Canonical Classics ← 第三十八回
第三十八回
yīngérwènzhīxiézhèng
jīncānxuánjiànjiǎzhēn

The Infant Questions His Mother and Learns the Crooked from the Upright · Metal and Wood, Probing the Mystery, Perceive the False and the True

越牆尋園
模式 Mode Read Study
拼音 Pinyin Off
字體 Script
原文 Original text 繁體 Traditional Reader's edition

越牆尋園 Over the Wall to the Garden

liǎngdekāileménduǒsānzàngzòngxiángguāngjìngbēnchéngduōshídàoleànluòyúntóuzhǐtīngdelóutóufāngèrxíngzhědào:「xiōngèrgēngshífēnle。」jièdào:「zhènghǎozhènghǎoréndōuzàitóujiàozhèngnóngshuì。」èrrénbēnzhèngyángménjìngdàohòuzǎiménshǒuzhǐtīngdebānglíngshēngxiǎngxíngzhědào:「xiōngqiánhòuménjiējǐn?」jièdào:「jiànzuòzéidecóngménzǒumemánqiángtiàoguò便biànba。」xíngzhěyánjiāngshēnzòngtiàoshàngluóchéngqiángjiètiàoshàngèrrénqiánmiànzhǎozháoménjìngxúnhuāyuánliǎngdekāileménduǒsānzàngzòngxiángguāngjìngbēnchéngduōshídàoleànluòyúntóuzhǐtīngdelóutóufāngèrxíngzhědào:「xiōngèrgēngshífēnle。」jièdào:「zhènghǎozhènghǎoréndōuzàitóujiàozhèngnóngshuì。」èrrénbēnzhèngyángménjìngdàohòuzǎiménshǒuzhǐtīngdebānglíngshēngxiǎngxíngzhědào:「xiōngqiánhòuménjiējǐn?」jièdào:「jiànzuòzéidecóngménzǒumemánqiángtiàoguò便biànba。」xíngzhěyánjiāngshēnzòngtiàoshàngluóchéngqiángjiètiàoshàngèrrénqiánmiànzhǎozháoménjìngxúnhuāyuán


逐句解 Line by line

liǎngdekāileménduǒsānzàngzòngxiángguāngjìngbēnchéng liǎngdekāileménduǒsānzàngzòngxiángguāngjìngbēnchéng

The two of them quietly opened the door, slipped away from Tripitaka, loosed an auspicious light, and made straight for the city.

縱祥光: to loose an auspicious light (their flying radiance). 三藏 = Tripitaka (藏 = zàng); 那 = nà; 奔 = bēn.

duōshídàoleànluòyúntóuzhǐtīngdelóutóufāngèr duōshídàoleànluòyúntóuzhǐtīngdelóutóufāngèr

In no long while they arrived, brought down their cloud, and heard the tower just then beating the second drum.

二鼓: the second drum-beat, marking the second night-watch. 得 = de (聽得).

xíngzhědào:「xiōngèrgēngshífēnle。」 xíngzhědào:「xiōngèrgēngshífēnle。」

The Pilgrim said: 'Brother, it is the second watch.'

二更時分: the time of the second watch (更 = gēng).

jièdào:「zhènghǎozhènghǎoréndōuzàitóujiàozhèngnóngshuì。」 jièdào:「zhènghǎozhènghǎoréndōuzàitóujiàozhèngnóngshuì。」

Bajie said: 'Just right, just right — everyone is deep in their first sleep.'

頭覺: the first sleep of the night (覺 = jiào, 'sleep'). 都 = dōu.

èrrénbēnzhèngyángménjìngdàohòuzǎiménshǒuzhǐtīngdebānglíngshēngxiǎng èrrénbēnzhèngyángménjìngdàohòuzǎiménshǒuzhǐtīngdebānglíngshēngxiǎng

The two did not head for the Zhengyang Gate, but went straight to the Rear Steward's Gate, where they heard the clappers and bells sounding.

正陽門: the main south gate; 後宰門: the rear service gate (宰 = zǎi). 梆鈴: the watchman's clapper and bell. 得 = de.

xíngzhědào:「xiōngqiánhòuménjiējǐn?」 xíngzhědào:「xiōngqiánhòuménjiējǐn?」

The Pilgrim said: 'Brother, front gate and back are both on strict watch — how are we to get in?'

得入: to get in (得 = dé, 'to manage'). 行 = xíng.

jièdào:「jiànzuòzéidecóngménzǒumemánqiángtiàoguò便biànba。」 jièdào:「jiànzuòzéidecóngménzǒumemánqiángtiàoguò便biànba。」

Bajie said: 'Whoever saw a thief go in by the door? We'll just slip over the wall and be done.'

那見做賊的從門裡走: 'whoever saw a thief go by the door?' — 那 = nǎ (rhetorical). 瞞牆跳過: to slip over the wall unseen. 便罷 = ba.

xíngzhěyánjiāngshēnzòngtiàoshàngluóchéngqiáng xíngzhěyánjiāngshēnzòngtiàoshàngluóchéngqiáng

The Pilgrim did as he said, flung his body up with a bound, and leapt onto the inner enclosing wall.

將身一縱: with a heave he flung himself up (將 = jiāng). 裡羅城牆: the inner enclosing wall.

jiètiàoshàng jiètiàoshàng

Bajie leapt up too.

Bajie follows over the wall.

èrrénqiánmiànzhǎozháoménjìngxúnhuāyuán èrrénqiánmiànzhǎozháoménjìngxúnhuāyuán

The two slipped inside, found their way, and made straight for the imperial garden.

找著: found (著 = zháo). 那 = nà; the pair make for the garden and its well.


總評 Commentary

The chapter's central operation begins in the register of a caper. Wukong and Bajie slip from their master's side, fly to the sleeping city, and — finding both gates under strict watch — go over the wall on Bajie's sound thief's logic ('whoever saw a burglar use the door?'). The nocturnal timing, marked by drum and clapper, gives the scene the texture of a heist.

The comedy is companionable rather than fraught. Bajie, who grumbled his way into the errand, is here an eager and competent accomplice, offering the professional's advice and vaulting the wall after Wukong. The two make straight for the imperial garden, and the tone of light adventure holds just long enough to reach the ruin and the grim purpose waiting in the well.