Canonical Classics ← 第二十四回
第二十四回
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zhuāngguànxíngzhěqièrénshēn

At the Mountain of Ten Thousand Years the Great Immortal Keeps an Old Friend · At the Abbey of the Five Villages Pilgrim Steals the Ginseng-Fruit

竊擊入園
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

竊擊入園 The Striker Taken, the Garden Entered

shèng使shǐyǐnshēnshǎnjìndàofángkànshíyuánláiliǎngdàotóngchīleguǒzishàng殿diàntángsēngshuōhuàzàifángxíngzhěxiàguānkànkànyǒushénmejīnzidànzhǐjiànchuānglíngshàngguàzhetiáochìjīnyǒuèrchǐchángduǎnyǒuzhǐtóuxiàshìsuàndadetóuzishàngbiānyǒuyǎnzhegēnróngshéngerdào:「xiǎngjiùshìjiàozuòjīnzi。」quèxiàláichūledàofángjìnghòubiāntuīkāiliǎngshànméntáitóuguānkànyaquèshìzuòhuāyuándànjiànshèng使shǐyǐnshēnshǎnjìndàofángkànshíyuánláiliǎngdàotóngchīleguǒzishàng殿diàntángsēngshuōhuàzàifángxíngzhěxiàguānkànkànyǒushénmejīnzidànzhǐjiànchuānglíngshàngguàzhetiáochìjīnyǒuèrchǐchángduǎnyǒuzhǐtóuxiàshìsuàndadetóuzishàngbiānyǒuyǎnzhegēn绿róngshéngerdào:「xiǎngjiùshìjiàozuòjīnzi。」quèxiàláichūledàofángjìnghòubiāntuīkāiliǎngshànméntáitóuguānkànyaquèshìzuòhuāyuándànjiàn

zhūlánbǎokǎnfēngshānzhūlánbǎokǎnfēngshān
huāzhēngyáncuìzhúgòngqīngtiāndòuhuāzhēngyáncuìzhúgòngqīngtiāndòu
liúbēitíngwàiwānliǔtuōyānliúbēitíngwàiwān绿liǔtuōyān
shǎngyuètáiqiánshùqiáosōngdiànshǎngyuètáiqiánshùqiáosōngdiàn
hóngjǐncháoliúhóngjǐncháoliú
xiùdūncǎo绿xiùdūncǎo
qīngrōngrōngshālánqīngrōngrōngshālán
yōudàngdànglínshuǐyōudàngdànglínshuǐ
dānguìyìngjīnjǐngtóngjǐnhuáibàngzhūlándānguìyìngjīnjǐngtóngjǐnhuáibàngzhūlán
yǒuhuòhónghuòbáiqiāntáoyǒuhuòxiānghuòhuángjiǔqiūyǒuhuòhónghuòbáiqiāntáoyǒuhuòxiānghuòhuángjiǔqiū
jiàyìngzhedāntíngjiàyìngzhedāntíng
槿jǐntáixiāngliánsháoyào槿jǐntáixiāngliánsháoyào
kànjìnàoshuāngjūnzhúxuěsōngkànjìnàoshuāngjūnzhúxuěsōng
gèngyǒuzhuāng鹿zháifāngzhǎoyuánchígèngyǒuzhuāng鹿zháifāngzhǎoyuánchí
quánliúsuìèduījīnquánliúsuìèduījīn
shuòfēngchùzhànméihuābáichūnláidiǎnhǎitánghóngshuòfēngchùzhànméihuābáichūnláidiǎnhǎitánghóng
chéngsuǒwèirénjiānxiānjǐng西fāngkuíshǒuhuācóngchéngsuǒwèirénjiānxiānjǐng西fāngkuíshǒuhuācóng

逐句解 Line by line

shèng使shǐyǐnshēnshǎnjìndàofángkànshíyuánláiliǎngdàotóngchīleguǒzishàng殿diàntángsēngshuōhuàzàifáng shèng使shǐyǐnshēnshǎnjìndàofángkànshíyuánláiliǎngdàotóngchīleguǒzishàng殿diàntángsēngshuōhuàzàifáng

The Great Sage worked a spell of invisibility and slipped into the Daoist quarters to look; but the two boys, having eaten the fruit, had gone up to the hall to talk with the Tang Monk, and were not in the room.

