Canonical Classics ← 第三十八回
第三十八回
yīngérwènzhīxiézhèng
jīncānxuánjiànjiǎzhēn

The Infant Questions His Mother and Learns the Crooked from the Upright · Metal and Wood, Probing the Mystery, Perceive the False and the True

叩寺求師
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

叩寺求師 Seeking the Master at the Temple

tàimángshàngchūhòuzǎiménduǒchéngchízhēnshìqínlèikòutóuguóhánbēidùnshǒutángsēngduōshíchūlechéngménjìngzhìbǎolínshānménqiánxiàzhòngjūnshìjiēzhetàiyòujiànhónglúnjiāngzhuìtàichuánlìngjūnshìluàndòngyòuleshānménzhěngshùguānbàiqǐngxíngzhězhǐjiànhóuwángcóngzhèng殿diànyáoyáobǎibǎizǒuláitàishuāngguìxiàdào:「shīláile。」xíngzhěshàngqiánchānzhùdào:「qǐngdàochéngzhōngzēngwènshuíme?」tàidào:「wènqīnlái。」jiāngqiányánjìnshuōlebiànxíngzhěwēiwēixiàodào:「ruòshìbānlěngaxiǎngshìshénmebīnglěngdedōng西biàndejǐnjǐnděnglǎosūnsǎodàngquèzhǐshìjīnwǎnlehǎoxíngshìxiānhuídàimíngzǎolái。」tàimángshàngchūhòuzǎiménduǒchéngchízhēnshìqínlèikòutóuguóhánbēidùnshǒutángsēngduōshíchūlechéngménjìngzhìbǎolínshānménqiánxiàzhòngjūnshìjiēzhetàiyòujiànhónglúnjiāngzhuìtàichuánlìngjūnshìluàndòngyòuleshānménzhěngshùguānbàiqǐngxíngzhězhǐjiànhóuwángcóngzhèng殿diànyáoyáobǎibǎizǒuláitàishuāngguìxiàdào:「shīláile。」xíngzhěshàngqiánchānzhùdào:「qǐngdàochéngzhōngzēngwènshuíme?」tàidào:「wènqīnlái。」jiāngqiányánjìnshuōlebiànxíngzhěwēiwēixiàodào:「ruòshìbānlěngaxiǎngshìshénmebīnglěngdedōng西biàndejǐnjǐnděnglǎosūnsǎodàngquèzhǐshìjīnwǎnlehǎoxíngshìxiānhuídàimíngzǎolái。」


逐句解 Line by line

tàimángshàngchūhòuzǎiménduǒchéngchí tàimángshàngchūhòuzǎiménduǒchéngchí

The prince mounted in haste, went out by the Rear Steward's Gate, and slipped away from the walled city.

後宰門: the Rear Steward's Gate (宰 = zǎi). 太子: 子 = zǐ.

zhēnshìqínlèikòutóuguóhánbēidùnshǒutángsēng zhēnshìqínlèikòutóuguóhánbēidùnshǒutángsēng

Truly it was: with tears held back he kowtowed and took his leave of the queen-mother; bearing his grief he bowed his head and turned again to the Tang Monk.

真個是: a storyteller's tag introducing an inline parallel couplet, kept here as prose (the narrative resumes directly after). 辭國母…復唐僧 compresses the prince's whole return in a single antithesis.

duōshíchūlechéngménjìngzhìbǎolínshānménqiánxià duōshíchūlechéngménjìngzhìbǎolínshānménqiánxià

In no long while he passed out through the city gate and came straight to the mountain gate of Baolin Temple, where he dismounted.

寶林寺: Baolin ('Treasure-Grove') Temple, where the pilgrims are lodged. 了 = le (aspect).

zhòngjūnshìjiēzhetàiyòujiànhónglúnjiāngzhuì zhòngjūnshìjiēzhetàiyòujiànhónglúnjiāngzhuì

The soldiers received the prince, and saw besides that the red wheel of the sun was about to sink.

接著: received, greeted (著 = zhe, aspectual). 紅輪將墜: the red wheel [sun] about to sink — 將 = jiāng ('about to'); dusk is falling. 太子: 子 = zǐ.

tàichuánlìngjūnshìluàndòng tàichuánlìngjūnshìluàndòng

The prince gave the order: the soldiers were not to stir about in disorder.

