努力齊心 The Departure Quatrain
卻說那沙僧趕上八戒道:「哥哥,我來了。」八戒道:「兄弟,你來怎的?」沙僧道:「師父叫我來幫幫功的。」八戒大喜道:「說得是,來得好。我兩個努力齊心,去捉那怪物,雖不怎的,也在此國揚揚姓名。」你看他:却说那沙僧赶上八戒道:「哥哥,我来了。」八戒道:「兄弟,你来怎的?」沙僧道:「师父叫我来帮帮功的。」八戒大喜道:「说得是,来得好。我两个努力齐心,去捉那怪物,虽不怎的,也在此国扬扬姓名。」你看他:
逐句解 Line by line
Now Sha Monk caught up with Eight Rules and said, 'Brother, here I am.' Said Eight Rules, 'Brother, what have you come for?' Said Sha Monk, 'The master bade me come and lend a hand.' Eight Rules was delighted: 'Well said, and well come. If the two of us bend our strength with one heart to take that monster, then, come what may, we shall at least make our names ring in this kingdom.' Look at them:
卻說 = "now, to tell of..." (a storyteller's shift of thread); 趕上 = "to catch up with." 說得 (得 = de) 是,來得 (得 = de) 好 = "well said, well come"; 揚揚姓名 = "to make [our] names resound." 你看他 = "look at them" — the lead-in to the departure-verse that follows.
In billowing auspicious radiance they take leave of the kingdom's bounds; / in curling propitious vapors they issue from the capital.
靉靆 = "dense, billowing [cloud]"; 氤氳 = "curling, vaporous [mist]" — a matched pair of binomes for the clouds of the two flying monks. 辭國界 = "take leave of the realm's borders"; 出京城 = "issue from the capital." The couplet opens the quatrain that speeds them from Baoxiang to the demon's mountain.
Bearing the king's command, they come to the mountain cave; / with strength bent and hearts as one, to seize the demon-sprite.
領王旨意 = "bearing the king's decree"; 來山洞 = "come to the mountain cave." 努力齊心 = "exerting strength with one heart"; 捉怪靈 = "to seize the demon-spirit." The closing couplet states the errand — the royal charge, the shared resolve — on which the pilgrims fly to the coming battle.
The passage completes the Baoxiang interlude and launches the return to the demon's lair. Eight Rules, reunited with his brother, cannot resist a last flourish of vanity — even should the fight go indifferently ("come what may"), the two of them will at least "make their names ring" in this kingdom — a boast wholly of a piece with his self-styling as the foremost demon-queller. Sha Monk's plain report of the master's command sets the errand on its proper footing, and the scene turns from the comedy of the court to the earnest of battle.
The quatrain effects that turn formally. Its two couplets carry the pilgrims out of the capital on their auspicious clouds and to the mountain cave, restating the charge (the king's decree) and the resolve (strength and heart made one) on which they fly. The verse is a conventional transition-piece, its billowing binomes — 靉靆, 氤氳 — the stock diction of departure-on-cloud; but it seals the shift of scene cleanly, closing the long audience at Baoxiang and opening the confrontation with the Yellow-Robe Ogre that the next passages will join.