Canonical Classics ← 第二十九回
第二十九回
tuōnànjiāngliúláiguó
chéngēnjièzhuǎnshānlín

Freed from Ordeal, River-Float Comes to the Kingdom's Land · Receiving Grace, Eight Rules Turns to the Mountain Forest

修書解縛
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

修書解縛 The Letter Sealed, the Captive Freed

gōngzhǔzhuǎnhòumiànxiūlezhǐjiāshūfēngtíngdāngdàozhuāngqiánjiěfàngletángsēngjiāngshūtángsēngjiětuōpěngshūzàishǒudào:「duōxièhuómìngzhīēnpínsēngzhèguòguìchùdìngsòngguówángchùzhǐkǒngjiǔniánshēnkěnxiāngrènnàiqièguàipínsēnglekuáng。」gōngzhǔdào:「fángwángzhǐshēngsānmèiruòjiànshūyǒuxiāngkànzhī。」sānzàngjǐnjǐnxiùlejiāshūxièlegōngzhǔjiùwǎngwàizǒubèigōngzhǔchězhùdào:「qiánménchūxiēxiǎoyāojīngdōuzàiménwàiyáohǎnléishāiluózhùzhewángshāwǎnghòuménruòshìwángzhùháishěnwènshěnwènzhǐkǒngxiǎoyāoerzhuōlefēnhǎodǎixiéshēngershāngledexìngmìngděngmiànqiánshuōfāng便biànruòshìwángfàngleadàitǎoshìxiàxúnzháotónghǎozǒu。」sānzàngwényánletóujǐnfēnbiégōngzhǔduǒhòuménzhīwàigǎnxíngjiāngshēncángzàijīngcóngzhōnggōngzhǔzhuǎnhòumiànxiūlezhǐjiāshūfēngtíngdāngdàozhuāngqiánjiěfàngletángsēngjiāngshūtángsēngjiětuōpěngshūzàishǒudào:「duōxièhuómìngzhīēnpínsēngzhèguòguìchùdìngsòngguówángchùzhǐkǒngjiǔniánshēnkěnxiāngrènnàiqièguàipínsēnglekuáng。」gōngzhǔdào:「fángwángzhǐshēngsānmèiruòjiànshūyǒuxiāngkànzhī。」sānzàngjǐnjǐnxiùlejiāshūxièlegōngzhǔjiùwǎngwàizǒubèigōngzhǔchězhùdào:「qiánménchūxiēxiǎoyāojīngdōuzàiménwàiyáohǎnléishāiluózhùzhewángshāwǎnghòuménruòshìwángzhùháishěnwènshěnwènzhǐkǒngxiǎoyāoerzhuōlefēnhǎodǎixiéshēngershāngledexìngmìngděngmiànqiánshuōfāng便biànruòshìwángfàngleadàitǎoshìxiàxúnzháotónghǎozǒu。」sānzàngwényánletóujǐnfēnbiégōngzhǔduǒhòuménzhīwàigǎnxíngjiāngshēncángzàijīngcóngzhōng


逐句解 Line by line

gōngzhǔzhuǎnhòumiànxiūlezhǐjiāshūfēngtíngdāngdàozhuāngqiánjiěfàngletángsēngjiāngshū gōngzhǔzhuǎnhòumiànxiūlezhǐjiāshūfēngtíngdāngdàozhuāngqiánjiěfàngletángsēngjiāngshū

The princess turned quickly to the inner chamber, wrote out a letter home upon a single sheet, and sealed it fast. Coming to the post, she loosed Tripitaka and put the letter into his hands.

修書 = "to compose a letter"; 封固停當 = "sealed and made all secure." 將書付與 uses 將 as the coverb of handing-over (jiāng). The brisk chain of verbs — 轉, 修, 封, 解放, 付 — conveys the dispatch of her contrivance.

tángsēngjiětuōpěngshūzàishǒudào:「duōxièhuómìngzhīēnpínsēngzhèguòguìchùdìngsòngguówángchùzhǐkǒngjiǔniánshēnkěnxiāngrènnàiqièguàipínsēnglekuáng。」 tángsēngjiětuōpěngshūzàishǒudào:「duōxièhuómìngzhīēnpínsēngzhèguòguìchùdìngsòngguówángchùzhǐkǒngjiǔniánshēnkěnxiāngrènnàiqièguàipínsēnglekuáng。」

Freed at last, Tripitaka held the letter up in both hands and said, 'Bodhisattva-lady, I thank you for the gift of my life. On this journey, when I pass through your honored land, I shall be sure to deliver it to the king. My one fear is that, after so long a lapse of years, your father and mother may be unwilling to own the connection — and what then? Do not blame me, this poor monk, if I must speak a falsehood.'

