Canonical Classics ← 第二十九回
第二十九回
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Freed from Ordeal, River-Float Comes to the Kingdom's Land · Receiving Grace, Eight Rules Turns to the Mountain Forest

南柯誓願
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原文 Original text 繁體 Traditional Reader's edition

南柯誓願 The Fabricated Dream

gōngzhǔdào:「lángjūnacáishíshuìzàiluówéizhīnèimènghúnzhōngjiànjīnjiǎshénrén。」yāodào:「jīnjiǎshénshàngménzěnde?」gōngzhǔdào:「shìyòushízàigōngnèiduìrénànxiàzhuāngxīnyuànruòzhāoxiánlángshàngmíngshānbàixiānzhāisēngshīcóngpèilemenhuānhuìdàojīncéngjīnjiǎshénrénláitǎoshìyuànxǐngláiquèshìnánmèngyīnzhěngróngláilángjūnchùzhīzhuāngshàngbǎngzhesēngrénwànwànglángjūnmǐnkànráoleshàngzhǐdāngzhāisēnghuányuànzhīlángjūnkěnfǒu?」guàidào:「húnjiāquèduōxīnshénmejǐnzhīshìyàochīrénlāochīchīzhèshàngdàodefàng。」gōngzhǔdào:「lángjūnacáishíshuìzàiluówéizhīnèimènghúnzhōngjiànjīnjiǎshénrén。」yāodào:「jīnjiǎshénshàngménzěnde?」gōngzhǔdào:「shìyòushízàigōngnèiduìrénànxiàzhuāngxīnyuànruòzhāoxiánlángshàngmíngshānbàixiānzhāisēngshīcóngpèilemenhuānhuìdàojīncéngjīnjiǎshénrénláitǎoshìyuànxǐngláiquèshìnánmèngyīnzhěngróngláilángjūnchùzhīzhuāngshàngbǎngzhesēngrénwànwànglángjūnmǐnkànráoleshàngzhǐdāngzhāisēnghuányuànzhīlángjūnkěnfǒu?」guàidào:「húnjiāquèduōxīnshénmejǐnzhīshìyàochīrénlāochīchīzhèshàngdàodefàng。」


逐句解 Line by line

gōngzhǔdào:「lángjūnacáishíshuìzàiluówéizhīnèimènghúnzhōngjiànjīnjiǎshénrén。」 gōngzhǔdào:「lángjūnacáishíshuìzàiluówéizhīnèimènghúnzhōngjiànjīnjiǎshénrén。」

Said the princess, 'My lord — just now, as I slept within the gauze bed-curtains, in the very soul of my dream, I suddenly beheld a spirit in golden armor.'

才時 = "just now"; 羅幃 = "the gauze [bed-]curtains." 夢魂中 (中 = zhōng) — "in the depth of dream." The 金甲神人 ("golden-armored divine man") is her invention, a pretext to move the ogre to piety. 郎君 is a wife's affectionate address to her husband.

yāodào:「jīnjiǎshénshàngménzěnde?」 yāodào:「jīnjiǎshénshàngménzěnde?」

Said the fiend, 'That golden-armored god? What did it come to my door for?'

The ogre picks up her figure with an anaphoric 那個 ("that [one you speak of]," nà) and a blunt question. His curiosity is the opening her stratagem needs.

gōngzhǔdào:「shìyòushízàigōngnèiduìrénànxiàzhuāngxīnyuànruòzhāoxiánlángshàngmíngshānbàixiānzhāisēngshīcóngpèilemenhuānhuìdàojīncéngjīnjiǎshénrénláitǎoshìyuànxǐngláiquèshìnánmèngyīnzhěngróngláilángjūnchùzhīzhuāngshàngbǎngzhesēngrénwànwànglángjūnmǐnkànráoleshàngzhǐdāngzhāisēnghuányuànzhīlángjūnkěnfǒu?」 gōngzhǔdào:「shìyòushízàigōngnèiduìrénànxiàzhuāngxīnyuànruòzhāoxiánlángshàngmíngshānbàixiānzhāisēngshīcóngpèilemenhuānhuìdàojīncéngjīnjiǎshénrénláitǎoshìyuànxǐngláiquèshìnánmèngyīnzhěngróngláilángjūnchùzhīzhuāngshàngbǎngzhesēngrénwànwànglángjūnmǐnkànráoleshàngzhǐdāngzhāisēnghuányuànzhīlángjūnkěnfǒu?」

Said the princess, 'When I was a girl in the palace, I secretly vowed a vow to Heaven: that should I win a worthy husband and consort, I would go up to the famous mountains, do reverence at the abbeys of the immortals, and feast the monks and give alms. Since I was matched with you, in the pleasures of our union, I have never once spoken of it to this day. That golden-armored spirit came to demand the vow of me, and startled me awake with a shout — and it was but a Dream of the Southern Bough. And so I hastened, my dress scarce ordered, to my lord's chamber to tell of it — little thinking that a monk stood bound there at the post. I beg my lord's compassion: for the sake of my poor good will, spare that monk, and let it stand for the feasting of monks and the redeeming of my vow. Does my lord consent, or no?'

The speech is a sustained fabrication. 許下心願 / 討誓願 / 還願 turn on the language of vows (還 = huán, "to redeem [a vow]"). 若得招 takes 得 as dé ("get to win"); 賢郎駙馬 = "a worthy husband, an imperial son-in-law." 南柯一夢 ("a Dream of the Southern Bough") alludes to the Tang tale of Chunyu Fen's illusory lifetime within an anthill — a byword for the vanity of dreams. 薄意 (薄 = bó) = "slight good will," a humble self-reference. Her petition recasts the captive monk as an object of merit-making.

guàidào:「húnjiāquèduōxīnshénmejǐnzhīshìyàochīrénlāochīchīzhèshàngdàodefàng。」 guàidào:「húnjiāquèduōxīnshénmejǐnzhīshìyàochīrénlāochīchīzhèshàngdàodefàng。」

Said the fiend, 'Wife, you are making too much of it — what pressing matter is this? If I want to eat men, where could I not scoop up a few to eat? What does this one monk amount to? Let him go, then.'

多心 = "to be over-suspicious, to fret needlessly." The two 那裡 here are rhetorical (nǎ, "where / anywhere"): 那裡不撈幾個 = "where could I not grab a few," and 到得那裡 = "amounts to what" (得 the structural de). The ogre's careless magnanimity, born of surfeit, seals Tripitaka's release.


總評 Commentary

The fabricated dream is a small masterpiece of strategic piety. The princess invents a maiden's vow — mountains, immortals' shrines, the feasting of monks — never fulfilled since her marriage, and a golden-armored spirit who has come in the night to call the debt due; the whole apparatus is designed so that mercy toward the bound monk can be presented not as sympathy for a stranger but as the settling of the ogre's own household's account with Heaven. She even reaches for a literary sanction, glossing her invention as 南柯一夢, the Tang byword for the emptiness of dreams, which both authenticates the vision and disclaims it.

The irony the passage delivers is that her artistry is almost superfluous. The ogre consents, but not for the reasons she has so carefully manufactured: he waves the petition away out of sheer surfeit — if he wants to eat men he can seize them anywhere, and one monk is beneath notice. It is appetite, not piety, that saves Tripitaka; the monster's very grossness, his careless plenty, does the work the princess's delicate fiction was meant to do. The novel thus lets the rescue succeed while quietly puncturing the pretense that dresses it.