Canonical Classics ← 第十二回
第十二回
唐táng王wáng秉bǐng誠chéng修xiū大dà會huì
觀guān音yīn顯xiǎn聖shèng化huà金jīn蟬chán

The Tang King, Sincere in Faith, Convenes the Grand Assembly · Guanyin, Manifesting Her Holy Form, Transforms the Golden Cicada

詩證還鄉
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

詩證還鄉 A Poem Attests; The Return to Junzhou

有yǒu詩shī為wèi證zhèng:有yǒu诗shī为wèi证zhèng:

人rén生shēng人rén死sǐ是shì前qián緣yuán,短duǎn短duǎn長cháng長cháng各gè有yǒu年nián。人rén生shēng人rén死sǐ是shì前qián缘yuán,短duǎn短duǎn长cháng长cháng各gè有yǒu年nián。
劉liú全quán進jìn瓜guā回huí陽yáng世shì,借jiè屍shī還huán魂hún李lǐ翠cuì蓮lián。刘liú全quán进jìn瓜guā回huí阳yáng世shì,借jiè尸shī还huán魂hún李lǐ翠cuì莲lián。

他tā兩liǎng個gè辭cí了le君jūn王wáng,徑jìng來lái均jūn州zhōu城chéng裡lǐ,見jiàn舊jiù家jiā業yè、兒ér女nǚ俱jù好hǎo,兩liǎng口kǒu兒er宣xuān揚yáng善shàn果guǒ不bù題tí。他tā两liǎng个gè辞cí了le君jūn王wáng,径jìng来lái均jūn州zhōu城chéng里lǐ,见jiàn旧jiù家jiā业yè、儿ér女nǚ俱jù好hǎo,两liǎng口kǒu儿er宣xuān扬yáng善shàn果guǒ不bù题tí。


逐句解 Line by line

有yǒu詩shī為wèi證zhèng: 有yǒu诗shī为wèi证zhèng:

There is a poem in witness:

有詩為證, 'there is a poem in proof of it,' is the storyteller calling a witness — the formula that ushers in a summary verse. 為 in 為證 is wèi, 'as, by way of.'

人rén生shēng人rén死sǐ是shì前qián緣yuán,短duǎn短duǎn長cháng長cháng各gè有yǒu年nián。 人rén生shēng人rén死sǐ是shì前qián缘yuán,短duǎn短duǎn长cháng长cháng各gè有yǒu年nián。

That men are born and men must die is a bond ordained before; and short or long, each life is measured to its allotted years.

The couplet states the arithmetic the episode has been working all along: birth and death follow from 前緣, the bond formed in an earlier life, and every span is measured out beforehand. In 短短長長, 'the short ones and the long ones,' both occurrences of 長 read cháng, long, not zhǎng.

劉liú全quán進jìn瓜guā回huí陽yáng世shì,借jiè屍shī還huán魂hún李lǐ翠cuì蓮lián。 刘liú全quán进jìn瓜guā回huí阳yáng世shì,借jiè尸shī还huán魂hún李lǐ翠cuì莲lián。

Liu Quan bore the melons down and returned to the world of light; and borrowing a body to come back, Li Cuilian lived once more.

The second couplet reduces the whole affair to its two wonders: the melon-bearer brought back alive, and Li Cuilian returned in another woman's body. 還 in 還魂 is huán.

他tā兩liǎng個gè辭cí了le君jūn王wáng,徑jìng來lái均jūn州zhōu城chéng裡lǐ,見jiàn舊jiù家jiā業yè、兒ér女nǚ俱jù好hǎo,兩liǎng口kǒu兒er宣xuān揚yáng善shàn果guǒ不bù題tí。 他tā两liǎng个gè辞cí了le君jūn王wáng,径jìng来lái均jūn州zhōu城chéng里lǐ,见jiàn旧jiù家jiā业yè、儿ér女nǚ俱jù好hǎo,两liǎng口kǒu儿er宣xuān扬yáng善shàn果guǒ不bù题tí。

The two took leave of their sovereign and went straight to the city of Junzhou, where they found their old estate and their children all in good order; and the couple made known the good fruits of their karma — of which we say no more.

One character doing two jobs in a single line: 兒女, 'sons and daughters,' reads 兒 as the full noun ér, while 兩口兒, 'the pair of them,' carries it as the little suffix er. 善果, 'good fruit,' is the harvest of their almsgiving and their good faith. 辭了 takes the completed-action le.


總評 Commentary

The summary quatrain closes the Liu Quan episode with a formal statement of its moral arithmetic. The opening couplet turns the tale into doctrine — birth, death, and the length of a life are all matters of a bond formed earlier and an allotment already fixed — while the second reduces the affair to two named wonders: the melon-bearer's reward and the borrowed-body return.

The prose coda then folds the thread shut in the storyteller's usual manner, putting the couple back in Junzhou with estate and children intact. With that the business carried over from Chapter 11 is discharged, and the chapter is free to turn to the second debt Taizong owes the underworld: the gold borrowed from the poor almsgiver Xiang Liang, and the great rite of deliverance that follows it.