得解脫 = "obtained release" (得 = dé). 相認 = "to acknowledge [a kinship]." Tripitaka's scruple against 打誑語 ("to tell a lie") invokes the Buddhist precept against false speech: he flags in advance the untruth he foresees having to tell at court, a moral thread the chapter will resume. 奈何 = "what is to be done?"

gōngzhǔdào:「fángwángzhǐshēngsānmèiruòjiànshūyǒuxiāngkànzhī。」 gōngzhǔdào:「fángwángzhǐshēngsānmèiruòjiànshūyǒuxiāngkànzhī。」

Said the princess, 'No matter. My royal father has no son; he begot only us three sisters. If he sees this letter, he will surely wish to receive you.'

無子 (子 = zǐ, "son") establishes that the king has only daughters — the detail that lends the letter its persuasive force and, presently, motivates the whole court's grief. 相看之意 = "the intention to see [you]," 相 the directional xiāng.

sānzàngjǐnjǐnxiùlejiāshūxièlegōngzhǔjiùwǎngwàizǒubèigōngzhǔchězhùdào:「qiánménchūxiēxiǎoyāojīngdōuzàiménwàiyáohǎnléishāiluózhùzhewángshāwǎnghòuménruòshìwángzhùháishěnwènshěnwènzhǐkǒngxiǎoyāoerzhuōlefēnhǎodǎixiéshēngershāngledexìngmìngděngmiànqiánshuōfāng便biànruòshìwángfàngleadàitǎoshìxiàxúnzháotónghǎozǒu。」 sānzàngjǐnjǐnxiùlejiāshūxièlegōngzhǔjiùwǎngwàizǒubèigōngzhǔchězhùdào:「qiánménchūxiēxiǎoyāojīngdōuzàiménwàiyáohǎnléishāiluózhùzhewángshāwǎnghòuménruòshìwángzhùháishěnwènshěnwènzhǐkǒngxiǎoyāoerzhuōlefēnhǎodǎixiéshēngershāngledexìngmìngděngmiànqiánshuōfāng便biànruòshìwángfàngleadàitǎoshìxiàxúnzháotónghǎozǒu。」

Tripitaka tucked the letter snugly into his sleeve, thanked the princess, and made to leave; but she caught him back, saying, 'By the front gate you cannot get out — all the demons great and small are out there waving flags and shouting, beating drums and clashing gongs, aiding the Great King in his fight with your disciples. Go out by the back gate. Should the Great King seize you, he would at least question you first; but I fear the lesser imps might take you, and, drawing no distinction, do you a rough and mortal harm. Wait while I go before him and put in a good word. If the Great King lets you go, then wait for word from your disciples, find them, and make off together.'

搖旗吶喊 and 擂鼓篩鑼 are stock four-character phrases for the din of battle. 還審問審問 (還 = hái) — "would still interrogate first": she reasons that the Great King, unlike his rabble, would not simply kill him. 小妖兒 / 挾生兒 take 兒 as the colloquial suffix (er); 挾生 = "brutally, while yet alive." 說個方便 = "to put in a helpful word."

sānzàngwényánletóujǐnfēnbiégōngzhǔduǒhòuménzhīwàigǎnxíngjiāngshēncángzàijīngcóngzhōng sānzàngwényánletóujǐnfēnbiégōngzhǔduǒhòuménzhīwàigǎnxíngjiāngshēncángzàijīngcóngzhōng

Hearing her, Tripitaka kowtowed, obeyed her instructions to the letter, took his leave of the princess, and slipped out beyond the back gate; not daring to go on alone, he hid himself away within a thicket of brambles.

謹依吩咐 = "carefully following [her] instructions." The sentence turns on two 藏 of different value — 三藏 the name (zàng) and 身藏 "to conceal the body" (cáng) — and on 將身 with 將 the coverb. His concealment in the 荊棘 (brambles) sets up the reunion to come.


總評 Commentary

The sealing of the letter is the device by which the plot turns captivity into embassy: a single sheet, tucked into a sleeve, will carry the whole action out of the Wave-Moon Cave and into the court of Baoxiang. The novel foregrounds, at the very moment of Tripitaka's release, the moral difficulty the errand entails — his scruple against 打誑語 (false speech), a Buddhist precept he flags in advance because he foresees having to break it. That anticipatory conscience is characteristic: Tripitaka is forever punctilious in small pieties even as larger deceptions are forced upon him.

The princess's practicality is the counterweight to his scruple. Her disclosure that the king 無子 — has no son, only three daughters — is at once the letter's persuasive fulcrum and the seed of the court's later grief; and her stagecraft is exact, routing Tripitaka out the back gate, weighing the Great King's likely interrogation against the imps' indiscriminate violence, promising to "put in a good word." It is she, not the pilgrims, who manages this whole reprieve, a pattern the novel repeats: the captive women of its demon-lairs are often its shrewdest tacticians.