Canonical Classics ← 第二十四回
第二十四回
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zhuāngguànxíngzhěqièrénshēn

At the Mountain of Ten Thousand Years the Great Immortal Keeps an Old Friend · At the Abbey of the Five Villages Pilgrim Steals the Ginseng-Fruit

五行相畏
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

五行相畏 Averse to the Five Phases

xíngzhědào:「céngxiàláijiùjiànle?」dào:「shèngzhǐzhīzhèbǎobèiyánshòugèngzhīdechūchùli。」xíngzhědào:「yǒushènchūchù?」dào:「zhèbǎobèisānqiānniánkāihuāsānqiānniánjiéguǒzàisānqiānniánfāngchéngshúduǎntóuwànniánzhǐjiédesānshíyǒuyuándewénwénjiùhuósānbǎiliùshísuìchījiùhuówànqiānniánquèshìzhǐxíngxiāngwèi。」xíngzhědào:「zěnmexíngxiāngwèi?」dào:「zhèguǒzijīnérluòérshuǐérhuàhuǒérjiāoérqiāoshíyòngjīnfāngxiàláixiàláiquèjiāngpáneryòngchèndiànfāngruòshòuxiējiùlejiùchīyánshòuchīyòngqīngshuǐhuàkāishíyònghuǒjiāoéryòngxíngzhědào:「céngxiàláijiùjiànle?」dào:「shèngzhǐzhīzhèbǎobèiyán寿shòugèngzhīdechūchùli。」xíngzhědào:「yǒushènchūchù?」dào:「zhèbǎobèisānqiānniánkāihuāsānqiānniánjiéguǒzàisānqiānniánfāngchéngshúduǎntóuwànniánzhǐjiédesānshíyǒuyuándewénwénjiùhuósānbǎiliùshísuìchījiùhuówànqiānniánquèshìzhǐxíngxiāngwèi。」xíngzhědào:「zěnmexíngxiāngwèi?」dào:「zhèguǒzijīnérluòérshuǐérhuàhuǒérjiāoérqiāoshíyòngjīnfāngxiàláixiàláiquèjiāngpáneryòngchèndiànfāngruòshòuxiējiùlejiùchīyán寿shòuchīyòngqīngshuǐhuàkāishíyònghuǒjiāoéryòng


逐句解 Line by line

xíngzhědào:「céngxiàláijiùjiànle?」 xíngzhědào:「céngxiàláijiùjiànle?」

Pilgrim said, "If you did not take it, how is it that the moment I knocked it down, it vanished?"

A fair question, and the one that unlocks the chapter's cosmology.

dào:「shèngzhǐzhīzhèbǎobèiyánshòugèngzhīdechūchùli。」 dào:「shèngzhǐzhīzhèbǎobèiyán寿shòugèngzhīdechūchùli。」

The Earth-God said, "Great Sage, you know only that this treasure lengthens life; you do not know its true origin."

出處, chū chù, origin, provenance — where a thing comes from and what it therefore is. 更不知 takes as gèng, the comparative "still less."

xíngzhědào:「yǒushènchūchù?」 xíngzhědào:「yǒushènchūchù?」

Pilgrim said, "What origin?"

有甚 as shèn, "what."

dào:「zhèbǎobèisānqiānniánkāihuāsānqiānniánjiéguǒzàisānqiānniánfāngchéngshú dào:「zhèbǎobèisānqiānniánkāihuāsānqiānniánjiéguǒzàisānqiānniánfāngchéngshú

The Earth-God said, "This treasure flowers once in three thousand years, sets fruit once in three thousand years, and only after three thousand more does it ripen.

The growth cycle is repeated verbatim from the narrator's briefing many passages back. The repetition is deliberate: what was scene-setting then is now operational information. 方得成熟 takes as , "only then manages to." 一結果 takes as jiē, the bear-fruit reading.

duǎntóuwànniánzhǐjiédesānshí duǎntóuwànniánzhǐjiédesānshí

In a bare ten thousand years, it bears but thirty fruits.

短頭, duǎn tóu, "at the shortest," at minimum. 只結得 as jiē again, with the light de after it.

yǒuyuándewénwénjiùhuósānbǎiliùshísuìchījiùhuówànqiānnián yǒuyuándewénwénjiùhuósānbǎiliùshísuìchījiùhuówànqiānnián

One with the karmic bond, but smelling it once, lives three hundred and sixty years; eating one, lives forty-seven thousand.

