披錦誇官 The Parade Through Chang'an
當時文武階前喝采。太宗喜之不勝,即著法師穿了袈裟,持了寶杖;又賜兩隊儀從,著多官送出朝門,教他上大街行道,往寺裡去,就如中狀元誇官的一般。這去玄奘再拜謝恩,在那大街上,烈烈轟轟,搖搖擺擺。你看那長安城裡,行商坐賈、公子王孫、墨客文人、大男小女,無不爭看誇獎,俱道:「好個法師,真是個活羅漢下降,活菩薩臨凡。」当时文武阶前喝采。太宗喜之不胜,即着法师穿了袈裟,持了宝杖;又赐两队仪从,着多官送出朝门,教他上大街行道,往寺里去,就如中状元夸官的一般。这去玄奘再拜谢恩,在那大街上,烈烈轰轰,摇摇摆摆。你看那长安城里,行商坐贾、公子王孙、墨客文人、大男小女,无不争看夸奖,俱道:「好个法师,真是个活罗汉下降,活菩萨临凡。」
逐句解 Line by line
At this the civil and military officers cheered before the steps.
The court cheers, and a private investiture turns into a public show.
Taizong, unable to contain his delight, had the master put on the cassock and take up the treasure-staff; and he further granted two files of ceremonial attendants, and had his officials escort him out the court gate and direct him to parade up the main street to the temple, just as a newly-placed Top Graduate parades to show off his rank.
Both occurrences of 著, in 即著法師 and 著多官, are the causative zhuó; 行 in 行道, to parade along the road, is xíng; 中 in 中狀元, to place first in the examination, is zhòng. And there is the comparison the scene turns on: the highest Buddhist honour in the empire is explained by likening it to the highest secular one, a new Top Graduate riding through town to be looked at.
As he went, Xuanzang bowed again in thanks for the grace, and on that great street, blazing and thunderous, he swayed and strode in stately show.
那 in 那大街 is the pointing nà. The doubled words 烈烈轟轟 and 搖搖擺擺 carry the noise and then the swagger, blazing and thunderous, swaying and strutting. 搖搖擺擺 is still what Chinese says of a man walking as though the street belonged to him.
Look, throughout the city of Chang'an — traveling merchants and settled traders, young lords and princely scions, ink-wielding scholars and men of letters, grown men and little girls — there was not one but vied to gaze and to praise, and all said: 'What a fine Dharma Master! Truly it is a living arhat come down, a living bodhisattva descended to the mortal world.'
那 in 那長安城 is the pointing nà; 長 in 長安 is cháng; 子 in 公子, young lord, is the noun zǐ. The crowd calls him a living arhat and a bodhisattva come down among men, meaning it as praise; the reader knows it for very nearly a description.
Xuanzang's parade turns his investiture into public theatre, and the storyteller frames it with a revealing comparison: he processes through Chang'an just as a newly placed Top Graduate parades to show off his rank. Buddhist sanctity is rendered in the Confucian vocabulary of examination triumph — the highest secular honour the culture knew — and the whole city, from merchants to scholars to children, turns out to gaze.
Their acclamation, that he is a living arhat and a living bodhisattva, is dramatically ironic: they praise in metaphor what the reader knows to be nearly literal truth, for the cassock they admire was given by a bodhisattva in the flesh, who is at this moment somewhere in the crowd, watching.