Canonical Classics ← 第七十四回
第七十四回
長cháng庚gēng傳chuán報bào魔mó頭tóu狠hěn
行xíng者zhě施shī為wéi變biàn化huà能néng

Long Geng Brings Word of a Fierce Demon Chief · Pilgrim Works His Powers of Transformation

嘴不尖啊
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition

嘴不尖啊 My Snout Is Not Pointed

行xíng者zhě暗àn想xiǎng道dào:「這zhè個gè嘴zuǐ好hǎo的de變biàn尖jiān了le些xiē了le。」即jí低dī頭tóu,把bǎ手shǒu侮wǔ著zhe嘴zuǐ揉róu一yì揉róu道dào:「我wǒ的de嘴zuǐ不bù尖jiān啊a。」真zhēn個gè就jiù不bù尖jiān了le。行xíng者zhě暗àn想xiǎng道dào:「这zhè个gè嘴zuǐ好hǎo的de变biàn尖jiān了le些xiē了le。」即jí低dī头tóu,把bǎ手shǒu侮wǔ着zhe嘴zuǐ揉róu一yì揉róu道dào:「我wǒ的de嘴zuǐ不bù尖jiān啊a。」真zhēn个gè就jiù不bù尖jiān了le。


逐句解 Line by line

行xíng者zhě暗àn想xiǎng道dào:「這zhè個gè嘴zuǐ好hǎo的de變biàn尖jiān了le些xiē了le。」 行xíng者zhě暗àn想xiǎng道dào:「这zhè个gè嘴zuǐ好hǎo的de变biàn尖jiān了le些xiē了le。」

Pilgrim thought to himself, "This snout of mine has come out a little too pointed."

變尖了些了 is came out a bit too pointed — a craftsman's complaint about his own work. He is not alarmed; he is dissatisfied with the finish.

即jí低dī頭tóu,把bǎ手shǒu侮wǔ著zhe嘴zuǐ揉róu一yì揉róu道dào:「我wǒ的de嘴zuǐ不bù尖jiān啊a。」 即jí低dī头tóu,把bǎ手shǒu侮wǔ着zhe嘴zuǐ揉róu一yì揉róu道dào:「我wǒ的de嘴zuǐ不bù尖jiān啊a。」

Lowering his head at once, he cupped his hand over his snout and gave it a rub. "My snout is not pointed."

侮著嘴 has 著 as zhe, the hand held over the mouth throughout. 揉一揉 is one rub, the numeral inside the doubled verb. And then a flat denial of a thing everybody can see.

真zhēn個gè就jiù不bù尖jiān了le。 真zhēn个gè就jiù不bù尖jiān了le。

And it really was not pointed any more.

Six characters from the narrator, deadpan, confirming that the denial has been made true retrospectively. 真個 is truly, really — the storyteller vouching, as he did for the mountain grazing the stars.


總評 Commentary

This is the best joke in the chapter. Told his snout is too pointed, Pilgrim rubs it, says it is not pointed, and the narrator confirms that it is now not pointed.

The sequence matters. He does not fix his face and then deny it; he denies it and the face complies. The lie comes first and reality is brought into line afterwards.

And the narrator's six flat characters are what make it funny rather than merely magical. No description of the change, no spell — just a hand over the mouth, a contradiction, and a note from the management that the contradiction is now accurate.