叩寺求師 Seeking the Master at the Temple
太子急忙上馬,出後宰門,躲離城池。真個是噙淚叩頭辭國母,含悲頓首復唐僧。不多時,出了城門,徑至寶林寺山門前下馬。眾軍士接著太子,又見紅輪將墜。太子傳令:不許軍士亂動。他又獨自個入了山門,整束衣冠,拜請行者。只見那猴王從正殿搖搖擺擺走來,那太子雙膝跪下道:「師父,我來了。」行者上前攙住道:「請起。你到城中,可曾問誰麼?」太子道:「問母親來。」將前言盡說了一遍。行者微微笑道:「若是那般冷啊,想是個甚麼冰冷的東西變的。不打緊,不打緊,等我老孫與你掃蕩。卻只是今日晚了,不好行事。你先回去,待明早我來。」太子急忙上马,出后宰门,躲离城池。真个是噙泪叩头辞国母,含悲顿首复唐僧。不多时,出了城门,径至宝林寺山门前下马。众军士接著太子,又见红轮将坠。太子传令:不许军士乱动。他又独自个入了山门,整束衣冠,拜请行者。只见那猴王从正殿摇摇摆摆走来,那太子双膝跪下道:「师父,我来了。」行者上前搀住道:「请起。你到城中,可曾问谁么?」太子道:「问母亲来。」将前言尽说了一遍。行者微微笑道:「若是那般冷啊,想是个甚么冰冷的东西变的。不打紧,不打紧,等我老孙与你扫荡。却只是今日晚了,不好行事。你先回去,待明早我来。」
逐句解 Line by line
The prince mounted in haste, went out by the Rear Steward's Gate, and slipped away from the walled city.
後宰門: the Rear Steward's Gate (宰 = zǎi). 太子: 子 = zǐ.
Truly it was: with tears held back he kowtowed and took his leave of the queen-mother; bearing his grief he bowed his head and turned again to the Tang Monk.
真個是: a storyteller's tag introducing an inline parallel couplet, kept here as prose (the narrative resumes directly after). 辭國母…復唐僧 compresses the prince's whole return in a single antithesis.
In no long while he passed out through the city gate and came straight to the mountain gate of Baolin Temple, where he dismounted.
寶林寺: Baolin ('Treasure-Grove') Temple, where the pilgrims are lodged. 了 = le (aspect).
The soldiers received the prince, and saw besides that the red wheel of the sun was about to sink.
接著: received, greeted (著 = zhe, aspectual). 紅輪將墜: the red wheel [sun] about to sink — 將 = jiāng ('about to'); dusk is falling. 太子: 子 = zǐ.
The prince gave the order: the soldiers were not to stir about in disorder.
不許軍士亂動: forbade the soldiers to move about in disorder. 太子: 子 = zǐ.
He then went in alone through the mountain gate, set his cap and gown to rights, and reverently sought out the Pilgrim.
整束衣冠: to straighten one's cap and robe (衣冠, 冠 = guān, the cap). 拜請行者: reverently to seek the Pilgrim (行 = xíng).
He saw the Monkey King come swaggering out from the main hall; and the prince, dropping to both knees, said: 'Master, I have come.'
搖搖擺擺: swaggering, rolling side to side — Wukong's characteristic gait. 那 (twice) = nà; 太子: 子 = zǐ; 了 = le.
The Pilgrim stepped forward, helped him up, and said: 'Please rise.'
攙住: to support, steady (chān). 行 = xíng.
'When you reached the city, did you ask anyone?'
城中: 中 = zhōng.
The prince said: 'I asked my mother.'
太子: 子 = zǐ.
And he told over the whole of what had been said before.
將前言盡說了一遍: took the earlier words and told them all through once — 將 = jiāng (disposal coverb); 盡 = jìn (wholly).
The Pilgrim said with a slight smile: 'If he was cold in that way, then likely it is some cold-natured thing that has taken his shape.'
那般冷: cold in that way (那 = nà). 甚麼 = shén me. 行 = xíng. Wukong's diagnosis — a cold-natured creature — points ahead to the demon's nature.
'No matter, no matter — let old Sun sweep it away for you.'
不打緊: 'no matter, of no consequence.' 老孫: 'old Sun,' Wukong's self-reference.
'Only it has grown late today, and this is no time to set to work.'
不好行事: 'no [good time] to act' (行 = xíng, 'to do'); the lateness of the hour.
'Go back first; wait until early tomorrow, and I will come.'
待明早我來: 'wait until tomorrow morning, and I will come.'
The scene shifts back to Baolin Temple, and the register lightens. The prince's grief-laden return is dispatched in an inline couplet (真個是…), after which the narrative attends to homely particulars — the soldiers received at the gate, the sun sinking, the order to keep still, the prince straightening his robes before he kneels. Against this, Wukong's swaggering entrance (搖搖擺擺) restores the comic energy the palace scenes had suspended.
Wukong's response is briskly practical. He needs only the queen's one detail — the marital 'cold' — to diagnose the impostor as 'some cold-natured thing,' and to promise, with his usual bravado, to sweep it away. The demon-catcher reduces the palace's tangled grief to a technical problem he already knows how to solve.
His deferral — it is late, wait until morning — is both plausible stagecraft and a setup. The prince will resist being sent home, and the negotiation that follows turns Wukong's caution into the seed of the next passage's comedy and strategy.