牒文 The Passport Is Read
那國王道:「長老,你到我國中何事?」三藏道:「小僧是唐朝釋子,承我天子敕旨,前往西方取經。原領有文牒,到陛下上國,理合倒換。故此不識進退,驚動龍顏。」國王道:「既有唐天子文牒,取上來看。」三藏雙手捧上去,展開放在御案上。牒云:南贍部洲大唐國奉天承運唐天子牒行:切惟朕以涼德,嗣續丕基,事神治民,臨深履薄,朝夕是惴。前者失救涇河老龍,獲譴於我皇皇后帝,三魂七魄,倏忽陰司,已作無常之客。因有陽壽未絕,感冥君放送回生,廣陳善會,修建度亡道場。感蒙救苦觀世音菩薩金身出現,指示西方有佛有經,可度幽亡,超脫孤魂。特著法師玄奘,遠歷千山,詢求經偈。倘到西邦諸國,不滅善緣,照牒放行。須至牒者。大唐貞觀一十三年秋吉日,御前文牒。(上有寶印九顆)那国王道:「长老,你到我国中何事?」三藏道:「小僧是唐朝释子,承我天子敕旨,前往西方取经。原领有文牒,到陛下上国,理合倒换。故此不识进退,惊动龙颜。」国王道:「既有唐天子文牒,取上来看。」三藏双手捧上去,展开放在御案上。牒云:南赡部洲大唐国奉天承运唐天子牒行:切惟朕以凉德,嗣续丕基,事神治民,临深履薄,朝夕是惴。前者失救泾河老龙,获谴于我皇皇后帝,三魂七魄,倏忽阴司,已作无常之客。因有阳寿未绝,感冥君放送回生,广陈善会,修建度亡道场。感蒙救苦观世音菩萨金身出现,指示西方有佛有经,可度幽亡,超脱孤魂。特著法师玄奘,远历千山,询求经偈。倘到西邦诸国,不灭善缘,照牒放行。须至牒者。大唐贞观一十三年秋吉日,御前文牒。(上有宝印九颗)
逐句解 Line by line
The king said, 'Elder, on what business have you come to my kingdom?'
長老 (長 = zhǎng) = "elder," the courteous term for a senior monk; 國中 (中 = zhōng) = "within [my] country."
Tripitaka said, 'This humble monk is a disciple of Śākya from Tang. Bearing the edict of my Son of Heaven, I journey westward to fetch the scriptures. I carry from the first a travel-rescript, and coming to Your Majesty's high realm, it is only proper that it be renewed. And so, not knowing the bounds of decorum, I have disturbed the dragon countenance.'
釋子 (子 = zǐ) = "a son of Śākya," a Buddhist monk; 天子 (子 = zǐ) = "the Son of Heaven." 敕旨 = "imperial edict"; 倒換 (倒 = dào) = "to have [the rescript] renewed." 龍顏 ("the dragon countenance") is the emperor's face — Tripitaka's self-deprecating apology for troubling it.
Said the king, 'Since you have the travel-rescript of the Tang Son of Heaven, bring it up that I may see it.' Tripitaka lifted it up in both hands, spread it open, and laid it on the royal desk. The rescript read:
天子 (子 = zǐ) = "Son of Heaven"; 御案 = "the imperial desk." 牒云 ("the rescript reads") is the narrator's lead-in to the document reproduced below.
The Son of Heaven of Great Tang, of the Southern Jambū Continent, who by Heaven's warrant carries on the imperial course, issues this rescript: Humbly do We consider that We, of scant virtue, have succeeded to the great foundation. In serving the spirits and governing the people, We are as one who nears a deep abyss or treads upon thin ice, anxious from dawn to dusk.
南贍部洲 (Jambudvīpa, the "Southern Continent" of Buddhist cosmology) locates Tang within the Buddhist world-scheme; 奉天承運 ("in reverent receipt of Heaven, carrying on the course") is the standard formula opening an imperial edict. 朕 is the imperial "We," 涼德 ("meager virtue") the conventional self-deprecation. 臨深履薄 (薄 = bó) compresses the Shijing figure 如臨深淵,如履薄冰 ("as if facing an abyss, as if treading thin ice"); 朝夕 (朝 = zhāo) = "from morning to evening."
