美玉之藏 Jade Hidden In The Stone
行者陪笑道:「老官兒,你原來有眼無珠,不識我這癆病鬼哩。相法云:『形容古怪,石中有美玉之藏。』你若以言貌取人,乾淨差了。我雖醜便醜,卻倒有些手段。」老者道:「你是那方人氏?姓甚名誰?有何手段?」行者陪笑道:「老官儿,你原来有眼无珠,不识我这痨病鬼哩。相法云:『形容古怪,石中有美玉之藏。』你若以言貌取人,干净差了。我虽丑便丑,却倒有些手段。」老者道:「你是那方人氏?姓甚名谁?有何手段?」
逐句解 Line by line
Pilgrim said with an accommodating smile, "Old sir, you have eyes but no pupils in them, and you do not know this consumptive ghost of mine.
陪笑 is a smile put on to smooth something over, not one that means anything. Pilgrim picks up the old man's own insult — consumptive ghost — and wears it as a name.
"The books of physiognomy say: where the appearance is strange and old, there is a hoard of fine jade within the stone."
Face-reading was a going professional concern in Ming China, with manuals, and Pilgrim is quoting one. 相 is xiàng, the physiognomy reading — automatic transcription supplies the unrelated xiāng, "mutually." 藏 is the noun zàng, a hoard: the 1716 dictionary keeps the two apart under separate spellings, one for the verb "to hide" and one for the thing hidden, and the 之 in front of it makes this the noun.
"If you take the measure of a man by his speech and his looks, you are quite wrong."
乾淨 is gān jìng, "clean" — used here as an adverb, the way English says "clean wrong." Automatic transcription reads the first character as the qián of the trigram, which is a different word entirely.
"Ugly I may be, ugly enough — but I do have some skill in me."
倒 is the adverb dào, which flags a turn against what you were expecting. 雖醜便醜 — "ugly, well, ugly" — concedes the point by simply repeating it, a vernacular shrug.
The old man said, "What region do you come from?
那 is the question-word nǎ: he is asking which region, not pointing at one.
"What is your surname, what your name? And what skill have you?"
甚 is shén, "what" — against the shèn, "extremely," that the same character took two passages back. The closing four-character question folds into this segment rather than standing alone, since it has no speaker named and only shuts the quotation.
Pilgrim turns the insult inside out without denying a word of it. He is ugly; the old man has eyes with nothing behind them; the ugliness is the stone and the skill is the jade. The physiognomy tag does all the work, quoted as settled wisdom rather than argued for.
The old man's reply is the turning point of the chapter, and it is only three questions. He has stopped abusing and started interviewing — where from, what name, what can you do — and it is the third he actually wants answered.
It is also a cue. Asked what he can do, Pilgrim does not answer in prose.