老豬會降 Eight Rules Volunteers
那國王見他醜陋,已是心驚。及聽得那獃子說出話來,越發膽顫,就坐不穩,跌下龍床。幸有近侍官員扶起。慌得個唐僧跪在殿前,不住的叩頭道:「陛下,貧僧該萬死,萬死。我說徒弟醜陋,不敢朝見,恐傷龍體,果然驚了駕也。」那國王戰兢兢走近前,攙起道:「長老,還虧你先說過了;若未說,猛然見他,寡人一定諕殺了也。」國王定性多時,便問:「豬長老、沙長老,是那一位善於降妖?」那獃子不知好歹,答道:「老豬會降。」國王道:「怎麼家降?」八戒道:「我乃是天蓬元帥,只因罪犯天條,墮落下世,幸今皈正為僧。自從東土來此,第一會降妖的是我。」國王道:「既是天將臨凡,必然善能變化。」八戒道:「不敢,不敢,也將就曉得幾個變化兒。」國王道:「你試變一個我看看。」八戒道:「請出題目,照依樣子好變。」國王道:「變一個大的罷。」那国王见他丑陋,已是心惊。及听得那呆子说出话来,越发胆颤,就坐不稳,跌下龙床。幸有近侍官员扶起。慌得个唐僧跪在殿前,不住的叩头道:「陛下,贫僧该万死,万死。我说徒弟丑陋,不敢朝见,恐伤龙体,果然惊了驾也。」那国王战兢兢走近前,搀起道:「长老,还亏你先说过了;若未说,猛然见他,寡人一定諕杀了也。」国王定性多时,便问:「猪长老、沙长老,是那一位善于降妖?」那呆子不知好歹,答道:「老猪会降。」国王道:「怎么家降?」八戒道:「我乃是天蓬元帅,只因罪犯天条,堕落下世,幸今皈正为僧。自从东土来此,第一会降妖的是我。」国王道:「既是天将临凡,必然善能变化。」八戒道:「不敢,不敢,也将就晓得几个变化儿。」国王道:「你试变一个我看看。」八戒道:「请出题目,照依样子好变。」国王道:「变一个大的罢。」
逐句解 Line by line
The king, seeing how hideous they were, was already frightened at heart; and when he heard the blockhead speak out, he trembled the more, could not keep his seat, and tumbled down from the dragon-couch. Happily the attendant officers were at hand to raise him up.
And down he goes. 心驚 is startled at heart; 及聽得 (得 = de) is "and when he heard"; 膽顫 is "gall trembling," the Chinese seat of courage giving way. 跌下龍床 — fell off the dragon-couch — is the literal collapse of the man who asked, three scenes ago, whether he was to be afraid of two monks.
So flustered was Tripitaka that he knelt before the hall and, kowtowing without cease, said, 'Your Majesty, this humble monk deserves ten thousand deaths, ten thousand deaths! I said that my disciples were ugly and dared not have audience, for fear of harming the dragon-person — and indeed I have startled Your Majesty.'
慌得 (得 = de) is "so flustered that"; 不住的叩頭 is kowtowing without pause; 該萬死, "deserving ten thousand deaths," is the strongest formula of self-reproach available and is here applied to a social mishap. 朝見 (朝 = cháo) is to have audience. Tripitaka is doing the apologising his disciples will never think to do.
Trembling, the king came forward and, helping him up, said, 'Elder, it is thanks to you that you spoke of it beforehand; had you not, I should surely have been frightened to death at the sudden sight of them.'
戰兢兢 is trembling all over; 還虧 (還 = hái) is "it is lucky that." 諕殺 — 諕 is xià, a borrowed character standing in for the usual 嚇, "to frighten" — is "frightened to death." His gratitude for the advance warning turns the terror into something closer to embarrassment, which is the kindest thing the scene could do to him.
When the king had settled his nerves a good while, he asked, 'Elder Zhu, Elder Sha — which of you is skilled at subduing demons?'
定性多時 is "having steadied his nerves for a good while." 那一位 takes 那 as the interrogative nǎ, "which of you"; 善於降妖 (降 = xiáng) is "skilled at subduing demons." He calls them both 長老 (長 = zhǎng), Elder — courteous to the last, from the floor.
The blockhead, with no sense of the fitness of things, answered, 'Old Zhu can subdue them.' Said the king, 'And how do you subdue them?'
不知好歹 — literally "not knowing good from bad," and still the everyday Chinese for someone with no sense of what the situation calls for — is the narrator's verdict before Eight Rules has even spoken. 老豬, "Old Zhu," is what he calls himself, with the affectionate self-importance of a man referring to himself in the third person. 會降 (降 = xiáng) is "can subdue"; the 家 in 怎麼家降 is a vernacular intensifier, giving the king's question the flavour of "and how exactly do you do that?"
Said Eight Rules, 'I am none other than Marshal Tianpeng. Only because I broke the laws of Heaven was I cast down into the world below; and happily I have now returned to the right and become a monk. Since we came here from the Eastern Land, the number-one subduer of demons has been myself.'
The credentials are real, which is what makes the boast so annoying. 天蓬元帥, Marshal Tianpeng, was his rank as commander of the celestial river-host before he was thrown out of heaven; 罪犯天條 is "offended against the statutes of Heaven," and 皈正為僧 (為 = wéi) is coming back to orthodoxy as a monk. Then the claim: 第一會降妖的是我, I am the number-one demon-queller — where 一 reads yí as the tone shifts before the falling tone that follows. Every reader knows whose title he has just helped himself to.
Said the king, 'Since you are a heavenly general come down among mortals, you must surely be adept at transformations.' Said Eight Rules, 'I dare not claim it — but I do manage to know a few transformations.'
天將 (將 = jiàng, general) 臨凡 is a celestial officer come down among mortals. 將就 (將 = jiāng) 曉得 (得 = de) is "manage, just about, to know," and 變化兒 (兒 = er) are transformations. The false modesty is transparent and entirely deliberate — he is angling to be asked.
Said the king, 'Try changing into something, that I may see.' Said Eight Rules, 'Set me a subject, and I'll change to match the model.' Said the king, 'Change into something big, then.'
And he is asked. 請出題目, "set me a topic," is the language of an examination or a party trick; 照依樣子 (子 = zi) is "according to the pattern." The king, who a moment ago was on the floor, now wants a demonstration — and asks for something big, which is the last thing anyone in this hall should have asked for.
The king's fright is the comic climax of the court scene, and the novel gives it in full physical detail: already alarmed by the sight of the disciples, he hears Eight Rules speak, quakes harder, cannot keep his seat, and goes over the side of the dragon-couch to be hauled up by his attendants. The literal fall from the throne is the exact payment on his earlier laughing bravado, and Tripitaka's headlong apology — kneeling, kowtowing, deserving ten thousand deaths — hurriedly patches the decorum his disciples have torn. The king's own admission that only the warning saved him from dying of fright turns the whole episode into rueful comedy.
Eight Rules' self-promotion then exposes the vanity that never leaves him. Asked who can subdue demons, he answers without a pause that he can, and styles himself the number-one demon-queller of the entire pilgrimage — a title that belongs, as every reader knows, to the absent Sun Wukong. The boast is characteristic and unearned, and the novel plants it on purpose: the transformation he is about to perform and the fight he is about to lose will together measure the distance between his claims and his powers, and watching that gap open is one of the chapter's chief pleasures.