Canonical Classics ← 第七十九回
第七十九回
xúndòngqínyāofénglǎoshòu
dāngcháozhèngzhǔjiùyīngér

Seeking the Cave to Seize the Fiend He Meets the Old Man of Longevity · At Court the True Sovereign Rescues the Infants

比前又甚
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

比前又甚 Not Like The Last One

liǎngzàidòngqiánzhèchánghǎoshāqiányòushèntóngliǎngzàidòngqiánzhèchánghǎoshāqiányòushèntóng

bàngbèngjīnguāngguǎilūnxiōngbàngbèngjīnguāngguǎilūnxiōng
guàidào:「zhīgǎnjìnménlái。」guàidào:「zhīgǎnjìnménlái。」
xíngzhědào:「yǒuxiángyāoguài。」xíngzhědào:「yǒuxiángyāoguài。」

逐句解 Line by line

liǎngzàidòngqiánzhèchánghǎoshāqiányòushèntóng liǎngzàidòngqiánzhèchánghǎoshāqiányòushèntóng

The two of them fought a fine fight in front of the cave, and this one was very different from the last:

這場好殺 again — the same four characters that introduced the sky battle, with as cháng, the measure for a whole bout. 比前又甚不同 is the storyteller promising his audience that the second battle poem will not be a repeat of the first. It is a fair warning: this one is built out of dialogue.

bàngbèngjīnguāngguǎilūnxiōng bàngbèngjīnguāngguǎilūnxiōng

The rod goes up and spits gold light, / the crutch swings round and lets its fury out.

Two weapons, two verbs, and the fight is open. The poem starts the way the first one did, which makes the departure in the very next line land harder.

guàidào:「zhīgǎnjìnménlái。」 guàidào:「zhīgǎnjìnménlái。」

The fiend said, "You know nothing, and you dare come in at my door."

And now the poem does something the first battle poem never did: it hands the verse over to the fighters. From here to the end of the exchange, the combatants argue in couplets while they fight.

xíngzhědào:「yǒuxiángyāoguài。」 xíngzhědào:「yǒuxiángyāoguài。」

Pilgrim said, "I mean to subdue a fiend."

降妖怪, with as xiáng — subduing, not descending. Nine characters, and it is the whole of Wukong's case.


總評 Commentary

Verse dialogue is unusual and this is one of the novel's better uses of it. The two of them are trading blows and arguments at once, in matched seven-character lines, and the form makes the disagreement feel like a duel in its own right.

The opening exchange sets the terms exactly. The fiend's complaint is about trespass — you came in at my door. Wukong's answer is about purpose. Neither addresses the other's point, which is what makes it an argument rather than a conversation.