定顏賺屍 The Face-Preserving Pearl and the Planted Corpse
龍王道:「元帥原來不知。他本是烏雞國王的屍首,自到井中,我與他定顏珠定住,不曾得壞。你若肯馱他出去,見了齊天大聖,假有起死回生之意啊,莫說寶貝,憑你要甚麼東西都有。」八戒道:「既這等說,我與你馱出去,只說把多少燒埋錢與我?」龍王道「其實無錢。」八戒道:「你好白使人?果然沒錢,不馱。」龍王道:「不馱,請行。」八戒就走。龍王差兩個有力量的夜叉,把屍擡將出去,送到水晶宮門外,丟在那廂,摘了辟水珠,就有水響。龙王道:「元帅原来不知。他本是乌鸡国王的尸首,自到井中,我与他定颜珠定住,不曾得坏。你若肯驮他出去,见了齐天大圣,假有起死回生之意啊,莫说宝贝,凭你要甚么东西都有。」八戒道:「既这等说,我与你驮出去,只说把多少烧埋钱与我?」龙王道「其实无钱。」八戒道:「你好白使人?果然没钱,不驮。」龙王道:「不驮,请行。」八戒就走。龙王差两个有力量的夜叉,把尸抬将出去,送到水晶宫门外,丢在那厢,摘了辟水珠,就有水响。
逐句解 Line by line
The Dragon-King said: 'Marshal, it seems you do not understand.'
原來不知: 'ah — you don't know, then.' The dragon-king begins his sales pitch by correcting a misapprehension he is delighted to find.
'This is in truth the corpse of the king of Wuji; since it came into the well, I have fixed it with a Face-Preserving Pearl, so that it has never decayed.'
定顏珠, the Face-Preserving Pearl, holds a body exactly as it was at death — a magical embalming, and the reason this king can still be brought back rather than merely buried. 井中: 中 = zhōng. 不曾得壞: has never spoiled (得 = dé).
'If you will carry it out and, on seeing the Great Sage, there should be any thought of restoring it to life — never mind treasure, whatever you might want, you shall have.'
起死回生 — 'raise the dead, return them to life' — is still the ordinary Chinese phrase for a miraculous recovery, the one a grateful patient uses about a good doctor. Here it is meant literally, and it is the bait. 憑你要甚麼東西都有: name anything you like and you shall have it (甚麼 = shén me; 都 = dōu).
Bajie said: 'Since you put it so, I'll carry it out for you — but tell me, how much burial-money will you give me?'
And instantly it is a fee negotiation. 燒埋錢 is 'burning-and-burial money,' the customary payment toward a funeral — so Bajie is not asking for a bribe exactly, he is invoicing for undertaker's services.
The Dragon-King said: 'In truth I have no money.'
其實無錢: truly, there is no money. A dragon who cannot see the sun is unlikely to have petty cash.
Bajie said: 'So you'd have a man work for nothing?'
白使人: to work a man for nothing. The indignation is entirely sincere.
'If you really have no money, I won't carry it.'
No money, no carrying (沒 = méi; 不 = bù). He is bluffing, and he is about to find out how well.
The Dragon-King said: 'If you won't carry it, then please be on your way.'
請行: 'then please be on your way' (行 = xíng). The bluff is called with perfect courtesy.
Bajie made to leave.
He turns to go, which is precisely what the dragon-king was waiting for.
The Dragon-King dispatched two strong yakshas to carry the body out, set it down outside the gate of the Crystal Palace, remove the Water-Parting Pearl — and at once there came the sound of rushing water.
The trap is sprung by logistics rather than argument. 差兩個有力量的夜叉: two strong yakshas detailed off for the job (差 = chāi). 擡將出去: carry it out (將 = jiāng). 辟水珠 is the Water-Parting Pearl, which holds the well-water back and makes the crystal palace possible at all; take it away and the water comes straight back in — along with the corpse, and Bajie, and no palace to argue in. 那廂 = nà.
The dragon-king now plays his hand. The corpse is not carrion but the preserved body of the Wuji king, held incorrupt by a Face-Preserving Pearl precisely so that it can one day be revived — and he dangles in front of Bajie the prospect of naming any reward he likes, should the Great Sage manage to bring it back. The bribe is aimed unerringly at the pig's cupidity.
Bajie, true to form, reduces a sacred errand to an invoice, demanding burial-money for the haulage. The haggling is pure comedy — the pig indignant at being asked to work for nothing, the dragon-king pleading poverty — and it ends in a bluff. Bajie stalks off, and the dragon-king, entirely unbothered, wishes him a pleasant journey.
The trap then springs by stratagem rather than persuasion. The yakshas carry the body out, plant it outside the gate, and lift the Water-Parting Pearl; the well-water rushes back, the crystal palace disappears, and Bajie will surface to find the corpse — inescapably — in his own arms. Everything that follows is the comedy of a man who negotiated his way into exactly what he refused.