太子陳情 The Prince Lays Out His Case
太子聞言,撒手脫身,攀鞍上馬。那娘娘一把扯住道:「孩兒,你有甚事,話不終就走?」太子跪在面前道:「母親,不敢說。今日早朝,蒙欽差架鷹逐犬,出城打獵。偶遇東土駕下來的個取經聖僧,有大徒弟乃孫行者,極善降妖。原來我父王死在御花園八角琉璃井內,這全真假變父王,侵了龍位。今夜三更,父王託夢,請他到城捉怪。孩兒不敢盡信,特來問母。母親才說出這等言語,必然是個妖精。」太子闻言,撒手脱身,攀鞍上马。那娘娘一把扯住道:「孩儿,你有甚事,话不终就走?」太子跪在面前道:「母亲,不敢说。今日早朝,蒙钦差架鹰逐犬,出城打猎。偶遇东土驾下来的个取经圣僧,有大徒弟乃孙行者,极善降妖。原来我父王死在御花园八角琉璃井内,这全真假变父王,侵了龙位。今夜三更,父王托梦,请他到城捉怪。孩儿不敢尽信,特来问母。母亲才说出这等言语,必然是个妖精。」
逐句解 Line by line
At these words the prince let go his hold, freed himself, and swung up into the saddle.
He has heard enough. 撒手脫身 is to let go and pull free — out of her arms and onto the horse in one movement. 太子: 子 = zǐ.
The lady seized him with one hand and said: 'My child, what is the matter with you, that you would leave before your words are done?'
話不終, before his words were finished. She catches him by the sleeve. 那 = nà; 孩兒: 兒 = ér; 甚事 has 甚 as shén, 'what.'
The prince knelt before her and said: 'Mother, I dare not speak of it.'
He kneels again before speaking. The reluctance is a formality — he is about to tell her everything. 太子: 子 = zǐ.
'This morning at the early court I was charged with the imperial commission to fly the hawks and course the hounds, and went out of the city to hunt.'
早朝 is the dawn audience, court held at first light (朝 = cháo). 蒙欽差 is to be favored with a royal commission, 差 read chāi, 'to dispatch on business.' 架鷹逐犬 — hawks on the wrist, hounds running — is the standard shorthand for a hunting party.
'By chance I met a holy monk sent from the court of the Land of the East to fetch the scriptures, whose senior disciple, one Sun the Pilgrim, is exceedingly skilled at subduing demons.'
取經聖僧 is the scripture-seeking holy monk, Tripitaka. 孫行者 is Sun the Pilgrim, with 行 read xíng. 極善降妖: exceedingly good at subduing demons — and here 降 is xiáng, 'to subdue,' the other life of the character that read jiàng ('to descend') in the opening poem.
'It emerges that my royal father died within the eight-cornered glazed-tile well of the imperial garden, and that this Quanzhen adept, falsely transformed into my father-king, has usurped the dragon-throne.'
八角琉璃井, the eight-cornered glazed-tile well, is where the true king was drowned in the previous chapter — glazed tile being an expensive finish, so this is an ornamental garden well, not a working one. 全真 names the Quanzhen or 'Complete Perfection' order of Daoism, the costume the demon has chosen. 侵了龍位: he has moved into the dragon-seat.
'Tonight at the third watch my father-king came to him in a dream and begged him to come to the city and seize the fiend.'
三更 is the third night-watch, roughly eleven at night to one in the morning. 託夢 is to send a message by appearing in someone's dream — the king's approach to Tripitaka in the chapter before. It was a recognized channel: ghosts with grievances used dreams the way the living used petitions.
'Your child dared not wholly believe it, and so came expressly to ask my mother.'
不敢盡信, dared not credit it entirely, with 盡 read jìn, 'wholly.' He came for a second source. 孩兒: 兒 = ér.
'And now that my mother has spoken words such as these, it must surely be a demon.'
And with his mother's testimony the case closes. 妖精 is the general word for a demon or goblin — the thing on the throne is not a man.
The prince lays out the whole case as he now understands it: the hunt, the meeting with the pilgrims, the drowned king, the Daoist impostor, the summons in a dream — all in one compact deposition. It is a neat piece of construction, letting the reader hear from inside a character what the previous chapter showed from outside.
His mother's testimony is the last piece. The monks had the king's own word; the prince had his father's token; only she could supply the evidence from within the marriage. Her account of the cooled love is what lets him say, flatly, 必然是個妖精 — it must be a demon.
Calling the impostor a 全真 adept is pointed. This novel repeatedly stages Daoist alchemists as false claimants to power and holiness, foils to the Buddhist pilgrimage; the usurper is not just a monster but a religious counterfeit. That sharpens the chapter's whole concern with telling the true from the false.