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Reader's edition
修書解縛
The Letter Sealed, the Captive Freed
那公主急轉後面,即修了一紙家書,封固停當。到樁前解放了唐僧,將書付與。唐僧得解脫,捧書在手道:「女菩薩,多謝你活命之恩。貧僧這一去,過貴處,定送國王處。只恐日久年深,你父母不肯相認,奈何?切莫怪我貧僧打了誑語。」公主道:「不妨,我父王無子,止生我三個姊妹,若見此書,必有相看之意。」三藏緊緊袖了家書,謝了公主,就往外走。被公主扯住道:「前門裡你出不去,那些大小妖精都在門外搖旗吶喊,擂鼓篩鑼,助著大王,與你徒弟廝殺哩。你往後門裡去罷。若是大王拿住,還審問審問;只恐小妖兒捉了,不分好歹,挾生兒傷了你的性命。等我去他面前說個方便。若是大王放了你啊,待你徒弟討個示下,尋著你一同好走。」三藏聞言,磕了頭,謹依吩咐,辭別公主,躲離後門之外,不敢自行,將身藏在荊棘叢中。那公主急转后面,即修了一纸家书,封固停当。到桩前解放了唐僧,将书付与。唐僧得解脱,捧书在手道:「女菩萨,多谢你活命之恩。贫僧这一去,过贵处,定送国王处。只恐日久年深,你父母不肯相认,奈何?切莫怪我贫僧打了诳语。」公主道:「不妨,我父王无子,止生我三个姊妹,若见此书,必有相看之意。」三藏紧紧袖了家书,谢了公主,就往外走。被公主扯住道:「前门里你出不去,那些大小妖精都在门外摇旗呐喊,擂鼓筛锣,助著大王,与你徒弟厮杀哩。你往后门里去罢。若是大王拿住,还审问审问;只恐小妖儿捉了,不分好歹,挟生儿伤了你的性命。等我去他面前说个方便。若是大王放了你啊,待你徒弟讨个示下,寻著你一同好走。」三藏闻言,磕了头,谨依吩咐,辞别公主,躲离后门之外,不敢自行,将身藏在荆棘丛中。
逐句解 Line by line
那公主急轉後面,即修了一紙家書,封固停當。到樁前解放了唐僧,將書付與。
那公主急转后面,即修了一纸家书,封固停当。到桩前解放了唐僧,将书付与。
The princess turned quickly to the inner chamber, wrote out a letter home upon a single sheet, and sealed it fast. Coming to the post, she loosed Tripitaka and put the letter into his hands.
修書 = "to compose a letter"; 封固停當 = "sealed and made all secure." 將書付與 uses 將 as the coverb of handing-over (jiāng). The brisk chain of verbs — 轉, 修, 封, 解放, 付 — conveys the dispatch of her contrivance.
唐僧得解脫,捧書在手道:「女菩薩,多謝你活命之恩。貧僧這一去,過貴處,定送國王處。只恐日久年深,你父母不肯相認,奈何?切莫怪我貧僧打了誑語。」
唐僧得解脱,捧书在手道:「女菩萨,多谢你活命之恩。贫僧这一去,过贵处,定送国王处。只恐日久年深,你父母不肯相认,奈何?切莫怪我贫僧打了诳语。」
Freed at last, Tripitaka held the letter up in both hands and said, 'Bodhisattva-lady, I thank you for the gift of my life. On this journey, when I pass through your honored land, I shall be sure to deliver it to the king. My one fear is that, after so long a lapse of years, your father and mother may be unwilling to own the connection — and what then? Do not blame me, this poor monk, if I must speak a falsehood.'
得解脫 = "obtained release" (得 = dé). 相認 = "to acknowledge [a kinship]." Tripitaka's scruple against 打誑語 ("to tell a lie") invokes the Buddhist precept against false speech: he flags in advance the untruth he foresees having to tell at court, a moral thread the chapter will resume. 奈何 = "what is to be done?"
