Canonical Classics ← 第二十九回
第二十九回
tuōnànjiāngliúláiguó
chéngēnjièzhuǎnshānlín

Freed from Ordeal, River-Float Comes to the Kingdom's Land · Receiving Grace, Eight Rules Turns to the Mountain Forest

萬全之策
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

萬全之策 Grief, and the Officials' Counsel

xuéshìjiāshūguówángsāngōnglèiwénshāngqíngqiánqiánhòuhòuāiniànguówángzhījiǔ便biànwènliǎngbānwén:「gǎnxīngbīnglǐngjiàngguǎrénzhuōhuòyāojiùbǎihuāgōngzhǔ?」liánwènshùshēnggèngréngǎnzhēnshìdiāochéngdejiàngjiùdewénguānguówángxīnshēngfánnǎolèiruòyǒngquánzhǐjiànduōguānzòudào:「xiàqiěxiūfánnǎogōngzhǔshīzhìjīnshísānzǎiyīnǒutángcháoshèngsēngshūláiwèizhīdefǒukuàngchénděngshìfánrénfánxuébīngshūlüèzhǐzhènānyíngbǎoguójiāqīnlíngzhīhuànyāojīngnǎiyúnláizhībèi覿miànxiāngjiànzhēngjiùxiǎngdōngjīngzhěnǎishàngbāngshèngsēngzhèshàngdàogāolóngzhòngguǐshénqīnyǒuxiángyāozhīshùdào:『láishuōshìfēizhějiùshìshìfēirén。』jiùqǐngzhèzhǎnglǎoxiángyāoxiéjiùgōngzhǔshùwéiwànquánzhī。」xuéshìjiāshūguówángsāngōnglèiwénshāngqíngqiánqiánhòuhòuāiniànguówángzhījiǔ便biànwènliǎngbānwén:「gǎnxīngbīnglǐngjiàngguǎrénzhuōhuòyāojiùbǎihuāgōngzhǔ?」liánwènshùshēnggèngréngǎnzhēnshìdiāochéngdejiàngjiùdewénguānguówángxīnshēngfánnǎolèiruòyǒngquánzhǐjiànduōguānzòudào:「xiàqiěxiūfánnǎogōngzhǔshīzhìjīnshísānzǎiyīnǒutángcháoshèngsēngshūláiwèizhīdefǒukuàngchénděngshìfánrénfánxuébīngshūlüèzhǐzhènānyíngbǎoguójiāqīnlíngzhīhuànyāojīngnǎiyúnláizhībèimiànxiāngjiànzhēngjiùxiǎngdōngjīngzhěnǎishàngbāngshèngsēngzhèshàngdàogāolóngzhòngguǐshénqīnyǒuxiángyāozhīshùdào:『láishuōshìfēizhějiùshìshìfēirén。』jiùqǐngzhèzhǎnglǎoxiángyāoxiéjiùgōngzhǔshùwéiwànquánzhī。」


逐句解 Line by line

xuéshìjiāshūguówángsāngōnglèiwénshāngqíngqiánqiánhòuhòuāiniàn xuéshìjiāshūguówángsāngōnglèiwénshāngqíngqiánqiánhòuhòuāiniàn

When the academician had finished reading the letter, the king wept aloud, the three chambers shed tears, and the officials, civil and military, were grieved to the heart; before the hall and behind, there was none but mourned.

三宮 = "the three [palace] chambers," the consorts; 前前後後 = "in front and behind [the hall]." The letter's effect is total — the whole court dissolves in grief, the emotional climax of the audience scene.

guówángzhījiǔ便biànwènliǎngbānwén:「gǎnxīngbīnglǐngjiàngguǎrénzhuōhuòyāojiùbǎihuāgōngzhǔ?」liánwènshùshēnggèngréngǎnzhēnshìdiāochéngdejiàngjiùdewénguānguówángxīnshēngfánnǎolèiruòyǒngquán guówángzhījiǔ便biànwènliǎngbānwén:「gǎnxīngbīnglǐngjiàngguǎrénzhuōhuòyāojiùbǎihuāgōngzhǔ?」liánwènshùshēnggèngréngǎnzhēnshìdiāochéngdejiàngjiùdewénguānguówángxīnshēngfánnǎolèiruòyǒngquán

The king wept a long while, then asked the two files of officials, civil and military, 'Who dares to raise troops and lead generals, to take the demon for me and rescue my Hundred-Flowers Princess?' He asked several times over, and not one man dared answer — the military officers truly as if carved of wood, the civil officials as if molded of clay. The king's heart grew vexed, and his tears fell like a welling spring.

