Canonical Classics ← 第七十四回
第七十四回
長cháng庚gēng傳chuán報bào魔mó頭tóu狠hěn
行xíng者zhě施shī為wéi變biàn化huà能néng

Long Geng Brings Word of a Fierce Demon Chief · Pilgrim Works His Powers of Transformation

鼻似蛟龍
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition

鼻似蛟龍 A Nose Like A Dragon

又yòu應yìng聲shēng道dào:「二èr大dà王wáng有yǒu何hé本běn事shì?」小xiǎo鑽zuān風fēng道dào:「二èr大dà王wáng身shēn高gāo三sān丈zhàng,臥wò蠶cán眉méi,丹dān鳳fèng眼yǎn,美měi人rén聲shēng,匾biǎn擔dàn牙yá,鼻bí似sì蛟jiāo龍lóng。若ruò與yǔ人rén爭zhēng鬥dòu,只zhǐ消xiāo一yì鼻bí子zi捲juǎn去qù,就jiù是shì鐵tiě背bèi銅tóng身shēn,也yě就jiù魂hún亡wáng魄pò喪sàng。」又yòu应yìng声shēng道dào:「二èr大dà王wáng有yǒu何hé本běn事shì?」小xiǎo钻zuān风fēng道dào:「二èr大dà王wáng身shēn高gāo三sān丈zhàng,卧wò蚕cán眉méi,丹dān凤fèng眼yǎn,美měi人rén声shēng,匾biǎn担dàn牙yá,鼻bí似sì蛟jiāo龙lóng。若ruò与yǔ人rén争zhēng斗dòu,只zhǐ消xiāo一yì鼻bí子zi卷juǎn去qù,就jiù是shì铁tiě背bèi铜tóng身shēn,也yě就jiù魂hún亡wáng魄pò丧sàng。」


逐句解 Line by line

又yòu應yìng聲shēng道dào:「二èr大dà王wáng有yǒu何hé本běn事shì?」 又yòu应yìng声shēng道dào:「二èr大dà王wáng有yǒu何hé本běn事shì?」

He spoke up again. "And what can the second king do?"

又應聲道 — 應 as yìng for the second time in this passage and the fifth in the chapter. Pilgrim has got his answer and is working straight down the list.

小xiǎo鑽zuān風fēng道dào:「二èr大dà王wáng身shēn高gāo三sān丈zhàng,臥wò蠶cán眉méi,丹dān鳳fèng眼yǎn,美měi人rén聲shēng,匾biǎn擔dàn牙yá,鼻bí似sì蛟jiāo龍lóng。 小xiǎo钻zuān风fēng道dào:「二èr大dà王wáng身shēn高gāo三sān丈zhàng,卧wò蚕cán眉méi,丹dān凤fèng眼yǎn,美měi人rén声shēng,匾biǎn担dàn牙yá,鼻bí似sì蛟jiāo龙lóng。

The Little Borer of the Wind said, "The second king stands three zhàng high, with silkworm brows and phoenix eyes, a beautiful woman's voice, teeth like carrying poles and a nose like a dragon.

A portrait in matched three-character phrases, and every item but one is a compliment. 臥蠶眉 and 丹鳳眼 are stock beauties of the physiognomy books — brows like a resting silkworm, eyes like a red phoenix — and then 匾擔牙, teeth like the flat pole a porter carries loads on. 擔 is dàn in that, the pole itself rather than the carrying. Three zhàng is around nine metres.

若ruò與yǔ人rén爭zhēng鬥dòu,只zhǐ消xiāo一yì鼻bí子zi捲juǎn去qù,就jiù是shì鐵tiě背bèi銅tóng身shēn,也yě就jiù魂hún亡wáng魄pò喪sàng。」 若ruò与yǔ人rén争zhēng斗dòu,只zhǐ消xiāo一yì鼻bí子zi卷juǎn去qù,就jiù是shì铁tiě背bèi铜tóng身shēn,也yě就jiù魂hún亡wáng魄pò丧sàng。」

If he fights with anyone, one sweep of that nose carries them off, and though a man had an iron back and a body of bronze his soul would still be lost and his spirit undone."

鐵背銅身 is iron back and bronze body — invulnerability as a stock four-character phrase — and 魂亡魄喪 is the two souls both gone, the Chinese way of saying utterly finished. The point is that armour is irrelevant because the nose does not strike; it picks up.


總評 Commentary

The second king is described as beautiful for four items and then given teeth like porter's poles, which is the novel enjoying itself. The physiognomy is borrowed straight from the manuals used to read faces for character.

The nose is the real information. Not a weapon but a grip — one sweep and you are carried off, and armour is beside the point because nothing is being struck.

That matters more than the swallowing did. An enemy who eats an army can be avoided; an enemy who picks individuals up cannot be fought by anybody who relies on being hard to hurt.