Canonical Classics ← 第七十九回
第七十九回
尋xún洞dòng擒qín妖yāo逢féng老lǎo壽shòu
當dāng朝cháo正zhèng主zhǔ救jiù嬰yīng兒ér

Seeking the Cave to Seize the Fiend He Meets the Old Man of Longevity · At Court the True Sovereign Rescues the Infants

你的女兒麼
模式 Mode Read Study
拼音 Pinyin Off
字體 Script 繁
原文 Original text 繁體 Traditional Reader's edition

你的女兒麼 Is This Your Daughter

八bā戒jiè將jiāng個gè死sǐ狐hú狸li摜guàn在zài鹿lù的de面miàn前qián道dào:「這zhè可kě是shì你nǐ的de女nǚ兒ér麼me?」那nà鹿lù點diǎn頭tóu幌huǎng腦nǎo,伸shēn著zhe嘴zuǐ,聞wén他tā幾jǐ聞wén,呦yōu呦yōu發fā聲shēng,似sì有yǒu眷juàn戀liàn不bù捨shě之zhī意yì。八bā戒jiè将jiāng个gè死sǐ狐hú狸li掼guàn在zài鹿lù的de面miàn前qián道dào:「这zhè可kě是shì你nǐ的de女nǚ儿ér么me?」那nà鹿lù点diǎn头tóu幌huǎng脑nǎo,伸shēn着zhe嘴zuǐ,闻wén他tā几jǐ闻wén,呦yōu呦yōu发fā声shēng,似sì有yǒu眷juàn恋liàn不bù舍shě之zhī意yì。


逐句解 Line by line

八bā戒jiè將jiāng個gè死sǐ狐hú狸li摜guàn在zài鹿lù的de面miàn前qián道dào:「這zhè可kě是shì你nǐ的de女nǚ兒ér麼me?」 八bā戒jiè将jiāng个gè死sǐ狐hú狸li掼guàn在zài鹿lù的de面miàn前qián道dào:「这zhè可kě是shì你nǐ的de女nǚ儿ér么me?」

Bajie flung the dead fox down in front of the deer and said, "I suppose this would be your daughter?"

摜 is to fling something down hard. Bajie is making a joke, and the joke is the cover story: the Royal Father-in-Law presented her at court as his own daughter. He is asking the deer to confirm the paperwork.

那nà鹿lù點diǎn頭tóu幌huǎng腦nǎo,伸shēn著zhe嘴zuǐ,聞wén他tā幾jǐ聞wén,呦yōu呦yōu發fā聲shēng,似sì有yǒu眷juàn戀liàn不bù捨shě之zhī意yì。 那nà鹿lù点diǎn头tóu幌huǎng脑nǎo,伸shēn着zhe嘴zuǐ,闻wén他tā几jǐ闻wén,呦yōu呦yōu发fā声shēng,似sì有yǒu眷juàn恋liàn不bù舍shě之zhī意yì。

The deer nodded its head and shook it, stretched out its muzzle, sniffed at her several times, and gave a bleating cry, as though it had some clinging attachment it could not let go of.

伸著嘴 — 著 as zhe again, the muzzle held out while it sniffs. 呦呦 is the sound a deer makes, and it is a famous one: it opens a poem in the Book of Songs about deer calling to each other over a field, which for three thousand years has stood for a host welcoming his guests. Here it is a bereavement noise. 眷戀不捨, clinging attachment that cannot let go, is a phrase for parting from someone you love.


總評 Commentary

This is the strangest and best moment in the chapter, and the novel gives it twenty-five characters and no comment. A creature that has lost the power of speech nods, shakes its head, sniffs the body and cries.

Everything the deer can no longer say has to go through the body, and what comes out is grief. The book has spent a whole chapter establishing that this pair murdered children for a fraudulent medicine, and it now shows one of them mourning the other, without asking the reader to feel anything in particular about it.

The bleat is the detail that does the damage. Of all the noises available, the novel picks the one from the Book of Songs, where deer calling in a field means welcome and good company — and puts it over a corpse.