Canonical Classics ← 第三十八回
第三十八回
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The Infant Questions His Mother and Learns the Crooked from the Upright · Metal and Wood, Probing the Mystery, Perceive the False and the True

屍投禪堂
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

屍投禪堂 The Corpse Dumped at the Meditation Hall

shuōliǎoquèdàoleshānménqiánjìngzhíjìnjiāngshīshǒudiūzàichántángménqiándào:「shīláikàn。」tángsēngshuìzháozhèngshāsēngjiǎngxíngzhěhǒnglejièjiǔhuízhīshìtīngdeláijiàoleshēngtángsēngliánmángshēndào:「kànshénme?」jièdào:「xíngzhědewàigōngjiàolǎozhūtuójiāngláile。」xíngzhědào:「zhènángzāodedāiziyǒushénmewàigōng?」jièdào:「shìwàigōngquèjiàolǎozhūtuóláizěnmezhīfèileduōshǎole。」shuōliǎoquèdàoleshānménqiánjìngzhíjìnjiāngshīshǒudiūzàichántángménqiándào:「shīláikàn。」tángsēngshuìzháozhèngshāsēngjiǎngxíngzhěhǒnglejièjiǔhuízhīshìtīngdeláijiàoleshēngtángsēngliánmángshēndào:「kànshénme?」jièdào:「xíngzhědewàigōngjiàolǎozhūtuójiāngláile。」xíngzhědào:「zhènángzāodedāiziyǒushénmewàigōng?」jièdào:「shìwàigōngquèjiàolǎozhūtuóláizěnmezhīfèileduōshǎole。」


逐句解 Line by line

shuōliǎoquèdàoleshānménqiánjìngzhíjìnjiāngshīshǒudiūzàichántángménqián shuōliǎoquèdàoleshānménqiánjìngzhíjìnjiāngshīshǒudiūzàichántángménqián

Hardly had he spoken when they came to the mountain gate; going straight in, he flung the corpse down before the door of the meditation hall.

說不了: before he had finished speaking — here is liǎo, the verb 'to finish,' while the of 到了 two words later is the ordinary le. One character, two jobs, one line. 將屍首丟: flung the corpse down ( = jiāng). = ; 禪堂 is the meditation hall.

dào:「shīláikàn。」 dào:「shīláikàn。」

and said: 'Master, get up and take a look, will you?'

看邪: 'have a look, will you.' The is read , an everyday sentence-ending sound standing in for — not xié, 'evil,' which is the reading the character usually carries and would make nonsense of a pig calling his master to the door.

tángsēngshuìzháozhèngshāsēngjiǎngxíngzhěhǒnglejièjiǔhuízhīshì tángsēngshuìzháozhèngshāsēngjiǎngxíngzhěhǒnglejièjiǔhuízhīshì

The Tang Monk had not been able to sleep, and was just then talking with Sha Monk about how the Pilgrim had coaxed Bajie off and had been so long in returning.

睡不著: could not get to sleep ( = zháo, so takes the tone ). The two who stayed behind have been sitting up worrying, which is a nice domestic touch after all the burglary. = ; = xíng.

tīngdeláijiàoleshēngtángsēngliánmángshēndào:「kànshénme?」 tīngdeláijiàoleshēngtángsēngliánmángshēndào:「kànshénme?」

Hearing him come and call out, the Tang Monk rose at once and said: 'Disciple, look at what?'

Up at once, and asking what he is meant to look at. 聽得: hearing ( = de). 甚麼 = shén me.

jièdào:「xíngzhědewàigōngjiàolǎozhūtuójiāngláile。」 jièdào:「xíngzhědewàigōngjiàolǎozhūtuójiāngláile。」

Bajie said: 'The Pilgrim's grandsire — Old Pig's been made to haul him back.'

外公 is your mother's father, specifically — the outside grandfather, since a married woman's family counted as outside the household. So the joke is not just 'your grandad' but a needling piece of mock-genealogy, and Bajie delivers it while setting a dead king down on the doorstep. 馱將來: hauled him here ( = jiāng; = jiào; = xíng).

xíngzhědào:「zhènángzāodedāiziyǒushénmewàigōng?」 xíngzhědào:「zhènángzāodedāiziyǒushénmewàigōng?」

The Pilgrim said: 'You rice-swilling blockhead — where would I have any grandsire?'

饢糟: 'swill-stuffer,' a term of abuse for a glutton — you can hear the eating in the word. 我那裡有: 'where would I have one?' ( = , the questioning reading). 甚麼 = shén me; 獃子: the light ending.

jièdào:「shìwàigōngquèjiàolǎozhūtuóláizěnme jièdào:「shìwàigōngquèjiàolǎozhūtuóláizěnme

Bajie said: 'Brother, if he's not your grandsire, then why was Old Pig made to haul him here?'

He will not let it drop: if he isn't your grandfather, why have I been carrying him? 不是你外公 ( = ). 卻教: then why have me ( = jiào).

zhīfèileduōshǎole。」 zhīfèileduōshǎole。」

'And you can't think how much labor it cost me.'

費了多少力: the labor it cost. His last word on the subject, and not his last complaint.


總評 Commentary

The scene returns to the temple, where Tripitaka and Sha Monk have been sitting up worrying, and Bajie announces his grim delivery with a joke: the corpse is 'the Pilgrim's grandsire,' whom Old Pig has been made to haul home. The gag — casting the dead king as Wukong's relative and himself as the aggrieved porter — is his revenge in miniature, needling his brother even as he sets the body down.

Wukong's retort and Bajie's mock-innocent comeback keep the bickering going to the last line. The chapter has carried a king's body from the bottom of a well to a temple doorstep entirely on the current of this comic antagonism, and now the corpse lies before the meditation hall, waiting to be seen — and it is Tripitaka's reaction, not Bajie's, that opens the final movement.