Canonical Classics ← 第七十四回
第七十四回
chánggēngchuánbàotóuhěn
xíngzhěshīwéibiànhuànéng

Long Geng Brings Word of a Fierce Demon Chief · Pilgrim Works His Powers of Transformation

目秀眉清
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

目秀眉清 Clear Brows And Fine Eyes

hǎoshèngniǎnzhejuéyáoshēnbiànbiànzuògāngānjìngjìngdexiǎoshàngérzhēnshìxiùméiqīngtóuyuánliǎnzhèngxíngdòngyǒuwénzhīxiàngkāikǒulèizhīyánhǎoshèngniǎnzhejuéyáoshēnbiànbiànzuògāngānjìngjìngdexiǎoshàngérzhēnshìxiùméiqīngtóuyuánliǎnzhèngxíngdòngyǒuwénzhīxiàngkāikǒulèizhīyán


逐句解 Line by line

hǎoshèngniǎnzhejuéyáoshēnbiànbiànzuògāngānjìngjìngdexiǎoshàngérzhēnshìxiùméiqīngtóuyuánliǎnzhèng hǎoshèngniǎnzhejuéyáoshēnbiànbiànzuògāngānjìngjìngdexiǎoshàngérzhēnshìxiùméiqīngtóuyuánliǎnzhèng

Splendid Great Sage! He pinched the magic sign, gave his body a shake and turned into a spruce little monk — truly, clear of brow and fine of eye, round of head and straight of face;

好大聖 is the teller's applause line, dropped in whenever Pilgrim is about to do something worth watching. is zhe, the marker of a state being held: his fingers stay pinched on the sign while everything else happens. is gān, dry, and doubled up in 乾乾淨淨 it means spick and span — not the qián of the first trigram, which is what the character hands you if you leave it alone. And 搖身一變, one shake of the body and he is something else, is still ordinary Chinese today, usually said with a sneer about somebody who has changed sides.

xíngdòngyǒuwénzhīxiàngkāikǒulèizhīyán xíngdòngyǒuwénzhīxiàngkāikǒulèizhīyán

in his bearing the air of a scholar, in his speech not one word of the common sort.

斯文 is one of the great survivals. It starts in the 論語 as this culture of ours — the whole civilised inheritance Confucius was afraid of losing — and by the Ming it has shrunk to mean refined, genteel, well-spoken. Modern Chinese still uses it in exactly that narrowed sense. The joke is that it is being said about a monkey who has owned the face for one sentence.


總評 Commentary

The disguise is not a face. It is a class performance, and the passage builds it in that order: first the features, then the bearing, then the vocabulary. By the end Pilgrim is not merely good-looking but audibly educated, which is the part that will actually do the work.

The description runs in matched fours and eights — clear of brow, fine of eye, round of head, straight of face — and it is the same machinery the chapter used on the old man a few passages back — the old man in threes and fours and sevens, the monk in fours and eights, but the method identical. That is worth noticing. The novel has now assembled two trustworthy-looking strangers by the same procedure, and one of them is a monkey.

Which is the quiet argument underneath the comedy. If a costume can be put together this easily out of white hair, prayer beads and a good staff, then the reader has no more reason to trust the man on the slope than the demons would have to trust the little monk walking up to him.