The same two figures as before, three hundred and sixty and forty-seven thousand. Remember the second one: it is about to attach itself to something other than a lifespan.

quèshìzhǐxíngxiāngwèi。」 quèshìzhǐxíngxiāngwèi。」

Yet it stands in mutual aversion with the Five Phases alone."

And here is the doctrine. 五行相畏 — the fruit stands in mutual dread of the Five Phases. The 五行, wǔ xíng, are metal, wood, water, fire and earth: not elements in the Greek sense but five modes of process that everything in the cosmos cycles through. Ming natural philosophy explains chemistry, medicine, music and government by them. 相畏 is a technical term from pharmacology, used of two substances that neutralise each other. is xíng; is the reciprocal xiāng.

xíngzhědào:「zěnmexíngxiāngwèi?」 xíngzhědào:「zěnmexíngxiāngwèi?」

Pilgrim said, "How is it averse to the Five Phases?"

Pilgrim, who has never in his life asked how something works before breaking it, asks how it works.

dào:「zhèguǒzijīnérluòérshuǐérhuàhuǒérjiāoér dào:「zhèguǒzijīnérluòérshuǐérhuàhuǒérjiāoér

The Earth-God said, "This fruit, meeting metal, falls; meeting wood, withers; meeting water, melts; meeting fire, scorches; and meeting earth, sinks in.

Five clauses, one per phase, in the standard order: meeting metal it falls, meeting wood it withers, meeting water it dissolves, meeting fire it scorches, meeting earth it sinks in. The elegance is that each reaction is different in kind — a fall, a decay, a dissolution, a burning, a disappearance — so the fruit is not simply fragile but has a distinct relationship with each mode of matter.

qiāoshíyòngjīnfāngxiàlái qiāoshíyòngjīnfāngxiàlái

To knock it down, one must use a metal tool; only so will it come down.

And now the doctrine turns into a handling manual, which is what it was all along. Metal alone brings it down — hence a golden striker. 方得下來 takes as .

xiàláiquèjiāngpáneryòngchèndiànfāng xiàláiquèjiāngpáneryòngchèndiànfāng

And once knocked down, the tray must be lined with a silk cloth.

Hence also the silk cloth over the tray: silk is neither wood nor metal. Every element of the boys' careful procedure is now accounted for, in retrospect. 將盤兒 takes as jiāng, with the er suffix.

ruòshòuxiējiùlejiùchīyánshòu ruòshòuxiējiùlejiùchīyán寿shòu

Should it touch any wooden vessel, it withers, and then, though eaten, prolongs no life.

Wood withers it, and a withered fruit still looks like a fruit but has lost its virtue — you may eat it and gain nothing. 不得延壽 takes as .

chīyòngqīngshuǐhuàkāishíyòng chīyòngqīngshuǐhuàkāishíyòng

To eat it, one must use porcelain, dissolving it in clear water.

And water is not a hazard but the medium: you dissolve it in clear water and drink it, out of porcelain. 磁器, cí qì, is a variant writing of 瓷器, porcelain — earth transformed by fire into something that counts as neither.

huǒjiāoéryòng huǒjiāoéryòng

Meeting fire, it scorches and is of no use."

Fire ruins it outright. The fifth aversion is saved for last and given one flat line.


總評 Commentary

The Earth-God's lesson turns the fruit from a marvel into a system. Its powers are restated — a sniff worth three hundred and sixty years, a bite worth forty-seven thousand — but now they come with a doctrine attached: 五行相畏, aversion to the Five Phases. Metal, wood, water, fire, earth are not elements in the Greek sense but five modes of process that Ming natural philosophy used to explain chemistry, medicine, music and government alike, and 相畏 is a technical term borrowed from pharmacology, used of two substances that cancel one another.

What makes the doctrine elegant is that each reaction differs in kind. Meeting metal it falls; meeting wood it withers; meeting water it dissolves; meeting fire it scorches; meeting earth it sinks. Not five degrees of fragility but five distinct relationships with matter.

And then the theory reveals itself as a handling manual, and every element of the boys' fussy procedure is retroactively explained. The striker is gold because only metal will bring it down. The tray is lined with silk because silk is neither wood nor metal. Water is not a hazard but the medium — you dissolve the fruit and drink it from porcelain, which is earth transformed by fire into something that counts as neither. Nothing they did was ceremony. It was all necessity, and Pilgrim knew none of it.