán, to cluster or gather in, not the zǎn of hoarding up. The 雖無也有 construction closes the inventory in the oldest rhetorical way there is: concede a limit, then override it.


總評 Commentary

The rhapsody of the cassock opens the chapter's ornamental climax, and its first movement dwells on two things: what the garment wards off, and how it was made. A single thread of it turns away the roc and lifts its wearer beyond the mortal; wherever he sits or moves, spirits and Buddhas attend him.

Then the rhapsody turns to craft, cataloguing in hyperbolic detail a manufacture that is wholly celestial — silk from ice-silkworms, thread drawn by cunning artisans, cloth woven by immortal maidens and finished on the loom by goddesses, panels sewn with embroidered flowers and inlaid with lotus and stars. The mode is pure description, and the pleasure lies in the sheer accumulation of marvels; but every wonder works to establish the cassock as an object of more than earthly worth, the fit vesture of the destined pilgrim.