童子竊嘗 The Boys Eat in Private
那兩個童兒見千推萬阻不吃,只得拿著盤子,轉回本房。那果子卻也蹺蹊,久放不得;若放多時,即僵了,不中吃。二人到於房中,一家一個,坐在床邊上,只情吃起。那两个童儿见千推万阻不吃,只得拿着盘子,转回本房。那果子却也跷蹊,久放不得;若放多时,即僵了,不中吃。二人到于房中,一家一个,坐在床边上,只情吃起。
逐句解 Line by line
The two boys, seeing him refuse through a thousand pushings and ten-thousand balkings, had no choice but to take up the tray and turn back to their own room.
千推萬阻, qiān tuī wàn zǔ — "a thousand pushings, ten thousand balkings," the vernacular way of saying he would not be budged. 只得 takes 得 as dé, "had no choice but."
Now the fruit was a curious thing: it could not be kept long — if left too long it would harden and be unfit to eat.
This is the detail that clears them entirely. The fruit will not keep — leave it and it goes hard and inedible. 蹺蹊, qiāo qī, odd, uncanny. 不中吃 takes 中 as zhòng, "fit for," the hitting-the-mark sense, with 不 rising to bú before it. Compare 房中 in the next line, where the same character is zhōng, "within" — a minimal pair two lines apart.
The two came to their room, one apiece, and sitting on the edge of the bed, ate them with a will.
一家一個, one apiece. 只情, zhǐ qíng, to one's heart's content — they enjoy it, and why not: it was allotted, offered, and refused.
The boys are refused through what the text calls a thousand pushings and ten thousand balkings, and retreat with the tray. Then the narrator supplies the detail that settles the moral question: the fruit spoils fast. Left standing it goes hard and becomes inedible. So they sit on the edge of the bed and eat one each.
There is no theft here and no disobedience. Two were allotted, two were offered, the guest declined, and what remained would otherwise have been wasted. The novel is careful to establish this before anything goes wrong, so that when the accusations start flying the reader knows exactly where the fault lies. Note the small piece of tonal machinery in passing: 不中吃 takes 中 as zhòng, "fit for," while 房中 two lines later takes the same character as zhōng, "within" — a minimal pair inside three lines, with the 不 correctly rising to bú before the fourth tone.