Canonical Classics ← 第七十九回
第七十九回
xúndòngqínyāofénglǎoshòu
dāngcháozhèngzhǔjiùyīngér

Seeking the Cave to Seize the Fiend He Meets the Old Man of Longevity · At Court the True Sovereign Rescues the Infants

驚得鳥難飛
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition 含詞賦 With rhapsody

驚得鳥難飛 Birds Could Not Fly

sǔnhuāwèishēngcuìtáiyīnhuásǔnhuāwèishēngcuìtáiyīnhuá
zhǐshādedòngzhōngxiácǎiqīnguāngmíngshàngfāngfēiyǎnzhǐshādedòngzhōngxiácǎiqīnguāngmíngshàngfāngfēiyǎn
pīngpāngjīngdeniǎonánfēiyāoxiàdeměirénsànpīngpāngjīngdeniǎonánfēiyāoxiàdeměirénsàn

逐句解 Line by line

sǔnhuāwèishēngcuìtáiyīnhuá sǔnhuāwèishēngcuìtáiyīnhuá

Fine jade flowers were trampled down for the sake of staying alive, / green moss was kicked through because it made the footing slip.

The couplet is oddly domestic in the middle of a battle: they are ruining the garden, and the poem gives a practical reason for each piece of damage. 琪花, jade flowers, are the flowers of the immortals' gardens — the same paradise the first verse run spent six lines praising, now being churned up underfoot.

zhǐshādedòngzhōngxiácǎiqīnguāngmíngshàngfāngfēiyǎn zhǐshādedòngzhōngxiácǎiqīnguāngmíngshàngfāngfēiyǎn

They fought till the rosy light in the cave went dim, / and the sweet growing things on the cliff were beaten flat.

殺得 takes de, the connector that hangs a result on a verb — fought until. The destruction is running through the exact inventory of the earlier poem: the rosy light, the flowers, the moss, the cliff. The novel praised the place in one verse run so that it could be dismantled in the next.

pīngpāngjīngdeniǎonánfēiyāoxiàdeměirénsàn pīngpāngjīngdeniǎonánfēiyāoxiàdeměirénsàn

The clash and clatter startled the birds so they could not fly, / the shouting frightened the beauty into running away.

乒乓 is a sound word for hard things knocking — the same one that gave modern Chinese its name for table tennis. 吆喝 is , shouting, and both 驚得 and 嚇得 take de: startled so they could not fly, frightened so she ran.


總評 Commentary

This is the poem's real business and the reason the paradise description had to come first. Six lines built the cave into an immortal's garden; three lines take it apart, item by item, in the same order.

The beauty running away is the last we hear of her until Wukong goes back in for her. She has no lines in the entire chapter — the only thing she does is get frightened, get caught and get killed, and the novel gives her the fate it usually reserves for the most decorative thing in the room.