Canonical Classics ← 第二十九回
第二十九回
tuōnànjiāngliúláiguó
chéngēnjièzhuǎnshānlín

Freed from Ordeal, River-Float Comes to the Kingdom's Land · Receiving Grace, Eight Rules Turns to the Mountain Forest

心生巧計
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

心生巧計 The Princess Calls the Ogre Down

quèshuōgōngzhǔniángniangxīnshēngqiǎowǎngqiánláichūménwàifēnkāilexiǎoqúnyāozhǐtīngdīngdīngdāngdāngbīngrènluànxiǎngyuánláishìjièshāsēngguàizàibànkōngshālizhègōngzhǔshēnggāojiàodào:「huángpáoláng!」yāowángtīnggōngzhǔjiàohuàndiūlejièshāsēngànluòyúntóujiūlegāngdāochānzhegōngzhǔdào:「húnjiāyǒushénhuàshuō?」quèshuōgōngzhǔniángniangxīnshēngqiǎowǎngqiánláichūménwàifēnkāilexiǎoqúnyāozhǐtīngdīngdīngdāngdāngbīngrènluànxiǎngyuánláishìjièshāsēngguàizàibànkōngshālizhègōngzhǔshēnggāojiàodào:「huángpáoláng!」yāowángtīnggōngzhǔjiàohuàndiūlejièshāsēngànluòyúntóujiūlegāngdāochānzhegōngzhǔdào:「húnjiāyǒushénhuàshuō?」


逐句解 Line by line

quèshuōgōngzhǔniángniangxīnshēngqiǎowǎngqiánláichūménwàifēnkāilexiǎoqúnyāozhǐtīngdīngdīngdāngdāngbīngrènluànxiǎngyuánláishìjièshāsēngguàizàibànkōngshāli quèshuōgōngzhǔniángniangxīnshēngqiǎowǎngqiánláichūménwàifēnkāilexiǎoqúnyāozhǐtīngdīngdīngdāngdāngbīngrènluànxiǎngyuánláishìjièshāsēngguàizàibànkōngshāli

Now the princess, a clever scheme forming in her heart, hurried forward, passed out at the gate, and pushed through the throng of demons great and small. She heard only a clang and clatter, a wild ringing of blades: it was Eight Rules and Sha Monk, locked in combat with the fiend high in the air.

The narrator names her plan before she executes it: 心生巧計, "a clever scheme rising in her heart." 卻說 is the storyteller's cut back to the outdoor scene. What she walks into is a wall of noise — 叮叮噹噹 is straight sound-painting for blades hitting each other, and 廝殺 is to fight it out. 只聽得 takes as the plain structural de.

zhègōngzhǔshēnggāojiàodào:「huángpáoláng!」yāowángtīnggōngzhǔjiàohuàndiūlejièshāsēngànluòyúntóujiūlegāngdāochānzhegōngzhǔdào:「húnjiāyǒushénhuàshuō?」 zhègōngzhǔshēnggāojiàodào:「huángpáoláng!」yāowángtīnggōngzhǔjiàohuàndiūlejièshāsēngànluòyúntóujiūlegāngdāochānzhegōngzhǔdào:「húnjiāyǒushénhuàshuō?」

The princess called out in a shrill, loud voice: 'Yellow-Robe, my lord!' Hearing her call, the ogre-king at once let Eight Rules and Sha Monk be, brought his cloud down to earth, gripped his steel blade, and, steadying the princess, said, 'Wife, what have you to tell me?'

One word stops a battle that swords could not settle. 黃袍郎 is her pet name for him — , "my man, my lord," the way a wife addresses a husband — and the moment he hears it he drops two armed opponents in mid-air and comes down. He answers with 渾家, the ordinary vernacular word for "the wife," about as domestic as Chinese gets. 按落雲頭 is to press the cloud down and land. 有甚話說 takes as shén, "what," and 聽得 is the structural de again.


總評 Commentary

The princess's intervention is staged with a real sense of theatre. She parts a horde of demons like a curtain, and one shrill cry — 黃袍郎! — halts a fight that force could not decide. The ogre drops his two airborne opponents and lands at the sound of his wife's voice. Nothing supernatural is involved: this is the leverage of intimacy, and the narrator marks it by switching into the domestic vocabulary of the demon marriage.

That he calls her 渾家, "the wife," and she calls him , "my lord," is the whole basis of the manipulation about to follow. The Yellow-Robe Ogre, for all his menace, is a husband — and it is through the husband, not the monster, that he can be moved. The novel returns again and again to these domesticated demons whose ferocity has been qualified by married habit; here that habit is exactly the seam she works.