特來擒你 The Confrontation
急整束了披掛,綽了鋼刀,走出來問道:「那和尚,我既饒了你師父,你怎麼又敢來打上我門?」八戒道:「你這潑怪幹得好事兒。」老魔道:「甚麼事?」八戒道:「你把寶象國三公主騙來洞內,倚強霸占為妻,住了一十三載,也該還他了。我奉國王旨意,特來擒你。你快快進去,自家把繩子綁縛出來,還免得老豬動手。」急整束了披挂,绰了钢刀,走出来问道:「那和尚,我既饶了你师父,你怎么又敢来打上我门?」八戒道:「你这泼怪干得好事儿。」老魔道:「甚么事?」八戒道:「你把宝象国三公主骗来洞内,倚强霸占为妻,住了一十三载,也该还他了。我奉国王旨意,特来擒你。你快快进去,自家把绳子绑缚出来,还免得老猪动手。」
逐句解 Line by line
Hastily he made fast his armor, snatched up his steel sabre, and came out to ask, 'You monks — I spared your master; how do you dare come again and beat upon my door?'
整束了披掛 is to make the armour fast; 綽了鋼刀 (綽 = chāo) is to snatch up the steel blade; 那和尚 takes 那 as the pointing nà. He comes out armed and asking the same question twice over, because from where he stands it is a fair one.
Said Eight Rules, 'A fine piece of work you've done, you vile fiend.' Said the old demon, 'What work?'
幹得好事兒 — "a fine piece of work you have done" — is sarcasm of a kind that translates without any adjustment at all; the 得 is the structural de and the 兒 is the suffix er. 潑怪 is "vile fiend." And the demon's reply, 甚麼事 (甚 = shén), "what work?", is entirely sincere. He is playing the straight man without knowing there is a joke.
Said Eight Rules, 'You lured the Third Princess of Baoxiang into your cave, and, relying on force, usurped her as your wife, and have kept her these thirteen years — high time you gave her back! I bear the king's command and have come on purpose to seize you. Get inside, quickly, bind yourself with a rope and come out — and so spare Old Zhu the trouble of laying hands on you.'
The charge sheet, at last read out. 倚強 (強 = qiáng) 霸占 (占 = zhàn) 為妻 (為 = wéi) is "leaned on force and seized her as a wife" — the verb 霸占 is the one used for grabbing land. 一十三載 (載 = zǎi) is thirteen years. Then a nice pile-up of two different words written with the same character: 也該還他了 uses 還 as huán, to give back, while the 還 of 還免得 (得 = de) is hái, "and moreover." Eight Rules ends by inviting the demon to tie himself up and save everyone the trouble, which is one of the most confident things said in the chapter.
The confrontation is framed as a clash of grievances, and the novel lets both sides feel wronged. The demon comes out armoured and aggrieved: the mercy he showed in releasing Tripitaka has been repaid with a battered door. Eight Rules opens with heavy sarcasm and then lays out the real charge — the abduction, the thirteen years of forced marriage, the king's warrant to arrest. The moral weight sits plainly with Eight Rules, and yet the demon's sense of injury is not simple hypocrisy: within the odd courtesy of this whole episode, he did let the monk go, and he is genuinely puzzled to be answered like this.
Eight Rules' swagger is exactly in character. The demand that the demon truss himself up and come out quietly, sparing Old Zhu the exertion, is the talk of a man who has just told a king he is the foremost demon-queller on the road. The reader, remembering both that boast and the guardian gods now standing watch three hundred lǐ away at Baoxiang, can feel the irony gathering. The confidence with which he issues this ultimatum is precisely what the next few minutes will take apart.