原文 Original text
繁體 Traditional
Reader's edition
殿懸天地
“Heaven and Earth” in the Hall
那童子控背躬身,出來迎接道:「老師父,失迎,請坐。」長老歡喜,遂與二童子上了正殿觀看。原來是向南的五間大殿,都是上明下暗的雕花格子。那仙童推開格子,請唐僧入殿處,只見那壁中間掛著五彩裝成的「天地」二大字,設一張朱紅雕漆的香几,几上有一副黃金爐瓶,爐邊有方便整香。那童子控背躬身,出来迎接道:「老师父,失迎,请坐。」长老欢喜,遂与二童子上了正殿观看。原来是向南的五间大殿,都是上明下暗的雕花格子。那仙童推开格子,请唐僧入殿处,只见那壁中间挂著五彩装成的「天地」二大字,设一张朱红雕漆的香几,几上有一副黄金炉瓶,炉边有方便整香。
逐句解 Line by line
那童子控背躬身,出來迎接道:「老師父,失迎,請坐。」
那童子控背躬身,出来迎接道:「老师父,失迎,请坐。」
The boys, bowing low with rounded backs, came out to receive them: “Venerable Master, forgive our tardy welcome — pray be seated.”
控背躬身 (kòng bèi gōng shēn) = to bend the back and bow the body, a posture of deep deference; 那童子 (nà tóngzǐ), 子 (zǐ) (the boy-adept); 失迎 (shī yíng) = forgive the tardy welcome.
長老歡喜,遂與二童子上了正殿觀看。
长老欢喜,遂与二童子上了正殿观看。
The Elder was pleased, and went up with the two boys into the main hall to look about.
長老 (zhǎnglǎo), 長 (zhǎng) (the Elder); 二童子 (èr tóngzǐ), 子 (zǐ); 觀看 (guān kàn), verb 觀 (guān); 上了 (shàng le), 了 (le).
原來是向南的五間大殿,都是上明下暗的雕花格子。
原来是向南的五间大殿,都是上明下暗的雕花格子。
It proved to be a five-bay great hall facing south, all of carved-flower lattices, bright above and dark below.
向南 (xiàng nán) = facing south; 上明下暗 (shàng míng xià àn) = lattices open (bright) above, panelled (dark) below; 雕花格子 (diāohuā gézi), 子 (zi) suffix.
那仙童推開格子,請唐僧入殿處,只見那壁中間掛著五彩裝成的「天地」二大字,設一張朱紅雕漆的香几,几上有一副黃金爐瓶,爐邊有方便整香。
那仙童推开格子,请唐僧入殿处,只见那壁中间挂著五彩装成的「天地」二大字,设一张朱红雕漆的香几,几上有一副黄金炉瓶,炉边有方便整香。
The immortal boys pushed open the lattice and led the Tang Monk into the hall; and there he saw, hung in the midst of the wall, the two great characters “Heaven-and-Earth,” worked in five colours, with a cinnabar-lacquered incense-table set below, a golden censer-and-vase upon it, and beside the censer sticks of fine incense.
那 (nà) (twice); 格子 (gézi), 子 (zi) suffix; 中間 (zhōngjiān); 掛著 (guà·zhe), the durative 著 (zhe); 「天地」 (Tiān Dì) = the two words Heaven-and-Earth.
總評 Commentary
The boys receive the pilgrims with formal deference — 控背躬身, backs bent and bodies bowed — and the main hall is described: a five-bay chamber facing south, its carved lattices bright above and dark below. At its very centre hangs not an image of any deity but the two great characters 「天地」 (Heaven-and-Earth), before a cinnabar incense-table and a golden censer.
That scroll is the passage’s hook. Its oddity — why should an abbey venerate the abstract Heaven-and-Earth rather than named gods? — will prompt the Tang Monk’s question and, through the boys’ startling answer, disclose just how high their master ranks. Readings: the titular 童子 = zǐ against the suffixal 子 = zi in 格子, and 掛著 = zhe (durative ‘hanging’).