那大聖 (nà dàshèng), 那 (nà); 隱身法 (yǐnshēn fǎ) = a spell of invisibility; 那兩個道童 (nà liǎng gè dào tóng), 那 (nà); 吃了果子 (chī le guǒzi), 子 (zi).

xíngzhěxiàguānkànkànyǒushénmejīnzidànzhǐjiànchuānglíngshàngguàzhetiáochìjīnyǒuèrchǐchángduǎnyǒuzhǐtóuxiàshìsuàndadetóuzishàngbiānyǒuyǎnzhegēnróngshénger xíngzhěxiàguānkànkànyǒushénmejīnzidànzhǐjiànchuānglíngshàngguàzhetiáochìjīnyǒuèrchǐchángduǎnyǒuzhǐtóuxiàshìsuàndadetóuzishàngbiānyǒuyǎnzhegēn绿róngshénger

Pilgrim looked about him for any golden striker, and saw only, hung on the window-lattice, a rod of red gold some two chi long and thick as a finger; its lower end was a knob like a garlic-clove, its upper end pierced with an eye and threaded through with a green silk cord.

觀看 (guān kàn), verb 觀 (guān); 甚麼 (shénme), 甚 (shén); 金擊子 (jīn jī·zi), 子 (zi); 掛著 (guà·zhe) / 系著 (jì·zhe), durative 著 (zhe); 二尺長短 (èr chǐ chángduǎn), 長 (cháng) ‘length’; 蒜疙疸 (suàn gēda), 疸 (da) (= , a lump); 繩兒 (shéng·er), 兒 (er) suffix.

dào:「xiǎngjiùshìjiàozuòjīnzi。」 dào:「xiǎngjiùshìjiàozuòjīnzi。」

He said, “This must be the thing they call the golden striker.”

金擊子 (jīn jī·zi), 子 (zi); 想必 (xiǎngbì) = surely.

quèxiàláichūledàofángjìnghòubiāntuīkāiliǎngshànméntáitóuguānkànya quèxiàláichūledàofángjìnghòubiāntuīkāiliǎngshànméntáitóuguānkànya

He took it down, went out of the Daoist quarters, and made straight for the back; he pushed open a double door, raised his head to look — ah!

出了 (chū le), 了 (le); 擡頭觀看 (tái tóu guān kàn), verb 觀 (guān); 呀 (yā) = a cry of surprise.

quèshìzuòhuāyuán quèshìzuòhuāyuán

— it was a flower garden!

一座花園 (yí zuò huāyuán) = a whole garden of flowers.

dànjiàn dànjiàn

And this is what he saw:

但見 (dàn jiàn) — the cue leading into the descriptive verse.

zhūlánbǎokǎnfēngshān zhūlánbǎokǎnfēngshān

Vermilion railings, jewelled balustrades; winding stonework, peaks piled like hills.

朱欄寶檻 (zhū lán bǎo jiàn) = red rails and precious balustrades; 曲砌峰山 (qū qì fēng shān) = terraced stone rising like miniature peaks.

huāzhēngyáncuìzhúgòngqīngtiāndòu huāzhēngyáncuìzhúgòngqīngtiāndòu

Rare blossoms vied in beauty with the fair sun; kingfisher bamboo contended in green with the blue sky.

爭妍 (zhēng yán) = to vie in beauty; 鬥碧 (dòu bì), 鬥 (dòu) ‘to contend.’

liúbēitíngwàiwānliǔtuōyān liúbēitíngwàiwān绿liǔtuōyān

Beyond the Floating-Cup Pavilion, a bend of green willows trailed like mist;

流杯亭 (liú bēi tíng) = the Floating-Cup Pavilion; 綠柳似拖煙 (lǜ liǔ sì tuō yān), comparative 似 (sì).

shǎngyuètáiqiánshùqiáosōngdiàn shǎngyuètáiqiánshùqiáosōngdiàn

before the Moon-Viewing Terrace, clumps of tall pines stood dark as spilt indigo.

賞月臺 (shǎng yuè tái) = the Moon-Viewing Terrace; 數簇 (shù cù), 數 (shù); 如潑靛 (rú pō diàn) = like dashed indigo.

hóngjǐncháoliú hóngjǐncháoliú

Ruddy and glowing, the brocade-nested pomegranate;

紅拂拂 (hóng fú fú) = glowing red; 錦巢榴 (jǐn cháo liú) = pomegranate like a brocade nest.

xiùdūncǎo 绿xiùdūncǎo

soft and green, the embroidered-cushion grass;

綠依依 (lǜ yī yī) = tenderly green; 繡墩草 (xiù dūn cǎo) = grass like an embroidered stool-cushion.

qīngrōngrōngshālán qīngrōngrōngshālán

downy and blue-green, the jasper-sand orchid;

青茸茸 (qīng róng róng) = downy blue-green; 碧砂蘭 (bì shā lán) = orchid on jasper sand.

yōudàngdànglínshuǐ yōudàngdànglínshuǐ

and rippling wide, the water along the brook.

