菩薩混眾 The Bodhisattva Among the Throng
當有菩薩與木叉道:「今日是水陸正會,以一七繼七七,可矣了。我和你雜在眾人叢中,一則看他那會何如,二則看金蟬子可有福穿我的寶貝,三則也聽他講的是那一門經法。」兩人隨投寺裡。正是有緣得遇舊相識,般若還歸本道場。入到寺裡觀看,真個是:当有菩萨与木叉道:「今日是水陆正会,以一七继七七,可矣了。我和你杂在众人丛中,一则看他那会何如,二则看金蝉子可有福穿我的宝贝,三则也听他讲的是那一门经法。」两人随投寺里。正是有缘得遇旧相识,般若还归本道场。入到寺里观看,真个是:
逐句解 Line by line
Just then the Bodhisattva said to Moksha: 'Today is the main assembly of the Land and Water; with one seven following the seven sevens, it will do.'
一七繼七七, one seven following the seven sevens, marks the culminating day of the count. 當有, just then there was, reads 當 as dāng.
'You and I shall mingle among the crowd of people: first, to see how that assembly of his goes; second, to see whether the Golden Cicada has the fortune to wear my treasures; and third, to hear which school of scriptural law he expounds.'
She names three purposes, and the third is the one that matters: to hear which school of the Law he is actually teaching. Her 那 divides accordingly — 那會, that assembly, is the pointing nà, while 是那一門, which school, is the question-word nǎ. 金蟬子, Master Golden Cicada, reads 子 as the honorific zǐ.
The two then made their way into the temple. It was truly a case of: by affinity, coming to meet an old acquaintance; prajna returning to its original ritual-site.
得 in 得遇, coming to meet, is the outcome de; 相 in 相識, an acquaintance, is xiāng; 還 in 還歸, to return, is huán. 般若 (bō rě, prajñā, transcendent wisdom) returning to its own ritual-site is the narrator's wink: wisdom itself has walked into the wisdom-hall, and nobody has looked up.
Entering the temple to look about, it was indeed thus:
真個是, it was indeed thus, ushers in the descriptive rhapsody of the assembly.
A Heavenly Court, a great nation — truly it surpasses the Saha world.
裟婆, a form of 娑婆, the Sanskrit sahā, is this present world, the one that has to be endured. 朝 in 天朝 is cháo.
It outdoes the Jetavana of Sravasti, and yields nothing to the lofty temples and monasteries.
祇園舍衛 is the Jetavana grove at Śrāvastī, where the Buddha preached more often than anywhere else; 招提 (zhāo tí, from the Sanskrit caturdiśa) is a monastery. 剎 in 上剎 is chà. Note the boast: a Chinese assembly is said to outdo the holiest ground in India, and it is about to be told that it cannot do the one thing it was convened for.
That strain of immortal music rings clear; the Buddha's name resounds in clamor.
那 in 那一派 is the pointing nà; 佛號 takes the global fó.
Guanyin's decision to mingle in disguise sets the terms of the coming climax. Her three stated purposes — to observe the assembly, to test whether the Golden Cicada is worthy of her treasures, and above all to hear which school of scriptural law he expounds — point straight at the doctrinal challenge she is about to make. The narrator's aside, that prajna returns to its original ritual-site, quietly identifies the disguised beggar with transcendent wisdom itself, entering the very rite meant to embody it.
The rhapsody that follows exalts the Chinese assembly above the holiest sites of Indian Buddhism, the Jetavana of Śrāvastī and the monasteries of the West — a hyperbole the Bodhisattva is about to puncture, for all its magnificence the assembly commands only the Lesser Vehicle, and cannot deliver the dead it was convened to save.