計取骨襯 The Plan to Fetch the Bones
唐僧道:「憑你怎生裁處?」行者笑道:「老孫的計已成了。只是干礙著你老人家,有些兒護短。」唐僧道:「我怎麼護短?」行者道:「八戒生得夯,你有些兒偏向他。」唐僧道:「我怎麼向他?」行者道:「你若不向他啊,且如今把膽放大些,與沙僧只在這裡。待老孫與八戒趁此時先入那烏雞國城中,尋著御花園,打開琉璃井,把那皇帝屍首撈將上來,包在我們包袱裡。明日進城,且不管甚麼倒換文牒,見了那怪,掣棍來就打。他但有言語,就將骨襯與他看,說:『你殺的是這個人。』唐僧道:「凭你怎生裁处?」行者笑道:「老孙的计已成了。只是干碍着你老人家,有些儿护短。」唐僧道:「我怎么护短?」行者道:「八戒生得夯,你有些儿偏向他。」唐僧道:「我怎么向他?」行者道:「你若不向他啊,且如今把胆放大些,与沙僧只在这里。待老孙与八戒趁此时先入那乌鸡国城中,寻着御花园,打开琉璃井,把那皇帝尸首捞将上来,包在我们包袱里。明日进城,且不管甚么倒换文牒,见了那怪,掣棍来就打。他但有言语,就将骨衬与他看,说:『你杀的是这个人。』
逐句解 Line by line
The Tang Monk said: 'Then how do you propose to handle it?'
憑你怎生裁處: 'so how do you mean to handle it?' 裁處 (cái chǔ) is to dispose of a matter, with 處 read chǔ as the verb 'to deal with,' not chù, 'a place.'
The Pilgrim said with a laugh: 'Old Sun's plan is already laid.'
計已成: the plan is already made. He has had it all along and has been waiting to be asked. 行 = xíng; 了 = le.
'Only it touches on you, sir — you are a bit inclined to shield your own.'
Now watch the setup. 干礙著 is to involve or bear on someone (著 = zhe); 護短 is to cover for another person's failings, to take their side when they are in the wrong. Wukong needs Tripitaka to deny it before he explains what the plan requires. 兒 in 些兒 is the light ending.
The Tang Monk said: 'How am I inclined to shield my own?'
And he takes the bait on cue.
The Pilgrim said: 'Bajie was born a lummox, and you rather take his side.'
生得夯: born thick and heavy-handed (夯 = hāng, the character for a rammer used to pound earth, which tells you the flavor of the insult; 得 = de). 偏向 is to lean someone's way. 兒 = the light ending.
The Tang Monk said: 'How do I take his side?'
The straight man's second question keeps the trap open one line longer.
The Pilgrim said: 'If you truly do not favor him, then for now screw up your courage and stay right here with Sha Monk.'
The vow of impartiality, duly extracted. 把膽放大 — 'make your gall bigger' — is the Chinese way of saying 'take courage'; the gallbladder, not the heart, was the seat of nerve. 沙僧 is Sha Monk. In 不向他 the 不 takes the tone bú before the falling tone of xiàng.
'Let old Sun and Bajie take this hour to slip first into the city of Wuji, find the imperial garden, open the glazed-tile well, haul up that king's corpse, and wrap it in our bundle.'
The real plan at last, and it is grave-robbing. 琉璃井 is the glazed-tile well the king was drowned in. 尋著, find it — 著 read zháo, marking the finding as accomplished. 撈將上來: haul it up (將 = jiāng). 那, twice, = nà; 中 = zhōng.
'Tomorrow, entering the city, we will not trouble at all about getting our travel-papers stamped: the moment we see the fiend, out comes the cudgel and we strike.'
倒換文牒 is the traveler's routine of having papers inspected and re-stamped at each border — the visa queue of the Tang world, and the errand that normally brings the pilgrims into a throne room at all. Wukong proposes to skip it and open with the cudgel instead. 倒 = dào, 'to exchange.' 甚麼 = shén me; 那 = nà; 了 = le.
'Should he have anything to say, we will thrust the bones before him and say: "This is the man you murdered."'
骨襯 is the bones, the mortal remains. 將骨襯 takes them up to be shown (將 = jiāng). This is the whole plan in one line: not an argument but an exhibit, produced in open court.
Wukong's plan answers the evidence problem exactly. Since the demon cannot be convicted on assertion, the pilgrims will go and fetch the body: into the city by night, into the imperial garden, down the well, and back the next morning to confront the impostor with the bones themselves — 'this is the man you murdered.' Force and proof are married, and the cudgel now has a case behind it.
The scene is framed by a running domestic joke. Before he will say what the plan is, Wukong needles his master for 'shielding his own' — for going soft on the lazy Bajie — and Tripitaka's indignant denials are the real maneuver. The vow of impartiality is extracted in advance precisely so the master cannot object later when Wukong drafts the pig for a night of grave-robbing.
The plan's casual lawlessness — skip the travel papers, strike on sight — is characteristic of this novel's pragmatism about means. What matters is that the false king be exposed and the true one restored. The procedural niceties Wukong raised as an obstacle are, the moment the evidence is in hand, cheerfully set aside.