直至朝門外 Brought To The Palace Gate
卻說那錦衣官把假唐僧扯出館驛,與羽林軍圍圍繞繞,直至朝門外,對黃門官言:「我等已請唐僧到此,煩為轉奏。」黃門官急進朝,依言奏上昏君,遂請進去。却说那锦衣官把假唐僧扯出馆驿,与羽林军围围绕绕,直至朝门外,对黄门官言:「我等已请唐僧到此,烦为转奏。」黄门官急进朝,依言奏上昏君,遂请进去。
逐句解 Line by line
Now the officer in the embroidered coat hauled the false Tang Monk out of the hostel, and with the Feathered Forest guards swarming round him on every side he went straight to the gate of the palace, where he said to the gate officer, "We have brought the Tang Monk here as ordered. Trouble yourself to send word in."
The chapter opens in the middle of a sentence, and that is deliberate: 卻說 is the storyteller's handover, roughly "picking up where we left off." The false Tang Monk is Wukong wearing his master's face. 羽林軍, the Feathered Forest guards, were a real imperial bodyguard from Han times onward — the name is meant to suggest arrows thick as a forest. 圍圍繞繞 doubles both halves of a word meaning "to ring around," and the doubling does the work an English writer would get from "swarming": not one ring of guards but a churn of them. 煩為 is polite officialese, fán wèi — the 為 is wèi, "on my behalf," not the copular wéi.
The gate officer hurried into court, reported it to the muddled king as he had been asked, and the king thereupon had him shown in.
昏君 is the standing epithet for this ruler and it is not flattering. 昏 is literally dusk or dimness, so a 昏君 is a ruler whose judgement has gone dark — the closest English is not "wicked king" but something like "benighted king." The narrative has used it of him ever since he swallowed the Royal Father-in-Law's prescription.
Chapter 78 ended with Wukong taking his master's shape and letting himself be collected for slaughter. This chapter opens with the escort delivering him. Everything that follows depends on the king and the Royal Father-in-Law believing, for a few minutes longer, that the monk in front of them is the one they sent for.
Note how little the narrator does to build suspense. There is no lingering on Wukong's thoughts, no reminder that this is a disguise. The reader is simply told "the false Tang Monk" and left to enjoy knowing more than the court does. That flat, matter-of-fact handling is what makes the scene funny rather than tense.