Some while ago, having failed to save the old dragon of the Jing River, We drew the reproach of the august Sovereign on High. Our three cloud-souls and seven white-souls were carried off in a moment to the offices of the shades, and We were already become a guest of impermanence. But because Our earthly span was not yet spent, the Lord of the Netherworld took pity and sent Us back to life; whereupon We set forth a great assembly of good works and raised an altar for the deliverance of the dead.
The passage recapitulates the frame of chapters ten and eleven: Taizong's failure to intercede for the 涇河老龍 (the Dragon of the Jing River), his summons below, and his return. 三魂七魄 = the three cloud-souls and seven white-souls of Daoist physiology; 陰司 = "the offices of the shades"; 無常 = the death-messenger, impermanence personified. 冥君 = "the Lord of the Dark Realm," Yama; 度亡道場 (度 = dù) = "an arena of rites for delivering the dead," the Grand Mass of Land and Water.
It was Our good fortune that the Bodhisattva Guanyin, Reliever of Suffering, made manifest her golden body and revealed that in the West there are Buddhas and there are scriptures, by which the dead in darkness may be delivered and lonely souls set free. We therefore specially charged the Dharma-master Xuanzang to pass afar over a thousand mountains and to seek out the scriptures and gāthās.
救苦觀世音菩薩 (觀 = guān) = "Guanshiyin, the Bodhisattva who relieves suffering"; 金身 = her "golden body." 度幽亡 (度 = dù) = "to ferry the dead across from the shades." 特著 (著 = zhuó, the lexical "to depute, to charge") = "specially commissioned"; 玄奘 (奘 = zàng) is the historical pilgrim, the novel's Tripitaka. 經偈 = "sūtras and gāthās."
Should he come to the several kingdoms of the West, let the bond of good affinity not be cut off, but suffer him to pass on the warrant of this rescript. Such is the rescript, to be complied with. Issued before the throne on an auspicious autumn day, in the thirteenth year of the Zhenguan reign of the Great Tang.
不滅善緣 = "do not sever the good affinity [of the Dharma]" — a request for safe passage couched in Buddhist terms; 照牒放行 = "release him to travel on the authority of this rescript." 須至牒者 is the fixed closing formula of an official dispatch ("this is the document to be acted upon"). 貞觀 (觀 = guàn) is the Zhenguan reign (627–649); its thirteenth year corresponds to 639.
(Nine treasure-seals were impressed above.)
The narrator's parenthetical notes the nine imperial seals stamped upon the document, marking its authenticity; 顆 is the measure-word for the seal-impressions.
The passport read out at the Baoxiang court is, in effect, a précis of the novel's own frame-story. In the formal language of an imperial rescript it rehearses the whole causal chain that set the pilgrimage in motion: Taizong's fatal failure to save the Dragon of the Jing River, his summons to the underworld and reprieve, the Grand Mass for the dead, and Guanyin's revelation that only the scriptures of the West can deliver the souls in darkness — culminating in the commission of Xuanzang. Reproduced here, hundreds of pages on, it reminds the reader that the errand through these demon-haunted kingdoms rests upon an imperial and karmic mandate issued in Chang'an.
The document's texture is characteristically syncretic. Its cosmology is Buddhist (南贍部洲, the scriptures that 度幽亡, Guanyin's golden body); its physiology of the soul is Daoist (三魂七魄, the 陰司, the 冥君); and its diction is that of the Confucian imperial chancery (奉天承運, 朕以涼德, 臨深履薄, 須至牒者). This layering is the novel's own idiom in miniature. Functionally, the rescript re-authorizes Tripitaka at the threshold of each realm; its nine seals, noted in the closing aside, vouch the pilgrim's credentials before a foreign throne about to ask far more of him than a chop upon his passport.