Canonical Classics ← 第六十回
第六十回
niúwángzhànhuáyán
sūnxíngzhěèr調tiáojiāoshàn

The Bull Demon King Breaks Off the Fight for a Splendid Banquet · Sun the Pilgrim Contrives the Second Fetching of the Banana-Leaf Fan

滴淚告道
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

滴淚告道 She Tells It Weeping

luóchàwényánlèigàodào:「wángchángyánshuō:『nánércáizhǔshēnzhǔ。』dexìngmìngxiǎnxiēerbèizhèsūnhàile。」shèngtīngdào:「hóushíguòle?」luóchàwényánlèigàodào:「wángchángyánshuō:『nánércáizhǔshēnzhǔ。』dexìngmìngxiǎnxiēerbèizhèsūnhàile。」shèngtīngdào:「hóushíguòle?」


逐句解 Line by line

luóchàwényánlèigàodào:「wángchángyánshuō:『nánércáizhǔshēnzhǔ。』 luóchàwényánlèigàodào:「wángchángyánshuō:『nánércáizhǔshēnzhǔ。』

The Rākṣasī, hearing this, told him with falling tears, "My lord, the common saying has it: a man without a wife has no master for his goods; a woman without a husband has no master for her person."

in 男兒 is the full ér, and in 女子 the full — both are meaning-bearing syllables here rather than the swallowed suffixes that crowd the passages either side. The proverb is quoted in its own marks, and its two halves are exactly parallel, which is why the source does not cut them apart.

dexìngmìngxiǎnxiēerbèizhèsūnhàile。」 dexìngmìngxiǎnxiēerbèizhèsūnhàile。」

"My life was very near being taken by that ape."

in 險些兒 — very nearly — is the swallowed suffix er, against the full ér of 男兒 one sentence earlier. Two readings of the same character, twenty characters apart.

shèngtīngdào:「hóushíguòle?」 shèngtīngdào:「hóushíguòle?」

The Great Sage, hearing this, put on a show of rage and railed, "When did that foul monkey pass this way?"

聽得 takes . And 故意發怒 tells us the anger is manufactured: the narration refuses to let the performance pass unlabelled.


總評 Commentary

Her proverb is the hinge of the scene and she has no idea what she is saying. A man without a wife has no master for his goods; a woman without a husband has no master for her person. She offers it as a reproach to a husband who has been away, and we hear it as a flat description of her actual position: she has no husband, she is about to be robbed, and the man she is confiding in is the thief.

The counterfeit rage is the technique of the whole imposture. He does not invent details; he supplies emotions. Told that the ape nearly killed her, he produces indignation on cue, and the indignation is what keeps her talking. Everything he learns over the next two passages, he learns by pretending to be angry on her behalf about himself.