Canonical Classics ← 第三十八回
第三十八回
yīngérwènzhīxiézhèng
jīncānxuánjiànjiǎzhēn

The Infant Questions His Mother and Learns the Crooked from the Upright · Metal and Wood, Probing the Mystery, Perceive the False and the True

太子陳情
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

太子陳情 The Prince Lays Out His Case

tàiwényánshǒutuōshēnpānānshàngniángniangchězhùdào:「háiéryǒushénshìhuàzhōngjiùzǒu?」tàiguìzàimiànqiándào:「qīngǎnshuōjīnzǎocháoméngqīnchāijiàyīngzhúquǎnchūchénglièǒudōngjiàxiàláidejīngshèngsēngyǒunǎisūnxíngzhěshànxiángyāoyuánláiwángzàihuāyuánjiǎoliújǐngnèizhèquánzhēnjiǎbiànwángqīnlelóngwèijīnsāngēngwángtuōmèngqǐngdàochéngzhuōguàiháiérgǎnjìnxìnláiwènqīncáishuōchūzhèděngyánránshìyāojīng。」tàiwényánshǒutuōshēnpānānshàngniángniangchězhùdào:「háiéryǒushénshìhuàzhōngjiùzǒu?」tàiguìzàimiànqiándào:「qīngǎnshuōjīnzǎocháoméngqīnchāijiàyīngzhúquǎnchūchénglièǒudōngjiàxiàláidejīngshèngsēngyǒunǎisūnxíngzhěshànxiángyāoyuánláiwángzàihuāyuánjiǎoliújǐngnèizhèquánzhēnjiǎbiànwángqīnlelóngwèijīnsāngēngwángtuōmèngqǐngdàochéngzhuōguàiháiérgǎnjìnxìnláiwènqīncáishuōchūzhèděngyánránshìyāojīng。」


逐句解 Line by line

tàiwényánshǒutuōshēnpānānshàng tàiwényánshǒutuōshēnpānānshàng

At these words the prince let go his hold, freed himself, and swung up into the saddle.

He has heard enough. 撒手脫身 is to let go and pull free — out of her arms and onto the horse in one movement. 太子: = .

niángniangchězhùdào:「háiéryǒushénshìhuàzhōngjiùzǒu?」 niángniangchězhùdào:「háiéryǒushénshìhuàzhōngjiùzǒu?」

The lady seized him with one hand and said: 'My child, what is the matter with you, that you would leave before your words are done?'

話不終, before his words were finished. She catches him by the sleeve. = ; 孩兒: = ér; 甚事 has as shén, 'what.'

tàiguìzàimiànqiándào:「qīngǎnshuō tàiguìzàimiànqiándào:「qīngǎnshuō

The prince knelt before her and said: 'Mother, I dare not speak of it.'

He kneels again before speaking. The reluctance is a formality — he is about to tell her everything. 太子: = .

jīnzǎocháoméngqīnchāijiàyīngzhúquǎnchūchéngliè jīnzǎocháoméngqīnchāijiàyīngzhúquǎnchūchéngliè

'This morning at the early court I was charged with the imperial commission to fly the hawks and course the hounds, and went out of the city to hunt.'

早朝 is the dawn audience, court held at first light ( = cháo). 蒙欽差 is to be favored with a royal commission, read chāi, 'to dispatch on business.' 架鷹逐犬 — hawks on the wrist, hounds running — is the standard shorthand for a hunting party.

ǒudōngjiàxiàláidejīngshèngsēngyǒunǎisūnxíngzhěshànxiángyāo ǒudōngjiàxiàláidejīngshèngsēngyǒunǎisūnxíngzhěshànxiángyāo

'By chance I met a holy monk sent from the court of the Land of the East to fetch the scriptures, whose senior disciple, one Sun the Pilgrim, is exceedingly skilled at subduing demons.'

取經聖僧 is the scripture-seeking holy monk, Tripitaka. 孫行者 is Sun the Pilgrim, with read xíng. 極善降妖: exceedingly good at subduing demons — and here is xiáng, 'to subdue,' the other life of the character that read jiàng ('to descend') in the opening poem.

yuánláiwángzàihuāyuánjiǎoliújǐngnèizhèquánzhēnjiǎbiànwángqīnlelóngwèi yuánláiwángzàihuāyuánjiǎoliújǐngnèizhèquánzhēnjiǎbiànwángqīnlelóngwèi

'It emerges that my royal father died within the eight-cornered glazed-tile well of the imperial garden, and that this Quanzhen adept, falsely transformed into my father-king, has usurped the dragon-throne.'

八角琉璃井, the eight-cornered glazed-tile well, is where the true king was drowned in the previous chapter — glazed tile being an expensive finish, so this is an ornamental garden well, not a working one. 全真 names the Quanzhen or 'Complete Perfection' order of Daoism, the costume the demon has chosen. 侵了龍位: he has moved into the dragon-seat.

jīnsāngēngwángtuōmèngqǐngdàochéngzhuōguài jīnsāngēngwángtuōmèngqǐngdàochéngzhuōguài

'Tonight at the third watch my father-king came to him in a dream and begged him to come to the city and seize the fiend.'

三更 is the third night-watch, roughly eleven at night to one in the morning. 託夢 is to send a message by appearing in someone's dream — the king's approach to Tripitaka in the chapter before. It was a recognized channel: ghosts with grievances used dreams the way the living used petitions.

háiérgǎnjìnxìnláiwèn háiérgǎnjìnxìnláiwèn

'Your child dared not wholly believe it, and so came expressly to ask my mother.'

不敢盡信, dared not credit it entirely, with read jìn, 'wholly.' He came for a second source. 孩兒: = ér.

qīncáishuōchūzhèděngyánránshìyāojīng。」 qīncáishuōchūzhèděngyánránshìyāojīng。」

'And now that my mother has spoken words such as these, it must surely be a demon.'

And with his mother's testimony the case closes. 妖精 is the general word for a demon or goblin — the thing on the throne is not a man.


總評 Commentary

The prince lays out the whole case as he now understands it: the hunt, the meeting with the pilgrims, the drowned king, the Daoist impostor, the summons in a dream — all in one compact deposition. It is a neat piece of construction, letting the reader hear from inside a character what the previous chapter showed from outside.

His mother's testimony is the last piece. The monks had the king's own word; the prince had his father's token; only she could supply the evidence from within the marriage. Her account of the cooled love is what lets him say, flatly, 必然是個妖精 — it must be a demon.

Calling the impostor a 全真 adept is pointed. This novel repeatedly stages Daoist alchemists as false claimants to power and holiness, foils to the Buddhist pilgrimage; the usurper is not just a monster but a religious counterfeit. That sharpens the chapter's whole concern with telling the true from the false.