那個 here is the interrogative nǎ ("who?"); 興兵 (興 = xīng) = "to raise troops," 領將 (將 = jiàng, "generals") = "to command generals." 木雕...泥塑 ("carved of wood, molded of clay") is a stock figure for officials frozen in useless silence; 連問數聲 (數 = shù) = "asked several times running."

zhǐjiànduōguānzòudào:「xiàqiěxiūfánnǎogōngzhǔshīzhìjīnshísānzǎiyīnǒutángcháoshèngsēngshūláiwèizhīdefǒukuàngchénděngshìfánrénfánxuébīngshūlüèzhǐzhènānyíngbǎoguójiāqīnlíngzhīhuàn zhǐjiànduōguānzòudào:「xiàqiěxiūfánnǎogōngzhǔshīzhìjīnshísānzǎiyīnǒutángcháoshèngsēngshūláiwèizhīdefǒukuàngchénděngshìfánrénfánxuébīngshūlüèzhǐzhènānyíngbǎoguójiāqīnlíngzhīhuàn

Then the assembled officials prostrated themselves as one and reported: 'Let Your Majesty not be vexed. The princess was lost, and for thirteen years to this day there has been no word; that a holy monk of Tang should chance to meet her and bring a letter here — we do not yet know if it be true. Moreover, we your servants are but common men on common horses, versed in the books of war and the arts of strategy, fit only to array battle-lines and pitch camps, to guard the state against the peril of invasion.

一十三載 (載 = zǎi) = "thirteen years"; 未知的否 = "we know not whether it be certain." 凡人凡馬 = "ordinary men and ordinary horses" — the officials plead their merely human limits against a supernatural foe; 佈陣安營 = "to deploy formations and make camp."

yāojīngnǎiyúnláizhībèi覿miànxiāngjiànzhēngjiùxiǎngdōngjīngzhěnǎishàngbāngshèngsēngzhèshàngdàogāolóngzhòngguǐshénqīnyǒuxiángyāozhīshùdào:『láishuōshìfēizhějiùshìshìfēirén。』jiùqǐngzhèzhǎnglǎoxiángyāoxiéjiùgōngzhǔshùwéiwànquánzhī。」 yāojīngnǎiyúnláizhībèimiànxiāngjiànzhēngjiùxiǎngdōngjīngzhěnǎishàngbāngshèngsēngzhèshàngdàogāolóngzhòngguǐshénqīnyǒuxiángyāozhīshùdào:『láishuōshìfēizhějiùshìshìfēirén。』jiùqǐngzhèzhǎnglǎoxiángyāoxiéjiùgōngzhǔshùwéiwànquánzhī。」

'That demon is of the sort that comes on cloud and goes on mist; we cannot so much as come face to face with him — how then should we campaign and rescue? We think that this scripture-seeker from the Eastern Land is a holy monk of the superior realm: a monk whose Way is so high that dragon and tiger crouch before him, whose virtue is so weighty that ghosts and gods revere him. He must possess the art of subduing demons. As the old saying goes, “He who comes to speak of a trouble is the very man to settle it.” Let us then ask this elder to subdue the fiend and rescue the princess — that would surely be the plan of perfect safety.'

雲來霧去 = "coming on cloud, going on mist," the demon's supernatural mobility; 覿面相見 (相 = xiāng) = "to meet face to face." 道高龍虎伏,德重 (重 = zhòng) 鬼神欽 = "the Way so high that dragon and tiger submit, virtue so weighty that ghosts and gods revere." 降妖 (降 = xiáng) = "to subdue demons." 來說是非者,就是是非人 ("he who comes reporting a trouble is the one to deal with it") is a proverb the officials turn, self-servingly, to shift the burden onto the monk; 庶為 (為 = wéi) = "would perhaps be."


總評 Commentary

The letter's aftermath is first grief, then cowardice. The whole court dissolves in weeping — king, consorts, and officials alike — but when the king puts the practical question, "Who dares raise troops and rescue the princess?", the answer is a silence so complete that the novel freezes it in a famous image: the military officers as if "carved of wood," the civil officials as if "molded of clay." The satire is pointed and characteristic — the pomp of the court, so admired a few scenes earlier for its rites and bearing, proves hollow at the first demand for courage.

The officials extricate themselves by an argument that is half sound and half self-serving. Their sound point is real: a demon who "comes on cloud and goes on mist" is simply beyond the reach of conventional armies, fit only to array camps against human invaders. But their conclusion — that the burden should therefore fall upon the visiting monk, clinched with the proverb "he who comes reporting a trouble is the one to settle it" — is a courtier's maneuver, offloading an impossible task onto a stranger under cover of flattery. It is this maneuver, and not any zeal of Tripitaka's, that drives the plot forward: the demon-fight the king cannot command of his own men will now be pressed upon the pilgrims, and the way is opened for Eight Rules to be summoned and to boast.