不許軍士亂動: forbade the soldiers to move about in disorder. 太子: 子 = zǐ.

yòuleshānménzhěngshùguānbàiqǐngxíngzhě yòuleshānménzhěngshùguānbàiqǐngxíngzhě

He then went in alone through the mountain gate, set his cap and gown to rights, and reverently sought out the Pilgrim.

整束衣冠: to straighten one's cap and robe (衣冠, 冠 = guān, the cap). 拜請行者: reverently to seek the Pilgrim (行 = xíng).

zhǐjiànhóuwángcóngzhèng殿diànyáoyáobǎibǎizǒuláitàishuāngguìxiàdào:「shīláile。」 zhǐjiànhóuwángcóngzhèng殿diànyáoyáobǎibǎizǒuláitàishuāngguìxiàdào:「shīláile。」

He saw the Monkey King come swaggering out from the main hall; and the prince, dropping to both knees, said: 'Master, I have come.'

搖搖擺擺: swaggering, rolling side to side — Wukong's characteristic gait. 那 (twice) = nà; 太子: 子 = zǐ; 了 = le.

xíngzhěshàngqiánchānzhùdào:「qǐng xíngzhěshàngqiánchānzhùdào:「qǐng

The Pilgrim stepped forward, helped him up, and said: 'Please rise.'

攙住: to support, steady (chān). 行 = xíng.

dàochéngzhōngzēngwènshuíme?」 dàochéngzhōngzēngwènshuíme?」

'When you reached the city, did you ask anyone?'

城中: 中 = zhōng.

tàidào:「wènqīnlái。」 tàidào:「wènqīnlái。」

The prince said: 'I asked my mother.'

太子: 子 = zǐ.

jiāngqiányánjìnshuōlebiàn jiāngqiányánjìnshuōlebiàn

And he told over the whole of what had been said before.

將前言盡說了一遍: took the earlier words and told them all through once — 將 = jiāng (disposal coverb); 盡 = jìn (wholly).

xíngzhěwēiwēixiàodào:「ruòshìbānlěngaxiǎngshìshénmebīnglěngdedōng西biànde xíngzhěwēiwēixiàodào:「ruòshìbānlěngaxiǎngshìshénmebīnglěngdedōng西biànde

The Pilgrim said with a slight smile: 'If he was cold in that way, then likely it is some cold-natured thing that has taken his shape.'

那般冷: cold in that way (那 = nà). 甚麼 = shén me. 行 = xíng. Wukong's diagnosis — a cold-natured creature — points ahead to the demon's nature.

jǐnjǐnděnglǎosūnsǎodàng jǐnjǐnděnglǎosūnsǎodàng

'No matter, no matter — let old Sun sweep it away for you.'

不打緊: 'no matter, of no consequence.' 老孫: 'old Sun,' Wukong's self-reference.

quèzhǐshìjīnwǎnlehǎoxíngshì quèzhǐshìjīnwǎnlehǎoxíngshì

'Only it has grown late today, and this is no time to set to work.'

不好行事: 'no [good time] to act' (行 = xíng, 'to do'); the lateness of the hour.

xiānhuídàimíngzǎolái。」 xiānhuídàimíngzǎolái。」

'Go back first; wait until early tomorrow, and I will come.'

待明早我來: 'wait until tomorrow morning, and I will come.'


總評 Commentary

The scene shifts back to Baolin Temple, and the register lightens. The prince's grief-laden return is dispatched in an inline couplet (真個是…), after which the narrative attends to homely particulars — the soldiers received at the gate, the sun sinking, the order to keep still, the prince straightening his robes before he kneels. Against this, Wukong's swaggering entrance (搖搖擺擺) restores the comic energy the palace scenes had suspended.

Wukong's response is briskly practical. He needs only the queen's one detail — the marital 'cold' — to diagnose the impostor as 'some cold-natured thing,' and to promise, with his usual bravado, to sweep it away. The demon-catcher reduces the palace's tangled grief to a technical problem he already knows how to solve.

His deferral — it is late, wait until morning — is both plausible stagecraft and a setup. The prince will resist being sent home, and the negotiation that follows turns Wukong's caution into the seed of the next passage's comedy and strategy.