Canonical Classics ← 第二十九回
第二十九回
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Freed from Ordeal, River-Float Comes to the Kingdom's Land · Receiving Grace, Eight Rules Turns to the Mountain Forest

兩個徒弟
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拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

兩個徒弟 The Two Disciples Confessed

zhǎnglǎománguòshuōchūliǎngláilezòudào:「xiàpínsēngrénshínándàopínsēngyǒuliǎngshànnéngféngshānkāishuǐdiéqiáobǎopínsēngdào。」guówángguàidào:「zhèshàngméiyǒuzěnmetóngjìnláijiànzhènruòdàocháozhōngsuīzhòngshǎngyǒusuífènzhāigòng。」sānzàngdào:「pínsēngchǒulòugǎnshàncháodànkǒngjīngshānglexiàdelóng。」guówángxiàodào:「kànzhèshàngshuōhuàzhōngránzhèndāng?」zhǎnglǎománguòshuōchūliǎngláilezòudào:「xiàpínsēngrénshínándàopínsēngyǒuliǎngshànnéngféngshānkāishuǐdiéqiáobǎopínsēngdào。」guówángguàidào:「zhèshàngméiyǒuzěnmetóngjìnláijiànzhènruòdàocháozhōngsuīzhòngshǎngyǒusuífènzhāigòng。」sānzàngdào:「pínsēngchǒulòugǎnshàncháodànkǒngjīngshānglexiàdelóng。」guówángxiàodào:「kànzhèshàngshuōhuàzhōngránzhèndāng?」


逐句解 Line by line

zhǎnglǎománguòshuōchūliǎngláilezòudào:「xiàpínsēngrénshínándàopínsēngyǒuliǎngshànnéngféngshānkāishuǐdiéqiáobǎopínsēngdào。」 zhǎnglǎománguòshuōchūliǎngláilezòudào:「xiàpínsēngrénshínándàopínsēngyǒuliǎngshànnéngféngshānkāishuǐdiéqiáobǎopínsēngdào。」

The elder, unable to keep it hidden, brought out the matter of his two disciples. He reported, 'Your Majesty, this humble monk alone could hardly have reached this far. I have two disciples, well able to open a road where they meet a mountain and to bridge the water where they meet a river, who have brought me safely here.'

瞞不過 is "cannot keep it hidden any longer" — the confession is dragged out of him. What he offers by way of reference is the stock formula for what good disciples are for: 逢山開路遇水疊橋, open a road when you meet a mountain, throw a bridge when you meet a river. It is still a live phrase in Chinese (usually now as 遇水搭橋) for anyone who clears obstacles as they come. Note what he leaves out.

guówángguàidào:「zhèshàngméiyǒuzěnmetóngjìnláijiànzhènruòdàocháozhōngsuīzhòngshǎngyǒusuífènzhāigòng。」 guówángguàidào:「zhèshàngméiyǒuzěnmetóngjìnláijiànzhènruòdàocháozhōngsuīzhòngshǎngyǒusuífènzhāigòng。」

The king said, with some displeasure, 'You are a most unreasonable monk. If you have disciples, why did you not bring them in together to see me? Were they to come to court, though there might be no gift to their liking, there would surely be a vegetarian meal befitting their station.'

A neat coincidence for a reader learning to read: appears twice in this sentence with two different readings. 朝中 is zhōng, "at court"; 中意 is zhòng, "hitting the mark," hence gifts to one's liking. 大沒理 is "quite unreasonable," and 隨分 ( = fèn) 齋供 is a vegetarian meal suited to their station — the king is being hospitable about guests he has not seen.

sānzàngdào:「pínsēngchǒulòugǎnshàncháodànkǒngjīngshānglexiàdelóng。」 sānzàngdào:「pínsēngchǒulòugǎnshàncháodànkǒngjīngshānglexiàdelóng。」

Said Tripitaka, 'Those disciples of mine are ugly of feature, and I dared not presume to bring them to court, for fear of alarming and harming Your Majesty's dragon-person.'

醜陋 is hideous; 擅自入朝 ( = cháo) is to enter court without leave; 龍體, "the dragon-body," is the royal person. Tripitaka's worry that the sight might damage it is treated as excessive politeness. It is a forecast.

guówángxiàodào:「kànzhèshàngshuōhuàzhōngránzhèndāng?」 guówángxiàodào:「kànzhèshàngshuōhuàzhōngránzhèndāng?」

The king laughed and said, 'Only hear how this monk talks! Am I, after all, to be afraid of them?'

終不然 is "surely it cannot be that...," a rhetorical brush-off. The king laughs at the idea of being frightened by two monks. Hold on to the laugh; it has three scenes to run.


總評 Commentary

The passage turns on concealment. Tripitaka has kept his disciples out of sight precisely because he can foresee what their faces will do to a court, and only the king's insistence pulls the admission out of him. The king, for his part, cannot imagine the problem: he pictures ordinary travellers deserving of hospitality, offers them a vegetarian meal befitting their station, and, when warned about their hideousness, only laughs — am I to be afraid of them? The irony is broad and deliberate, and the confident laughter is balanced on the edge of the fright to come.