公主道:「不妨,我父王無子,止生我三個姊妹,若見此書,必有相看之意。」
公主道:「不妨,我父王无子,止生我三个姊妹,若见此书,必有相看之意。」
Said the princess, 'No matter. My royal father has no son; he begot only us three sisters. If he sees this letter, he will surely wish to receive you.'
無子 (子 = zǐ, "son") establishes that the king has only daughters — the detail that lends the letter its persuasive force and, presently, motivates the whole court's grief. 相看之意 = "the intention to see [you]," 相 the directional xiāng.
三藏緊緊袖了家書,謝了公主,就往外走。被公主扯住道:「前門裡你出不去,那些大小妖精都在門外搖旗吶喊,擂鼓篩鑼,助著大王,與你徒弟廝殺哩。你往後門裡去罷。若是大王拿住,還審問審問;只恐小妖兒捉了,不分好歹,挾生兒傷了你的性命。等我去他面前說個方便。若是大王放了你啊,待你徒弟討個示下,尋著你一同好走。」
三藏紧紧袖了家书,谢了公主,就往外走。被公主扯住道:「前门里你出不去,那些大小妖精都在门外摇旗呐喊,擂鼓筛锣,助著大王,与你徒弟厮杀哩。你往后门里去罢。若是大王拿住,还审问审问;只恐小妖儿捉了,不分好歹,挟生儿伤了你的性命。等我去他面前说个方便。若是大王放了你啊,待你徒弟讨个示下,寻著你一同好走。」
Tripitaka tucked the letter snugly into his sleeve, thanked the princess, and made to leave; but she caught him back, saying, 'By the front gate you cannot get out — all the demons great and small are out there waving flags and shouting, beating drums and clashing gongs, aiding the Great King in his fight with your disciples. Go out by the back gate. Should the Great King seize you, he would at least question you first; but I fear the lesser imps might take you, and, drawing no distinction, do you a rough and mortal harm. Wait while I go before him and put in a good word. If the Great King lets you go, then wait for word from your disciples, find them, and make off together.'
搖旗吶喊 and 擂鼓篩鑼 are stock four-character phrases for the din of battle. 還審問審問 (還 = hái) — "would still interrogate first": she reasons that the Great King, unlike his rabble, would not simply kill him. 小妖兒 / 挾生兒 take 兒 as the colloquial suffix (er); 挾生 = "brutally, while yet alive." 說個方便 = "to put in a helpful word."
三藏聞言,磕了頭,謹依吩咐,辭別公主,躲離後門之外,不敢自行,將身藏在荊棘叢中。
三藏闻言,磕了头,谨依吩咐,辞别公主,躲离后门之外,不敢自行,将身藏在荆棘丛中。
Hearing her, Tripitaka kowtowed, obeyed her instructions to the letter, took his leave of the princess, and slipped out beyond the back gate; not daring to go on alone, he hid himself away within a thicket of brambles.
謹依吩咐 = "carefully following [her] instructions." The sentence turns on two 藏 of different value — 三藏 the name (zàng) and 身藏 "to conceal the body" (cáng) — and on 將身 with 將 the coverb. His concealment in the 荊棘 (brambles) sets up the reunion to come.
總評 Commentary
The sealing of the letter is the device by which the plot turns captivity into embassy: a single sheet, tucked into a sleeve, will carry the whole action out of the Wave-Moon Cave and into the court of Baoxiang. The novel foregrounds, at the very moment of Tripitaka's release, the moral difficulty the errand entails — his scruple against 打誑語 (false speech), a Buddhist precept he flags in advance because he foresees having to break it. That anticipatory conscience is characteristic: Tripitaka is forever punctilious in small pieties even as larger deceptions are forced upon him.
The princess's practicality is the counterweight to his scruple. Her disclosure that the king 無子 — has no son, only three daughters — is at once the letter's persuasive fulcrum and the seed of the court's later grief; and her stagecraft is exact, routing Tripitaka out the back gate, weighing the Great King's likely interrogation against the imps' indiscriminate violence, promising to "put in a good word." It is she, not the pilgrims, who manages this whole reprieve, a pattern the novel repeats: the captive women of its demon-lairs are often its shrewdest tacticians.