Canonical Classics ← 第七十八回
第七十八回
qiūliánziqiǎnyīnshén
jīn殿diànshítándào

In Bhikshu He Pities the Children and Sends Out the Shade-Spirits · In the Golden Hall He Knows the Fiend and Discourses on the Way and Its Power

國中有帝王
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

國中有帝王 Does The Country Have A King

xíngzhědào:「guózhōngyǒuwángfǒu?」lǎojūndào:「yǒuyǒuyǒu。」xíngzhěquèzhuǎnshēnduìtángsēngdào:「shīchùyuánshìqiūguójīngǎixiǎozichéngdànzhīgǎimíngzhī。」xíngzhědào:「guózhōngyǒuwángfǒu?」lǎojūndào:「yǒuyǒuyǒu。」xíngzhěquèzhuǎnshēnduìtángsēngdào:「shīchùyuánshìqiūguójīngǎixiǎozichéngdànzhīgǎimíngzhī。」


逐句解 Line by line

xíngzhědào:「guózhōngyǒuwángfǒu?」 xíngzhědào:「guózhōngyǒuwángfǒu?」

Pilgrim said, "Is there a king in this country?"

Wukong asks the only question that matters to him, because the answer decides whether they need the rescript stamped. fǒu at the end of a sentence is the classical yes-or-no marker — literally "or not."

lǎojūndào:「yǒuyǒuyǒu。」 lǎojūndào:「yǒuyǒuyǒu。」

The old soldier said, "There is, there is, there is."

Six characters, three of them the same. The trebling is the sound of a man who has decided the safest possible answer is agreement.

xíngzhěquèzhuǎnshēnduìtángsēngdào:「shīchùyuánshìqiūguójīngǎixiǎozichéngdànzhīgǎimíngzhī。」 xíngzhěquèzhuǎnshēnduìtángsēngdào:「shīchùyuánshìqiūguójīngǎixiǎozichéngdànzhīgǎimíngzhī。」

Pilgrim turned round to the Tang Monk and said, "Master, this place was formerly the Kingdom of Bhikshu and is now renamed the City of Little Boys, but I have no idea what the change of name means."

Wukong reports faithfully and then admits he is baffled, which he does not often do. 何故 hé gù — for what reason — will be repeated by three different characters in the next few hundred characters. The novel is making the reader wait, and making sure the reader notices the waiting.


總評 Commentary

The passage is built on a comic mismatch. Wukong wants an administrative fact; the soldier is answering as fast as he can to avoid trouble; and the real information — that the country has been renamed after its children — has already gone past without either of them stopping on it.

Notice how carefully the novel withholds. It would be easy to have the soldier blurt out the truth. Instead he gives a name and no explanation, and the chapter spends the next several scenes letting the pilgrims walk deeper into a city whose central horror is standing in wicker coops on every doorstep, in plain sight, unexplained.