Canonical Classics ← 第七十八回
第七十八回
qiūliánziqiǎnyīnshén
jīn殿diànshítándào

In Bhikshu He Pities the Children and Sends Out the Shade-Spirits · In the Golden Hall He Knows the Fiend and Discourses on the Way and Its Power

行似阿羅
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

行似阿羅 Walking Like An Arhat Come Down

tōngguānwéndiéjǐnsuíshēnbāoguǒdàizhōngchánjǐntàotōngguānwéndiéjǐnsuíshēnbāoguǒdàizhōngchánjǐntào
xíngāluójiàngshìjiānchénghuózhēnróngmàoxíngāluójiàngshìjiānchénghuózhēnróngmào

逐句解 Line by line

tōngguānwéndiéjǐnsuíshēnbāoguǒdàizhōngchánjǐntào tōngguānwéndiéjǐnsuíshēnbāoguǒdàizhōngchánjǐntào

The rescript for passing the barriers went close upon his person; in his bundle-bag a brocade cover was wound about it.

Even in a portrait poem the paperwork gets a line. The rescript is the physical object the whole journey turns on, and Tripitaka keeps it wrapped in brocade against his body.

xíngāluójiàngshìjiānchénghuózhēnróngmào xíngāluójiàngshìjiānchénghuózhēnróngmào

He walked like an arhat come down into the world; in truth he had the very look of a living Buddha.

阿羅 ā luó is short for 阿羅漢, the arhat, one who has completed the path and will not be reborn. is jiàng here — to come down, to descend — not the xiáng the same character takes when it means to subdue a demon. Both readings are live in this novel and the chapter uses only this one.


總評 Commentary

The portrait ends on a comparison the chapter is going to test. Tripitaka looks like a living Buddha, and he is about to be taken for exactly that — a ten-times-reincarnated body of perfect merit, worth more as medicine than eleven hundred and eleven children.

The novel is being careful here. Everything the poem admires about him is real: the vestments were given by a Bodhisattva, the merit is genuine, the resemblance is not flattery. And within a few hundred characters the Royal Father-in-Law will look at the same man and see the same qualities, and want them boiled.