倒換文牒 Requesting Audience
唐僧步行至朝門外,對閣門大使道:「有唐朝僧人,特來面駕,倒換文牒,乞為轉奏轉奏。」那黃門奏事官連忙走至白玉階前奏道:「萬歲,唐朝有個高僧,欲求見駕,倒換文牒。」唐僧步行至朝门外,对阁门大使道:「有唐朝僧人,特来面驾,倒换文牒,乞为转奏转奏。」那黄门奏事官连忙走至白玉阶前奏道:「万岁,唐朝有个高僧,欲求见驾,倒换文牒。」
逐句解 Line by line
Tripitaka walked on foot to the outer gate of the court and said to the gate-usher, 'There is a monk of Tang who has come expressly to have audience with the throne and to have his travel-rescript renewed. I beg you to relay it up, relay it up.'
步行 (行 = xíng) = "to go on foot"; 朝門 (朝 = cháo) = "the court gate." 倒換文牒 (倒 = dào) = "to have the travel-document renewed" — the seal of each realm the pilgrim passes must be affixed anew. 乞為轉奏 (為 = wèi) = "I beg you to memorialize it on my behalf"; the doubled 轉奏轉奏 is the vernacular's emphatic reduplication. 閣門大使 = the usher of the palace gate.
The eunuch memorial-officer hurried to the foot of the white-jade steps and reported, 'Your Majesty, there is an eminent monk of Tang who begs to see the throne and to have his travel-rescript renewed.'
黃門奏事官 = "the Yellow-Gate memorial-officer," a eunuch charged with conveying petitions to the throne. 白玉階 = "the white-jade steps" of the throne-hall; 萬歲 ("ten thousand years") is the acclamation addressed to the sovereign.
The scene shifts to the civil business that punctuates the whole pilgrimage: the 倒換文牒, the renewal of Tripitaka's travel-rescript. At each kingdom he must present his passport to be re-sealed, and this recurring formality — half diplomatic courtesy, half bureaucratic necessity — is one of the threads that stitches the episodic journey to the framing authority of the Tang throne. Here it also serves to bring Tripitaka, unwitting, into the very court whose princess he has undertaken to serve.
The passage is attentive to the layered protocol of a royal audience: the petition passes from the monk to the gate-usher (閣門大使) to the eunuch memorial-officer (黃門奏事官) before it reaches the throne, each relay marked by its proper formula. The novel's interest in the decorum of courts — the steps, the titles, the acclamations — is of a piece with its larger investment in Tang as the model of civilized order.