攸蕩蕩 (yōu dàng dàng) = broadly rippling; 臨溪水 (lín xī shuǐ) = by the streamside.

dānguìyìngjīnjǐngtóngjǐnhuáibàngzhūlán dānguìyìngjīnjǐngtóngjǐnhuáibàngzhūlán

Cinnabar cassia set off the golden-well parasol-trees; brocade pagoda-locusts leaned by vermilion rails and jade steps.

丹桂 (dān guì) = cinnabar cassia; 金井梧桐 (jīn jǐng wútóng) = parasol-tree by a gilded well-curb; 錦槐 (jǐn huái) = brocade pagoda-locust.

yǒuhuòhónghuòbáiqiāntáoyǒuhuòxiānghuòhuángjiǔqiū yǒuhuòhónghuòbáiqiāntáoyǒuhuòxiānghuòhuángjiǔqiū

There were peaches of a thousand petals, now red, now white; and chrysanthemums of deep autumn, now fragrant, now yellow.

千葉桃 (qiān yè táo) = many-petalled peach; 九秋菊 (jiǔ qiū jú) = late-autumn chrysanthemum.

jiàyìngzhedāntíng jiàyìngzhedāntíng

The tumi-rose trellis threw its light against the peony pavilion;

荼䕷 (tú mí) = the tumi rose (= 酴醾), the graph U+4577 (Ext-A); 映著 (yìng·zhe), durative 著 (zhe); 牡丹亭 (mǔdan tíng) = the peony pavilion.

槿jǐntáixiāngliánsháoyào 槿jǐntáixiāngliánsháoyào

the hibiscus terrace ran on into the peony-herb plot.

木槿 (mùjǐn) = hibiscus / rose-of-Sharon; 相連 (xiānglián), 相 (xiāng); 芍藥圃 (sháoyào pǔ) = a bed of Chinese peony.

kànjìnàoshuāngjūnzhúxuěsōng kànjìnàoshuāngjūnzhúxuěsōng

Past all seeing were the frost-defying gentleman-bamboo and the snow-scorning grandee-pine.

看不盡 (kàn bú jìn), 不 (bú) (sandhi before 盡 (jìn)); 君子竹 (jūnzǐ zhú), 子 (zǐ) (‘gentleman’); 大夫松 (dàfū sōng) = the ‘grandee’ pine.

gèngyǒuzhuāng鹿zháifāngzhǎoyuánchí gèngyǒuzhuāng鹿zháifāngzhǎoyuánchí

And there were besides the crane-lodge and the deer-house, square pools and round ponds;

更有那 (gèng yǒu nà), 那 (nà); 鶴莊鹿宅 (hè zhuāng lù zhái) = homes for cranes and deer; 方沼圓池 (fāng zhǎo yuán chí) = square and round pools.

quánliúsuìèduījīn quánliúsuìèduījīn

the springs flowed with shattered jade, the ground-blossoms heaped up gold.

碎玉 (suì yù) = shattered jade (the water); 地萼堆金 (dì è duī jīn) = flowers heaping gold on the ground.

shuòfēngchùzhànméihuābáichūnláidiǎnhǎitánghóng shuòfēngchùzhànméihuābáichūnláidiǎnhǎitánghóng

The north wind, brushing them open, whitened the plum-blossom; the coming of spring dotted the crabapple red.

朔風 (shuò fēng) = the north wind; 觸綻 (chù zhàn) = to brush into bloom; 點破 (diǎn pò) = to dot open.

chéngsuǒwèirénjiānxiānjǐng西fāngkuíshǒuhuācóng chéngsuǒwèirénjiānxiānjǐng西fāngkuíshǒuhuācóng

Truly this was called the first immortal scene in all the mortal world, the chief flowering-grove of the West.

人間 (rén jiān), 間 (jiān); 第一仙景 (dì-yī xiān jǐng) = the foremost fairy-scene; 魁首 (kuíshǒu) = the chief, the first.


總評 Commentary

The theft begins in earnest. Invisible, Pilgrim finds the boys’ room empty and locates the 金擊子 — rendered with a craftsman’s exactness (a two-chi rod of red gold, a garlic-knob head, an eye and a green cord), the one tool without which the fruit cannot be taken. He carries it to the back and pushes through into a flower garden.

The garden is set out in a full (rhapsody): parallel couplets catalogue railings and terraces, rare blossoms, named structures (流杯亭, 賞月臺, 牡丹亭), and the whole apparatus of a Daoist paradise-garden, closing on the claim that it is ‘the first immortal scene in all the mortal world.’ The set-piece extends the abbey’s aura of supreme sanctity begun at P9.

Textual notes: the flower 荼䕷 (túmí) carries the Extension-A graph (U+4577); 君子竹 puns the honorific () against the suffix zi of 繩兒; the comparative () and the durative 映著 (zhe); and the recurring 看不盡 () before the elevated (jìn).